With a prolific cast at his fingertips, Bateman's film becomes
another entry in the dysfunctional family melodrama genre, filled with idiosyncratic, quirky characters and their colorful tics.
Some
entries in the largely undistinguished
dysfunctional -
family - holiday - film subgenre — The Family Stone (also with Keaton) and Jodie Foster's Home for the Holidays, to name two — are watchable despite their forced zaniness and predictable emotional beats; the spectacle of attractive stars packed into the frame to act out universal problems (meddling parents, sibling rivalries, unfulfilled romantic and professional lives) has its charms and com
family - holiday - film subgenre — The
Family Stone (also with Keaton) and Jodie Foster's Home for the Holidays, to name two — are watchable despite their forced zaniness and predictable emotional beats; the spectacle of attractive stars packed into the frame to act out universal problems (meddling parents, sibling rivalries, unfulfilled romantic and professional lives) has its charms and com
Family Stone (also with Keaton) and Jodie Foster's Home for the Holidays, to name two — are watchable despite their forced zaniness and predictable emotional beats; the spectacle of attractive stars packed into the frame to act out universal problems (meddling parents, sibling rivalries, unfulfilled romantic and professional lives) has its charms and comforts.