Sentences with phrase «entire space works»

Not exact matches

The most important lesson from the New Fast Food is to recognize that the entire experience creates the brand — from the logo and menu to the layout of the space and people working behind the counter.

But Schumer stopped short of saying that his entire Democratic caucus would join him in opposition to Gorsuch, leaving political space for some Democrats to find ways to work with Republicans.

That might seem crazy to those of you with large living rooms or even entire rooms dedicated to your workout space, but for me, it totally works.

The biggest challenge I had for my designer was working the entire space around this beautiful rug I had recently purchased, featured in the concept and room rendering below.

The eye make up can be amped up with shimmer particles and this can be done in a number of ways — use metallic eyeliner at the base of the lash or press shimmer powder across the entire eye make up (without smudging the existing work), or, my personal favourite — in the negative space between the latte shadow and the underlay gently blend in metallic shimmer eyeshadow that matches the jewellery you are wearing with your dress — gold with gold, silver with silver and white with platinum.

A friendly staff that works in a front office space that is well planned, comfortably appointed, and uncluttered is sure to present a welcoming atmosphere to the entire school community.

Coming up with some group norms certainly works, but having an entire system of group norms and approaches works best, the way a code of conduct at edtech conferences helps women feel safer in these spaces.

«SEMA staff works diligently to identify areas of improvement for exhibitors throughout the entire SEMA Show experience, from requesting exhibit space, to planning for the Show, to tearing down the booth.

I've witnessed dedicated warriors work literally nonstop for an entire week prior to the show in order to turn an empty exhibit space into amazing display areas.

The snapping works great for pages like the home screen where the click points are evenly spaced across the entire screen.

But a reader only has to open the first page to understand this remarkable work of art is a masterpiece of compression, each section its own unique piece to a larger puzzle that eventually builds an entire universe, with lines that streak like comets through the space breaks, such as: «Bad art is from no one to no one» and «Happiness begins to deteriorate once it is named.»

For example: If you don't have time to format the entire manuscript in one day, then just insert the section breaks today, work on the margins and spacing tomorrow, deal with the headers the next day, etc..

These works on the layout of the entire paper, and adherence to font sizes, font styles, page numbering and word or line spacing.

If you do decide to bring your four - legged friend to work with you, remember to pack enough food and water to last them the entire day, and make sure you've pet - proofed your office space to ensure a healthy, safe environment for both your pet and fellow employees.

The entire lobby was reworked to provide more communal working space with charging outlets.

• The king bed was wonderfully firm, with my choice of Balinese linen or Egyptian cotton sheets (I preferred the silkier cotton) • The Bose sound system was one of the best I've ever encountered in a hotel room • The intelligently configured closet took up the entire entrance corridor wall, with vast amounts of drawer, hanging, and shelf space, a safe, and this unique touch: hangers made of wood that matches the closet • The indoor - outdoor living room was enormous, with a wall - length divan that made working on my laptop a tropical indulgence • The bathroom was like a private spa, with two complete sink units, a super-deep soaking tub, a walk - in stone shower, and more

His Berlin Installation takes up an entire length of the gallery's back room (unusually, broken up with temporary walls for this show dividing the characterful space, which works perfectly for installations and immersive works, into a more classical gallery for showing photography).

Matt Jones» Multiverse was a generously dense exhibition with works covering the entire gallery space including two floor - to - ceiling wall installations.

Negative Pyramid (1997) and three works from his Incomplete Open Cube series (1974) illustrate in three dimensions the generative potential of LeWitt's serial approach, exemplified by the museum's sweeping installation of the artist's wall drawings — which span LeWitt's entire career, covering over an acre of wall space on three floors of a building at the very heart of MASS MoCA's campus.

He abandons all his works, his entire collection, and all his artistic materials, for an extended stay in the Mojave Desert where he can feel space without limits.

Seated on a Victorian see - saw, the entire work slowly pivots in the gallery space, offering a metaphor for dialogue, balance and conflict, while symbolising the possibility of compromise and resolution between two opposing forces.

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

Tempted to relate to the tech crowd, the fair could not fail to show the following art world's most notorious utilizers of computer technology who also epitomize its effect on visual arts: Takashi Murakami, with a canvas entitled Enso: Wind (2015) at Blum and Poe's booth; Wade Guyton, whose Untitled (2017) was featured by Galerie Chantal Crousel; the German photographer Thomas Struth (Marian Goodman Gallery) with computer - enhanced photographs of NASA - produced space - bound equipment; and Christopher Wool, whose work occupies the entire Luhring Augustine booth.

To make another work, a long horizontal light box, he rigs a still camera to shoot a time - based scene in one elongated exposure that spans an entire roll of slide film, thus destabilizing the concept of perspectival space.

Baselitz's first solo exhibition at White Cube Bermondsey will span the entire gallery space, and will include the large - scale paintings, but also a bronze sculpture and a wide number of works on paper.

It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores, according to the museum.

While this will be the third time Ye Linghan is exhibited at the gallery, this will be the first time the artist's work takes over the entire gallery space, including the main exhibition room and the Project Room.

The PMA has deep holdings of his works spanning his entire career; it owns and operates the Winslow Homer Studio, a landmark building perched on the rocky coast of Maine in which the artist resided from 1884 until his death; and the museum's Charles Shipman Payson Building was built in 1983 in part to provide exhibition space for a large gift of Homer works from Charles Shipman Payson.

In this series, the newest additions to the performance are her daughter and her garage (the chosen space for this entire body of work).

Space and spacing became relevant concerns during these years and remained at the core of Judd's entire work through the rest of his life.

Spread across the entire Basement level of Mana Contemporary, the show uses Mana's versatile studio environment as exhibition space, combining works that range from interactive sound work to machine vision and moving light sculptures.

Also, the curators have made efforts to use the entire museum, placing works in less - expected spaces — from Ajay Kurian's freakish childlike figures wearing masks and hanging on ropes in a stairwell to a computer - system installation by Aaron Flint Jamison in a conference room.

It includes work spanning the Swiss artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

With Meireles's larger installations in the show, viewers are confronted by entire rooms filled with art, engaging them to experience the work through direct participation, either by walking through it or inhabiting the space.

Grand in scale, these labyrinthine yet surprisingly intimate works cover the entire wall space, rife with personal narrative, political metaphor, and a myth that emphasizes memory, loss, love, and exile in times of war and peace.

YBA Damien Hirst and super-dealer Larry Gagosian have settled their differences after a four year hiatus The worlds largest gallery chain have committed their entire space at Frieze New York, in May to solo an overview of works created by Hirst.

Dirk van Lieshout (The Netherlands, 1973) Upstream Gallery will show Van Lieshout's work «NO EXIT»; a rebuilt terminal that will occupy the entire gallery - space.

It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

Selecting an artwork from the control screen changes over the entire installation space to feature a single work — formats include algorithmic video, time - based narrative, generative 3D / VR, web - based work, GIFs, and other moving image.

It was the first Whitney Biennial to treat video works with the same attention to space as sculpture, designating two entire galleries to them.

Using the entire space, Esteve plays with shapes and materials to propose a series of works presented as both air and dense.

On view will be a major installation created within the entire gallery space, as well as more than 25 sculptural works.

The major show, curated by internationally renowned author Simon Njami, is covering the Museum für Moderne Kunst Frankfurt am Main's entire space of 4,200 square meters, and includes twenty - three works produced explicitly for this occasion.

During the entire show, which was in part a repetition of a historical show from the year 1990, Kippenberger decided that a Simply Red song was the accompanying soundtrack for every visitor, the «If you don't know me by now», greeted each visitor, luring him into the space to look at the work and then hopefully, possibly, everybody will leave the show with a better understanding of the Kippenberger universe.

«Pixel Forest» will be the most comprehensive presentation of Rist's work in New York to date; it spans the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

Probably the best - known artist in his field, Turrell's entire oeuvre since the 1960s has been devoted to exploring the diverse manifestations of this immaterial medium and working towards a new, space - defining form of light art.

The exhibition features 14 large - scale works that will fill the Museum's entire feature exhibition space.

Spanning the gallery's ground and lower ground floor areas Overton has populated the entire space with three new works.

The works within the gallery space unfolded little by little, culminating in a closing reception on Saturday, December 20, when the entire space was in its final and fullest iteration.

Selecting an artwork from the control screen changes over the entire installation space to feature a single work — formats include time - based narrative, generative 3D video, and looped moving images.