Sentences with phrase «environmental art by»

The Reverse Grafitti Project in San Francisco is creating environmental art by cleaning up dirt and grime from walls.
Photographer, filmmaker, and sculptor Algis Kemezys was inspired to make a series of surreally altered pieces of environmental art by an incident that would have left many people too bereft to have done much
«The Expansive Field: Environmental Art by Christine Sciulli» presented a site - specific multi-media work that included video, natural materials and sound strategically installed on the grounds of the Bridgehampton - based museum.

Not exact matches

The production process has been carefully designed to ensure the environmental impact of every sheet of paper is dramatically reduced by using state - of - the - art recycling technologies and sustainable energy procurement.»
A biochemist by training, he has a Doctorate in Environmental Engineering and is a Fellow of the Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA).
«With this new facility we were able to employ state - of - the - art environmental controls including Variable Frequency Drive (VFD) technology to reduce our carbon footprint by reducing energy consumption,» commented Bella Verdi Director of Operations, Tom Marcoux.
The Bridging Gowanus community planning process was convened by the local elected officials representing the Gowanus area, organized together with community leaders from resident, civic, environmental, business, arts and housing groups, and facilitated by the Pratt Center for Community Development.
As a member of the Republican minority in the 1980s, DeLay made a name for himself by criticizing the National Endowment for the Arts and the Environmental Protection Agency.
In addition to Poloncarz and Whyte, entries were evaluated by a judging pool comprised of representatives from environmental groups, higher education institutions, arts and cultural organizations and elected and appointed officials from various levels of government.
Friedman was supported by a Philip Leverhulme Prize and a Leverhulme Trust Project Grant, and by U-M's Department of Earth and Environmental Sciences, Museum of Paleontology, and College of Literature, Science, and the Arts.
The research, led by Daniel Giammar, the Walter E. Browne Professor of Environmental Engineering in the School of Engineering & Applied Science, was conducted in collaboration with researchers at Pacific Northwest National Laboratory and Philip Skemer, associate professor of earth and planetary sciences in Arts & Sciences at Washington University.
-- The Secretary shall carry out a program to establish Energy Innovation Hubs to enhance the Nation's economic, environmental, and energy security by promoting commercial application of clean, indigenous energy alternatives to oil and other fossil fuels, reducing greenhouse gas emissions, and ensuring that the United States maintains a technological lead in the development and commercial application of state - of - the - art energy technologies.
This project was lead by the art teacher, Alison Flegal, who created the project as a way for students to voice their support for the Green Bank Telescope in response to 2016's Environmental Impact Statement (EIS) Call for Public Comments.
I would say putting people first, improving wellbeing by including all and eradicating poverty via holistic and sustainable approaches are focal points which in many ways are not separated from my strong commitment to vulgarizing education, sharing and learning, communication, cultural exploration and inter-cultural dialogue, art, environmental protection and broadening the use of transformational technologies as a way of combating poverty, achieving millennium development goals and reducing suspicion and development lapses in Africa and the world.
Small Market, Beat Reporting Special Citation — Colleen Gillard, Lucy Hood, Patti Hartigan, Laura Pappano, Brigid Schulte, David McKay Wilson, The Harvard Education Letter, Harvard Education Letter's Education Coverage «Stopping Sexual Harassment in Middle School» by Colleen Gillard «The Greening of Environmental Ed» by Lucy Hood «Bringing Art into School, Byte by Byte» by Patti Hartigan «Integrated Data Systems Link Schools and Communities» by Patti Hartigan «Differentiated Instruction Reexamined» by Laura Pappano «Using Research to Predict Great Teachers» by Laura Pappano «Hybrid Schools for the iGeneration» by Brigid Schulte ««Clicks» Get Bricks» by Brigid Schulte «Leading a System Where Everyone Gains» by David McKay Wilson «With Cheating on the Rise Schools Respond» by David McKay Wilson
With its pioneering state - of - the - art full hybrid technology delivering class - leading CO2 efficiency and environmental performances, Lexus is pleased to contribute to the objectives defined by His Serene Highness and to help the Principality of Monaco to become an international reference in terms of sustainable mobility.»
The $ 10,000 cash award, intended to be used for college, is funded by the Municipal Art Society and the Rockefeller Foundation and given to two exceptional NYC public high school seniors who demonsrate academic and extracurricular commitment to environmental stewardship with the urban context.
The Biodiversity Festival — to be held at Crissy Field's East Beach in the Presidio of San Francisco from 9 a.m. to 5 p.m. on Friday, March 28, and from 9 a.m. to 4 p.m. on Saturday, March 29 — will feature science demonstrations and exhibits, hands - on activities provided by prominent science and environmental organizations, photography workshops, food, music and art.
The G2 Gallery, founded in 2008, is an award - winning nature and wildlife photography gallery that facilitates change by bringing attention to environmental issues through the persuasive power of photographic art.
Supporting art and the environment by showcasing the world's most celebrated nature and wildlife photographers, and donating the proceeds to environmental charities is G2's mission.
By integrating man - made debris I hope to aide in promoting environmental stewardship through art.
B Back Trail Outfitters, Bagnetic, Bahamas Plastic Movement, Balanced Energy, bambu, Ban the Bag Edinburgh, Ban the Bag Wichita, Ban Plastic, Base Nyon Hotel, Bash the Trash Environmental Arts, Bast Surf, Be Good Be Green, be Waste Wise, Be Zero, Beach Guardians of Samui, Beach Plastic, beECOnscious, Better World Events, bioDOGradable Waste Pick - Up Bags, BIOTREM, Big Bottle Challenge, Bioneers, Biosphere Foundation, BinStrap, Bizu Environment Science Studio, Bliss Mission, Blockchain Development Company, BlooSee.com, Blue Communications, Blue Dalian, Blue Frontier Campaign, Blue Green Alliance, Blue Lotus, BLUE Ocean Film Festival, BlueWater Analytics, Bodhi Surf School, Boomerang Bags, Bottles for Earth, Breast Cancer Fund, Bring Your Bag Chicago, Bring Your Own Bag Delaware, Buddha Brush, Butcher & Sons, BuyGreen.com, BuyMeOnce, By the Bay Treasures, By the Brook Productions, By the Ocean we Unite, Bye Bye Plastic Bags Bali
The Jemeluk Underwater Gallery features sculptures overseen by The Marine Foundation, a UK - based «eco art» group and several environmental NGOs.
Inspired by»30s and»40s cinema, Skullgirls» art style is gorgeous: lavish environmental ornamentation mixed with murky amber hues.
Whether created with scrap metal, old furniture or discarded paint, sustainable art has environmental, economic and social implications — even if, for the artist in question, the choice of materials is more of a practical one than one driven by a spirit of environmental awareness.
2009 Revisiting Histories: A conversation between Sanford Biggers, Andrea Geyer and Simon & Simon J. Ortiz, Lambent Foundation, New York, NY, Curated by Niels von Tomme Harvard Art Museum / Fogg Museum, Conversation with Dr. Steven Nelson and Helen Molesworth, Cambridge, MA Harvard University Department of Visual and Environmental Studies, Cambridge, MA Rhode Island School of Design, Providence, RI Maryland Institute College of Art, Baltimore, MD Anderson Ranch, Snowmass, CO Gelman Lecturer.
From Smithson to Christo and Jeanne Claude, the history of environmental art is by now long and celebrated.
Her work as a curator includes exhibits «The «F» Word: Feminism in Art» a group show of 20 female artists, «Human / Nature» a group show revolving around environmental themes and «Allegories of The Held», a solo show of works by artist Jennifer Caviola aka Cake, as well as «The Voyeur» exhibit at Art Basel Miami sponsored by The American Friends of The Louvre.
Herzog & de Meuron to convert Brooklyn power station into arts hub A defunct power station in Brooklyn, New York, is to be converted into an arts complex under plans drawn up by non-profit Powerhouse Environmental Arts Foundatarts hub A defunct power station in Brooklyn, New York, is to be converted into an arts complex under plans drawn up by non-profit Powerhouse Environmental Arts Foundatarts complex under plans drawn up by non-profit Powerhouse Environmental Arts FoundatArts Foundation.
Fostering Creativity and Culture by promoting the arts, advancing education, supporting cultural institutions and innovative projects with cutting edge talent; Promoting Wellbeing, supporting initiatives on women's empowerment, access to health and education and assisting the advancement and development of young people and communities; and Conserving Natural Resources through water sustainability and environmental projects to promote the conservation, protection and improvement of the physical and natural environment.
The exhibition is accompanied by a full color catalog with essays by writer Taiye Selasi, Niger Delta historian Ebiegberi Joe Alagoa, environmental cultural studies scholar Stephanie LeMenager, exhibition curator Amy L. Powell, an interview with the artist by Princeton art historian Chika Okeke - Agulu.
/ 334 Broome / thru 3/2 Opening 2/7 Sadie Benning; Thomas Kovachevich; Dona Nelson / Callicoon / 124 Forsyth / thru 2/17 Siri Berg / Hionas / 124 Forsyth (new, second location) / thru 2/17 Omar Khayyam / Ping / 131 Eldridge / thru 2/16 Andy Graydon / LMAK / 139 Eldridge / thru 2/10 Benjamin Senior / Fuentes / 55 Delancey / thru 3/1 Opening 2/6 Cal Crawford / Brennan & Griffin / 55 Delancey / thru 2/24 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 2/17 Becky Beasley; Alicja Kwade / Cooley / 107 Norfolk / thru 3/17 Opening 2/10 Erik Wysocan / Gitlen / 122 Norfolk (new location) / thru 2/17 Nevermore / On Stellar Rays / 133 Orchard / thru 3/10 Thomas Bayrle / The Artist's Institute / 163 Eldridge / thru 7/14 Opening 2/10 Tectonic Drift: Amanda Church; Brian Cypher; Stacy Fisher; Gary Petersen; Russell Tyler / Morris / 163 Chrystie / thru 3/16 Opening 2/13 (6 - 9 PM) Casey Ruble / Foley / 97 Allen / thru 2/24 Nathaniel Robinson / Feature / 131 Allen / thru 2/9 Jane Mount / Bekman / 6 Spring / thru 2/17 Opening 2/8 Color or Colour: Ben Eine; Lee Baker; Katrin Fridriks; Michael Bevilacqua / Charles Bank / 196 Bowery / thru 2/17 (extended) The White Album organized by David Fierman & Amie Scally / James / 143B Orchard / thru 2/22 All The Best People / 1:1 / 121 Essex — floor 2 / thru 2/14 SexEd: Chapter 1 curated by Liz Slagus & Norene Leddy / Cuchifritos / 120 Essex (SE corner of market) / thru 3/10 Opening 2/9 (4 - 6:30 PM) Camila Sposati / Eleven Rivington / 11 Rivington / thru 2/10 Environmental Services: Doug Weathersby; Carolyn Salas / Dodge / 15 Rivington / thru 2/17 Narcissister / Envoy / 87 Rivington (second location) / thru 2/10 Takuro Kuwata / Salon 94 / 1 Freeman Alley / thru 2/23 David Kramer; Michael Harrington / Mulherin + Pollard / Freeman Alley — 187 Chrystie / thru 2/24 Metal Coyote curated by Aldo Sanchez / Y / 165 Orchard / thru 2/17 Hooper Turner / Frosch & Portmann / 53 Stanton / thru 3/10 Drew Conrad / Fitzroy / 195 Christie / thru 2/22 (extended) Ishmael Randall Weeks / Eleven Rivington / 195 Chrystie (second location) / thru 2/10 Robin Rhode / Lehmann Maupin / 201 Chrystie / thru 3/9 Nari Ward thru 4/21; NYC 1993 thru 5/26 Opening 2/13 / New Museum / 231 - 235 Bowery Takuro Kuwata / Salon 94 / 243 Bowery / thru 2/25 Fabio Viale; Quadreria Italian Paintings / Sperone Westwater / 257 Bowery / thru 2/23 Lauren Dicioccio; Word: R. Wynne; S. Hyland; K. Fandell; C. Conant; T. Allen / Tomlinson Kong / 270 Bowery / thru 3/29 Vandana Jain / Station Independent / 164 Suffolk / thru 2/10 Snout to Tail: Anna - Sophie Berger; Zak Kitnick; Sean Paul / JTT / 170 A Suffolk / thru 2/17 Dream Out: Joke Schole; Steel Stillman; Sally Webster / Show Room / 170 Suffolk / thru 2/24 Paul Resika / Harvey / 208 Forsyth / thru 2/10 Katrina del Mar / Participant / 253 E Houston / thru 2/17 Kurt Johannessen Opening 2/8; Michael Alan / NOoSPHERE / 251 E Houston / thru 2/24 Melissa Dubbin; Aaron Davidson / Audio Visual Arts / 34 E 1 / thru 2/17 Decopolis / The Proposition / 2 Extra Place (East 1st St. off Bowery) / thru 2/24 Opening 2/6 Joel Holmberg / American Contemporary / 4 E 2 / thru 2/22 Jaimie Warren thru 2/6 Closing talk 8 PM; Herbie Flether thru 2/28 Opening 2/9 / The Hole / 312 Bowery
Originally staged at the Queens Museum of Art, Reyes's Hammer Project will include a group of sculptures — including Drone Dove and Colloquium — and several paintings on Tyvek that graphically portray political, social, and environmental issues being faced by our world today.
The solo exhibition of 40 paintings and drawings by Scott McIntire explore the relationship between art, nature and science and the environmental effects of technology.
He is currently included in «Industrial Aesthetics: Environmental Influences on Recent Art from Scotland» curated by Darren Jones at Hunter College / Time Square Gallery, NYC.
These land art or «earth art» environmental scale sculpture works exemplified by artists such as Robert Smithson, Michael Heizer, James Turrell (Roden Crater).
In 1970 he showed a groundbreaking installation of environmental barbed - wire sculptures at the Whitney Museum of American Art, the first solo exhibition by an African American sculptor held at the museum.
This lecture is co-sponsored by the Department of Landscape Architecture and Horticulture, the Division of Architecture and Environmental Design, the Tyler School of Art and the Temple University General Activities Fund (GAF).
A public art installation by Sari Carel, commissioned and produced by More Art, that uses techniques from music and sound art to amplify the experience of breath and breathlessness associated with issues of respiratory illness, air quality, and environmental injustice in New York Ciart installation by Sari Carel, commissioned and produced by More Art, that uses techniques from music and sound art to amplify the experience of breath and breathlessness associated with issues of respiratory illness, air quality, and environmental injustice in New York CiArt, that uses techniques from music and sound art to amplify the experience of breath and breathlessness associated with issues of respiratory illness, air quality, and environmental injustice in New York Ciart to amplify the experience of breath and breathlessness associated with issues of respiratory illness, air quality, and environmental injustice in New York City.
Site specific and environmental art works are represented by artists: Andy Goldsworthy, Walter De Maria, [126] Richard Long, Richard Serra, Robert Irwin, [127] George Rickey and Christo and Jeanne - Claude led contemporary abstract sculpture in new directions.
It features essays by writer Taiye Selasi, Niger Delta historian Ebiegberi Joe Alagoa, environmental cultural studies scholar Stephanie LeMenager, exhibition curator Amy L. Powell, an interview with the artist by Princeton art historian Chika Okeke - Agulu.
The Warehouse Gallery November 15, 2012 — February 9, 2013 Founded in 2005 by Rochester based artist duo Leila Nadir and Cary Peppermint, ecoarttech is an art / theory collaborative that explores environmental issues and convergent media from an interdisciplinary perspective.
Founded in 2005 by Rochester based artist duo Leila Nadir and Cary Peppermint, ecoarttech is an art / theory collaborative that explores environmental issues and convergent media from an interdisciplinary perspective.
Despite his subject matter, Robinson's art isn't politicized — it doesn't appear to address the environmental destruction caused by our rampant throwaway society.
Set in the front exhibition space for the historical museum, the «Ida Badal: Pothole» features new art by Ida Badal which continues her ongoing exploration of shifts in the current environmental landscape, according to Auto Body.
Our mission is to address environmental and social issues in Gowanus by working closely with arts and cultural organizations in the area and collaborating with long - time residents and newcomers alike.
Works by Gianni Colombo, Enrico Castellani, Bridget Riley and Giovanni Korompay thus formed the first nucleus of the GAM's holdings, revealing an interest in spatial and environmental research that would subsequently expand to include the work of Grazia Varisco, Getulio Alviani, Dadamaino, Gruppo T and Gruppo N, together with various exponents of Kinetic Art and Programmed Art.
A one - week Community - Based Artist Residency and exhibition with Environmental Artist Bryant Holsenbeck, hosted by Haystack Mountain School of Crafts, was the feature of two articles in local newspapers — the Bangor Daily News (Capping of her vision: Artist Bryant Holsenbeck works with students and community members to turn trash into mandala treasure) and Island Ad - vantages (Recycled art forms come to Deer Isle).
The Otis Sustainability Alliance, founded in 2013 by Brantley, brings together leaders from the creative fields of fashion, design, art, and higher education who are committed to advancing the environmental education to include doing less harm in their design profession.
1 pm: Discussion: Art and Environmental Activism, moderated by Rebecca Solnit at the Crowley Theater
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