Sentences with phrase «environmental art exhibition»

Not exact matches

Parts of the statement read, «This exhibition will focus on the Visual arts specifically; the traditional fine arts such as drawing, painting, photography, sculpture; architectural, environmental, and industrial arts such as urban, interior, product, and landscape designs.

The exhibition documents environmental art that explores persistent problems throughout New York City.

Marfa Dialogues / NY will feature two months of programming including community forums, art exhibitions, musical performance and environmental panels, all accessible to the public and available via broadcast and digital media.

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

We're reflecting on her pioneering career in the realm of site - specific, environmental art - making as she prepares for an upcoming collaborative exhibition with artist Monica Duncan, opening March 15 at the Contemporary.

The exhibition is accompanied by a full color catalog with essays by writer Taiye Selasi, Niger Delta historian Ebiegberi Joe Alagoa, environmental cultural studies scholar Stephanie LeMenager, exhibition curator Amy L. Powell, an interview with the artist by Princeton art historian Chika Okeke - Agulu.

The solo exhibition of 40 paintings and drawings by Scott McIntire explore the relationship between art, nature and science and the environmental effects of technology.

This environmental approach to the installation and their shared belief that their art was closely allied to the forms and materials of modern architecture was central to their contribution to the seminal exhibition This is Tomorrow held at the Whitechapel Art Gallery, London in 19art was closely allied to the forms and materials of modern architecture was central to their contribution to the seminal exhibition This is Tomorrow held at the Whitechapel Art Gallery, London in 19Art Gallery, London in 1956.

In 1970 he showed a groundbreaking installation of environmental barbed - wire sculptures at the Whitney Museum of American Art, the first solo exhibition by an African American sculptor held at the museum.

It features essays by writer Taiye Selasi, Niger Delta historian Ebiegberi Joe Alagoa, environmental cultural studies scholar Stephanie LeMenager, exhibition curator Amy L. Powell, an interview with the artist by Princeton art historian Chika Okeke - Agulu.

The exhibition documents environmental art that explores persistent problems throughout New York City, including The Point's South Bronx Resiliency Arts Fellowship, Lillian Ball's WATERWASH and Jan Mun's residency with the New York Hall of Science, among others.

About the Juror: Curator at The Heckscher Museum of Art in Huntington, New York, Lisa Chalif has organized dozens of exhibitions that focus on various aspects of the Museum's permanent collection, as well as loan exhibits on a diverse range of subjects, including experimental photography, environmental art, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph SzaArt in Huntington, New York, Lisa Chalif has organized dozens of exhibitions that focus on various aspects of the Museum's permanent collection, as well as loan exhibits on a diverse range of subjects, including experimental photography, environmental art, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szaart, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szaart and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szabo.

Beck curated this exhibition with students from Fitchburg State University that features artworks that explore the nexus between art and science, issues of sustainability, environmental activism, ecology and the natural world.

Set in the front exhibition space for the historical museum, the «Ida Badal: Pothole» features new art by Ida Badal which continues her ongoing exploration of shifts in the current environmental landscape, according to Auto Body.

Upcoming and past projects include The Inanimate Vastness of Sidereal Space, an environmental installation exploring 19th - century cosmology, Wave Hill, the Bronx, 2015; Mars Recruitment Center, an exhibition examining the proposed NASA colonization of Mars, Heliopolis, Brooklyn, 2014; and Contemplation Center, a naturally - lit alternative planetarium, DUMBO Arts Festival, Brooklyn, 2013.

NY; Wabash College, Crawfordsville, IN; Tech Artists Course, Texas Technological College, Lubbock; Cummer Gallery of Art, Jacksonville, FL; San Francisco State College, San Francisco; Michigan State University, Kresge Art Center, East Lansing; Mercer State University, Macon, GA; University of Maryland, College Park) Bianchini Gallery, New York, Master Drawings: Pissaro to Lichtenstein, exhibition traveled to the Contemporary Arts Museum, Houston) Jewish Museum, New York, Environmental Paintings and Constructions Albright - Knox Art Gallery, Buffalo, NY, Contemporary Art Acquisitions 1962 - 65 Jewish Museum, New York, The Harry N. Abrams Family Collection Gallerie del Leone, Venice, 12 Super Realists

As an internationally known environmental sculptor, George Trakas has built works for many major exhibitions including Documenta 6 held in Kassel, Germany (1977) and Scale and Environment at the Walker Art Center, Minneapolis (1977).

A one - week Community - Based Artist Residency and exhibition with Environmental Artist Bryant Holsenbeck, hosted by Haystack Mountain School of Crafts, was the feature of two articles in local newspapers — the Bangor Daily News (Capping of her vision: Artist Bryant Holsenbeck works with students and community members to turn trash into mandala treasure) and Island Ad - vantages (Recycled art forms come to Deer Isle).

Creating contemporary art exhibitions around the world to address critical social and environmental issues

Santa Fe Art Institute, gearing up for their Santa Fe River Exploration Workshop, opens an exhibition with T. Allan Comp, an Environmental Scientist, and Bobbe Fesold, today, August 12, 12 - 5 PM.

Selected group exhibitions include «Very Sustainable — Environmental Revelation», MOCA, Museum of Contemporary Art Yinchuan, China, 2017; «Terra Mediterranea in Action», NiMAC, Nicosia, Cyprus, 2017; «Terra Mediterranea in Action», HALLE 14 — Centre for Contemporary Art, Leipzig, Germany, 2016; «What are you doing, object?»

The exhibition of contemporary art seeks to bring further awareness to economic, environmental, political, and social issues that affect us all.

Selected exhibitions include Gridspace, New York; POP Gallery, Queensland, Australia; JayJay Gallery, Sacramento, California; Art Fair Miami; RKL Gallery, New York; the Painting Center, New York; the Portland Art Museum; and the Holter Museum of Art, Helena, MT. Bengtson has lectured on environmental thought at International Environmental Philosophy and Biodiversity Conservation Conferences in the US, Canada, and Senvironmental thought at International Environmental Philosophy and Biodiversity Conservation Conferences in the US, Canada, and SEnvironmental Philosophy and Biodiversity Conservation Conferences in the US, Canada, and South America.

Elmhurst Art Museum presents Lessons from Modernism: Environmental Design Strategies in Architecture, 1925 - 1970, a highly - acclaimed exhibition organized by The Cooper Union in New York that examines twenty - five modern building projects through the lens of sustainability.

The William Ris Gallery is pleased to present Seen and Unseen: Paintings and Drawings by Scott McIntire, a solo exhibition of 40 paintings and drawings that explore the interconnection of art, nature and science and the environmental effects of technology.

Group Exhibitions 2018 Stretch / Pulled / Inked, Impact Arts, as part of the Glasgow International, Glasgow (upcoming) Glasshouse, Glasgow Botanic Gardens, Glasgow (upcoming) 2017 Amazing Perplexity, Curated by Nathalie Hoyos, Rainald Schumacher and Alevtina Kakhidze, Residents Group Exhibition of FACE — Artist Residence Program in Kiev 2016 Factually Real Illusions, curated by Lorna McDowell, Cookhouse Gallery Chelsea College of Art, London Semi-Gloss, Semi-Permeable, Glasgow International Festival 2015 International Women's Contemporary Art Forum — A Crossing Section of Art, BankART Studio NYK, Yokohama Finite Project Altered When Open, David Dale Gallery, Glasgow Abstraction from Architecture, Edinburgh Print Studio Hold, Sway, Generator Projects, Dundee 2013 Editionshow, Chert, Berlin You're my wife now, Infernoesque project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasgow

(MAHWAH, NJ)- An art exhibition exploring environmental concerns «It's the End of the World as We Know it (and I Feel Fine)» opens at Ramapo College on January 30 in the Kresge and Pascal galleries on campus.

This program is in collaboration with the ICA / Boston exhibition Art in the Age of the Internet, 1989 to Today and the Visual And Environmental Studies Department.

Jessica Stockholder is included in the Palmer Museum of Art's group exhibition Plastic Entanglements, which brings together sixty works by thirty contemporary artists to explore the environmental, aesthetic, and technological entanglements of our ongoing love affair with this paradoxical, infinitely malleable substance.

Underlining and highlighting the transition from the past to the present, the complex identity of which it is important to conserve, it has been decided to graft the exhibition in its totality — walls, floors, installations and art objects, including their relative positions — onto the historical architectural and environmental structure of Ca» Corner della Regina, thereby inserting — on a full - size scale — the modern rooms of the Kunsthalle, delimited by white wall surfaces, into the ancient frescoed and decorated halls of the Venetian palazzo.

This exhibition brings together forms of insurgent environmental art that assert that another world is possible: indeed, it is already here.

The exhibition «Some Dimensions of my Lunch: Conceptual Art in Britain: Part 4», brings together two artist: Ed Herring, a land artist who first gained attention in the «60s for his «environmental statements: and Roger Palmer, who combines photograph and text to subvert the traditional view of landscape.

Notable galleries for 2014 include: Kevin Kavanagh (Dublin), presenting a storytelling series by Sonia Shiel, current ISCP NY artist - in - residence and recipient of Ireland's 2014 Arts Council Project Award; Laura Bulian Gallery (Milan), highlighting career Conceptualist Vyacheslav Akhunov, whose cultural investigations were featured in dOCUMENTA (13) and the 2013 Venice Biennale's Central Asian Pavilion; contemporary Bahamanian art hub Popopstudios (Nassau), spotlighting «everyday» assemblages and mixed - media works by founder John Cox; Frederieke Taylor Gallery (New York), revealing environmental concerns of downtown stalwart Christy Rupp, whose seminal public art projects factored into the 2012 exhibition Come Closer: Art Around the Bowery, 1969 - 1989 at the New Museum; Galerie Heike Strelow (Frankfurt am Main), combining sociopolitical commentary and black humor via Florian Heinke, who curated System of Diplomatic Chaos at Kunstverein Wiesbaden last year; and CONNERSMIart hub Popopstudios (Nassau), spotlighting «everyday» assemblages and mixed - media works by founder John Cox; Frederieke Taylor Gallery (New York), revealing environmental concerns of downtown stalwart Christy Rupp, whose seminal public art projects factored into the 2012 exhibition Come Closer: Art Around the Bowery, 1969 - 1989 at the New Museum; Galerie Heike Strelow (Frankfurt am Main), combining sociopolitical commentary and black humor via Florian Heinke, who curated System of Diplomatic Chaos at Kunstverein Wiesbaden last year; and CONNERSMIart projects factored into the 2012 exhibition Come Closer: Art Around the Bowery, 1969 - 1989 at the New Museum; Galerie Heike Strelow (Frankfurt am Main), combining sociopolitical commentary and black humor via Florian Heinke, who curated System of Diplomatic Chaos at Kunstverein Wiesbaden last year; and CONNERSMIArt Around the Bowery, 1969 - 1989 at the New Museum; Galerie Heike Strelow (Frankfurt am Main), combining sociopolitical commentary and black humor via Florian Heinke, who curated System of Diplomatic Chaos at Kunstverein Wiesbaden last year; and CONNERSMITH.

Documenting vital exhibitions and events in Britain and abroad, Signals brought together leading innovative artists, writers and poets of the time and, in addition, establishes a context for kinetic, time - based, performance and environmental art.

It was an opportunity to reenvision the project in the campus garden of the University of Avignon in France, as part of the exhibition «Geniuses of the Place: Land and Environmental Art».

The Hamptons spring to life this weekend with new art exhibitions, a major survey show of drawings by Alice Aycock, the opening of LongHouse Reserve and a new interactive environmental installation at SoFo.

She organizes exhibitions and events on artists» books, collaborative art, and environmental causes.

The talk coincides with the Raising the Temperature Art in Environmental Reactions exhibition, which closes March 3rd.

2000 - 2001: Turbulence, Maison de la Culture, Cotes Des Neiges, Montreal (two perons) 2000: Imagining An [Other] Canada, University of Waterloo Art Gallery (Group exhibition / Catalogue) 2000: Critical Sites: Environmental Works, Rosemont Art Gallery, Regina (Group exhibition) 2000: Knockout, The Art Firm, Toronto (Group exhibition) 1999 - 2000: Imagining An [Other] Canada, Art Gallery of Algoma, Sault St. Marie, Tom Thomson Memorial Art Gallery, Owen Sound, Mount St. Vincent Art Gallery, Halifax, Burlington Art Centre, Burlington 1999: Symbiont, Pari Nadimi Gallery, Toronto (Solo Exhibition) 1998: Moments Entrelaces, La Centrale, Montreal (Group exhibition) 1998: Groundcloth, MacLaren Arts Centre, Barrie (Solo exhibition) 1998: Recent Work, Pari Nadimi Gallery, Toronto (Solo exhibition) 1997: ground, Carl Davis Gallery, Ottawa (Solo eexhibition / Catalogue) 2000: Critical Sites: Environmental Works, Rosemont Art Gallery, Regina (Group exhibition) 2000: Knockout, The Art Firm, Toronto (Group exhibition) 1999 - 2000: Imagining An [Other] Canada, Art Gallery of Algoma, Sault St. Marie, Tom Thomson Memorial Art Gallery, Owen Sound, Mount St. Vincent Art Gallery, Halifax, Burlington Art Centre, Burlington 1999: Symbiont, Pari Nadimi Gallery, Toronto (Solo Exhibition) 1998: Moments Entrelaces, La Centrale, Montreal (Group exhibition) 1998: Groundcloth, MacLaren Arts Centre, Barrie (Solo exhibition) 1998: Recent Work, Pari Nadimi Gallery, Toronto (Solo exhibition) 1997: ground, Carl Davis Gallery, Ottawa (Solo eexhibition) 2000: Knockout, The Art Firm, Toronto (Group exhibition) 1999 - 2000: Imagining An [Other] Canada, Art Gallery of Algoma, Sault St. Marie, Tom Thomson Memorial Art Gallery, Owen Sound, Mount St. Vincent Art Gallery, Halifax, Burlington Art Centre, Burlington 1999: Symbiont, Pari Nadimi Gallery, Toronto (Solo Exhibition) 1998: Moments Entrelaces, La Centrale, Montreal (Group exhibition) 1998: Groundcloth, MacLaren Arts Centre, Barrie (Solo exhibition) 1998: Recent Work, Pari Nadimi Gallery, Toronto (Solo exhibition) 1997: ground, Carl Davis Gallery, Ottawa (Solo eexhibition) 1999 - 2000: Imagining An [Other] Canada, Art Gallery of Algoma, Sault St. Marie, Tom Thomson Memorial Art Gallery, Owen Sound, Mount St. Vincent Art Gallery, Halifax, Burlington Art Centre, Burlington 1999: Symbiont, Pari Nadimi Gallery, Toronto (Solo Exhibition) 1998: Moments Entrelaces, La Centrale, Montreal (Group exhibition) 1998: Groundcloth, MacLaren Arts Centre, Barrie (Solo exhibition) 1998: Recent Work, Pari Nadimi Gallery, Toronto (Solo exhibition) 1997: ground, Carl Davis Gallery, Ottawa (Solo eExhibition) 1998: Moments Entrelaces, La Centrale, Montreal (Group exhibition) 1998: Groundcloth, MacLaren Arts Centre, Barrie (Solo exhibition) 1998: Recent Work, Pari Nadimi Gallery, Toronto (Solo exhibition) 1997: ground, Carl Davis Gallery, Ottawa (Solo eexhibition) 1998: Groundcloth, MacLaren Arts Centre, Barrie (Solo exhibition) 1998: Recent Work, Pari Nadimi Gallery, Toronto (Solo exhibition) 1997: ground, Carl Davis Gallery, Ottawa (Solo eexhibition) 1998: Recent Work, Pari Nadimi Gallery, Toronto (Solo exhibition) 1997: ground, Carl Davis Gallery, Ottawa (Solo eexhibition) 1997: ground, Carl Davis Gallery, Ottawa (Solo exhibitionexhibition)

Opening this month is «Poison Play» at the Islip Art Museum, a group exhibition examining the toxic environmental side effects of consumer culture.

Her work has also been included in exhibitions in New York at the Whitney Museum of American Art; the Studio Museum in Harlem; Martos Gallery; Postmasters Gallery; and We Buy Gold, Brooklyn as well as at the Schuylkill Center for Environmental Education, Philadelphia, and the National Museum of African Art, Washington DC.

In addition to the core Artist - in - Residence Program (open call or invitation), McColl Center offers an annual Environmental Artist - in - Residence Program (invitation only), a Carolinas HealthCare System Artist - in - Residence Program (spring season; open call), a residency for a UNC Charlotte art professor (fall season; invitation only), a Summer Affiliate Program for artists living within a 50 - mile radius of Charlotte (open call), and a new exhibition residency that transforms McColl Center's first - floor gallery into an open studio for artists to explore processes and projects (invitation or open call).

The seventh New York edition of the British art fair assembles more than 190 galleries from 30 countries, presenting highlights such as solo exhibitions of David Hockney (Pace Gallery) and Betye Saar (Roberts Projects), and curated shows on environmental concerns (Chi - Wen Gallery) and homoerotic art from Latin America (Henrique Faria).

The exhibition is co-presented by the Wagner Environmental Policy & Action (WEPA), with promotional sponsorship by NYU Sustainability / Earth Week and the Student Network Exploring Arts & Culture (SNEAC).

[collective statement by selector and exhibitors], Conrad Atkinson, Peter Dunn and Loraine Leeson, Islington schools environmental project, Public art workshop, Stephen Willats, [on the occasion of] an exhibition [at the] Serpentine gallery, London, 22 April - 14 May 1978

Selected one - person exhibitions include Palais de Tokyo, Paris (2008); Critical Mass, Feinkost, Berlin, Germany (2008); Galleria Continua, San Gimignano, Italy (2010); MACRO Museum, Rome, Italy (2011); the environmental projects presented in Z33 Center for Contemporary Art in Hasselt, Belgium (2010); and in the context of Art and The City in Zurich (2012).

Crafting Resistance Opening Reception: January 26th, 2017 5 - 8 pm Exhibition continues through March 28th, 2017 Visual Arts Center — Gallery One (Liberal Arts Building) The Visual Arts Center gallery at Boise State University has organized the exhibition Crafting Resistance featuring the work of twenty artists from around the United States as well as Canada and Mexico whose work creates awareness of political issues, examines issues of racial and social justice, or calls for change in environmental issues and human and equExhibition continues through March 28th, 2017 Visual Arts Center — Gallery One (Liberal Arts Building) The Visual Arts Center gallery at Boise State University has organized the exhibition Crafting Resistance featuring the work of twenty artists from around the United States as well as Canada and Mexico whose work creates awareness of political issues, examines issues of racial and social justice, or calls for change in environmental issues and human and equexhibition Crafting Resistance featuring the work of twenty artists from around the United States as well as Canada and Mexico whose work creates awareness of political issues, examines issues of racial and social justice, or calls for change in environmental issues and human and equal rights.

Situated in this architecture, the exhibition imagines the open geometry of the gallery as a context to re-examine how the visual and material languages of contemporary art generate experiential, emotional, physical, environmental and intuitive intelligence.

Ecoartspace, an organization that focuses on addressing environmental issues through the visual arts (the image below, from a 2009 exhibition, is by Nils - Udo), got in touch with me recently about a planned spring exhibition of small works on paper devoted to a simple question: What matters most?

A+D Gallery Jimena Acosta Emiliano Godoy More on Environmental Art + Design Exhibitions Dispatches from Designboost: The Sustainable Design Exhibition Recycled Oil Drum Art Exhibition Open Today for SEED (Smart Environmental Efforts in DUMBO) Amazingness - An Exhibition About Urban Nature 1 % Water and Our Future: Art + Design Exhibition Gets Creative With H2O GROW: Solar / Piezoelectric Concept Comes to MoMA