But once you get
past that element of Kidd's screenplay (based
on the novel by Helen Schulman), there's certainly a lot here worth embracing - particularly Linney's performance, which is incredibly strong (though not entirely surprising, given how effective she's been in films like You Can Count On Me and Mystic River
on the novel by Helen Schulman), there's certainly a lot here worth embracing - particularly Linney's
performance, which is incredibly strong (though not
entirely surprising, given how effective she's been in films like You Can Count
On Me and Mystic River
On Me and Mystic River).
Rebecca Ferguson - so fantastic in the most recent «Mission Impossible» - is utterly wasted as new wife Anna, a character who seemed to have been designed to wring sympathy from the audience, something I couldn't bestow given that she cheated and lied her way into her seemingly perfect life and don't even get me started
on Haley Bennett's Megan, a woman whose tragic
past was overshadowed
entirely by her fingernails - down - the - blackboard
performance as a one dimensional woman who had nothing but overt sexuality and a flat whining energy to offer.