Sentences with phrase «entire picture plane»

In both early and late paintings mentioned, larger expanses of quickly applied color overtake the entire picture plane.

Through subtle adjustments and juxtapositions of hue, scale, and pattern, Nozkowski creates disorienting and engaging relationships that enliven the entire picture plane.

My intention with the texture is to compel the viewer to getting closer and finding a particular area of interest within the vast universe of the entire picture plane.

The result are maze - like formations, locking in the eye and guiding it over the entire picture plane.

From 1967 to 1973, Thornton Willis worked on a series of paintings now called his «Slat Series» involving a «wet on wet» process working on the floor on large wet unstretched canvas and using rollers with long extension handles to develop striped bands across the entire picture plane.

Her reading of Henri Bergson's theory of «living energy» is demonstrated in her paintings with active forms covering the entire picture plane, as she «believes in the interconnected nature of all living things...» [1] As such, she was among the early practitioners of the «all - over» painting style along with Jackson Pollock.

«If I was going to get around Bill de Kooning, first of all I had to go faster than he, and second of all I had to do something much larger than he,» says Whitten, who created a 12 - foot - wide tool he called the «developer» to drag paint in a single gesture across the entire picture plane.

Not exact matches

This movement toward a more overall organization of the picture plane reaches a crescendo of sorts in Central Park Trees (oil on canvas, 2015), in which the sky appears only as flashes of light through the trees while the entire surface is otherwise occupied by a lush green glade.

That's the reason he used these massive and overwhelming, almost immersive, picture planes, which he, in some cases, constructed as entire spaces.

I suppose I'm assuming that the old masters and modern painters have always been concerned to create pictures without «holes» and «bumps» but that they have maybe achieved this in two different ways — modernist with flat planes parallel to the picture surface; old masters with an unbroken «skin» across the entire picture.

There are openings to other spaces, bathed in light or cloaked in darkness, but the spatial illusion in his paintings is fused to a sense that the entire picture surface is leaning up against the picture plane, pushing into our world rather than receding away from it.