Sentences with phrase «entire point of this movie»

Which may or may not be the entire point of the movie.

SIGHTS: Sure, if you want some blood and violence, (and you've missed the entire point of this movie), you'll get some in the third act.

In fact, it misses the entire point of the movie, which is that everyone wanted to avoid violence at the diamond heist to keep it simple and easy.

Not exact matches

The inclusion of an absurd yet thoroughly captivating celebrity cameo, which essentially stands as a high point within the entire series, perpetuates Night at the Museum: Secret of the Tomb's better - than - expected third - act atmosphere, although, unfortunately, director Shawn Levy ensures that the film concludes with a whimper by offering up an excessively sappy final stretch that just goes on and on - with this underwhelming climax confirming the movie's place as an almost passable concluding entry in a seriously forgettable trilogy.

It's an awfully flimsy thing to base so much on (especially an entire movie), especially when a great deal of evidence points to the contrary.

The Huntsman: Winter's War is the followup to Snow White and the Huntsman, one of many fairytale movies that missed the entire point of making such a movie in the first place.

While I understand that is kind of the whole point to Movie 43 — I sensed a mocking, if not altogether disdainful view towards not just Hollywood (hence Dennis Quaid's role in this film) but the entire human race given the level of gruesomeness — there simply must have been at least a baker's dozen different and far better ways to shape this rebellious beast.

Like every Dragon Ball game up until this point, Battle of Z has you playing through the entire series and some of the movie storylines.

It felt like the entire point of every previous Marvel movie was to build to the deeply satisfying Avengers sequence where the Hulk swats swarms of aliens and pummels the duplicitous deity Loki, in scenes that were the closest onscreen equivalent to the kinetic, physics - defying visual poetry of late Hulk co-creator Jack Kirby.

In case one also happens to forget the opening bit with the orphanage, The Boss is also a movie that wants us to delight in the despicable behavior of the lead character, only to make excuses for her that undermine the entire point.

In the movie where that character first appears, the literal entire point is that he does not want to fight, he doesn't want to be a weapon of war.

He patronizes Michael Powell and Humphrey Jennings (accorded one measly clip each); fails to mention Joseph Losey, Cy Endfield, or Richard Lester (presumably regarding all three as American interlopers); reduces Ken Russell and Mike Leigh to the worst single clips imaginable (and has nothing to say about the TV work of either); limits John Boorman, Bill Douglas, Terry Gilliam, Peter Greenaway, Isaac Julien, and Sally Potter to one fleeting movie poster apiece; and omits virtually the entire English documentary movement (though he includes a disparaging nod to Night Mail), along with the cycle of Hammer horror movies — while paying abject obeisance to the Academy Awards and every crumb they've offered British cinema (special points to Chariots of Fire, Gandhi, and Four Weddings and a Funeral).

Fortunately, this movie gets bonus points for lush and rich scenery of the city of Barcelona (which suffer slightly from the DVD's fullscreen presentation) and the dance sequences choreographed by High School Musical's Kenny Ortega (who directed this entire film as well).

The entire movie (Parts I and II) were filmed back - to - back, but I can't think of a natural separation point in the book.

Wordy as the letter is, it could be boiled down much like Al Gore's 2006 movie or the collective lot of the entire catastrophic man - caused global warming into a 3 - part talking point: «the science is settled» / skeptics are industry - funded & orchestrated liars» / «reporters may ignore skeptics because of the prior two reasons.»