Sentences with phrase «environments while fighting»

You'll go through the same environments while fighting the exact same enemies multiples times and it gets old rather quick.

In the game, the spacesuit clad protagonist explores strange new worlds and environments while fighting off the hostile lifeforms he (or she!)

Not exact matches

While we've learned not to fight «overvalued, overbought, overbullish» extremes in zero - interest rate environments where market internals are uniformly favorable, we presently observe a situation much like the final peaks of the 1929, 1972, 1987, 2000 and 2007 bull markets, when those mitigating factors were not in place.

«With this proposal, New York is taking bold action to fight climate change and protect our environment, while supporting and growing 21st century jobs in these cutting - edge renewable industries.»

«With this proposal, New York is taking bold action to fight climate change and protect our environment, while supporting and growing 21st century jobs in these cutting - edge renewable industries.»

Tools from metagenomics — sampling trace genetic material in the environment — and methods of studying the human microbiome are providing insights into disease while bolstering the crime - fighting potential of bacteria and fungi.

Glutathione fights against cellular toxins and works to eliminate carcinogens from the intracellular environment while healing damaged cells.

Unfortunately while it does show potential, the disappointing boss fights, confusing level design and bland environment really dampens it as a whole.

The beautifully animated and vibrantly rendered characters are very exciting to watch fight each other while the stages come to life within distinct environments.

You will need to fight for survival while exploring the dark and claustrophobic environments both at sea and as the action moves to dry land.

You'll feel more like a sailboat that's using the wind to tack and go in the direction you want to, with less effort, versus not understanding the environment and having your sailboat tossed about while you toil and fight to stay above water.

- as Captain Olimar is making his way home, an asteroid onslaught forces him to land on a nearby planet - Sparklium is the fuel for Olimar's Dolphin III ship - with the ship's fuel depleted, you have to find items on this planet which can be turned into fuel - collect everything from seeds to large scale treasures - you need 30,000 Sparklium to make your way home - you are eventually required to find a lost ship part at the end of the game - levels are more linear and puzzle based, and include specific goals / goodies to collect - move Captain Olimar with the Circle Pad, while all other interactions use the touchscreen - blow your whistle, throw Pikmin and also touch certain objects - worlds are called Sectors, with six areas altogether - find all the treasure and look for new passageways to complete a sector 100 % - passageways can grant you access to secret spots or additional levels highlighted with the letter X - the first world is called Brilliant Garden, which has lush forest environments - Yellow Pikmin can easily reach the upper screen, where you can sometimes collect goodies and pull down vines - there's a level where you use yellow Pikmin as a source to connect two wires - connecting the wires lets you see enemies and platforms that were hidden in the shadows - Winged Pikmin can be flung at high speeds, and they can pick up Olimar and help him descend down into new areas - in a later level, you need to use red Pikmin to stomp out fire and clear the way for you - Rock Pikmin are the strongest ones of the bunch and can break crystals - blue Pikmin can swim and fight well underwater - the maximum amount of Pikmin you can have in a stage is 20 - blow your whistle to call over the correct Pikmin for a task or puzzle - Ravaged Rustworks offers a unique industrial environment where you climb on pipes - Loney Tower has you climbing to the top of a tower without any help of Pikmin, and instead use pipes and Olimar's jetpack - Valley of the Breeze, found in the Leafswirl Lagoon sector, relies complete on Winged Pikmin - Barriers of Flame is in the Sweltering Parchlands sector - here you «lll be forced to improvise with Yellow and Rock Pikmin to get around fire - every world ends with a boss stage - one boss fight puts you up against a Fiery Blowhog, where you use Red Pikmin to pick up / feed bombs to the boss - beating bosses gives you treasures worth 1,000 Sparklium each - supports amiibo in the Splatoon, Super Mario and Animal Crossing lines - amiibo can be scanned in to grant you access to secret spots - these are one room puzzle challenges where you collect a statue - these bonus rooms will also get you 200 Sparklium every time - you are limited by how many amiibo you can summon to each secret spot - one of the treasures you will find is an NES cartridge for Ice Climbers, which carries the name «Revenge Fantasy».

While exploring the environments offers players a chance to gain new skills, increase their health by finding hidden golden apples from the tree of Ithunn, and see some epic sights — like the forge that created Mjolnir, Ymir's skull, and more, the best part of the game is of course fighting the Jotun.

Using your Matter Jet to generate Blue Matter, you will be able to create platforms to further explore the environment, or form shields to protect yourself while fighting off hordes of enemies in a frenetic bullet hell.

While traversing apocalyptic environments filled with obstacles, killers and strange creatures, you fight for your life and try to uncover how you got there.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

Adapt to Your Environment: Players must consider how different weather conditions affect various Goliath types while interacting with countless creatures to hunt and fight.

While it stays true in gameplay, the new developer replaced the clean, beautiful sprites of the original with 3D characters in 3D environments fighting 3D enemies.

The wide - open fantasy environment mixed with sword fighting and parkour elements clearly recalls the Assassin's Creed franchise, while the artifact collecting, upgrade system, and fluid combat were obviously inspired by the Batman: Arkham games.

There is no touch pad implementation which is surprising as the quick time events (QTEs) could have been optionally mapped to the touch pad or it could have otherwise been utilised as an optional method of exploring and investigating your surrounding environments or even participating in conversations and moral choices, while the light bar could have produced a green colour when Bigby is calm in his glamour form and changing to red when he becomes angry as he temporarily loses part of his glamour form, alongside the lack of DualShock 4 vibration which could have been utilised when Bigby gets into one of his many fights with a Fable.

While all of this still can't match the 3D fights in 3D environments of Arkham Origins, it's still fun in its own right.

With top - notch visuals as always, gameplay has shown Drake fighting his way through a pirate - controlled cruise ship on rocky ocean waves — engaging in stealth kills and fistfights while the sea - sickness inducing environment rocks back and forth — with a rupture in the ships hull then leaking water into the vessel, forcing Drake to swim and climb through a sinking ship.

Tapping the touch pad displays the map and inventory, while the light bar produces a lighter shade of blue during dark environments in which Lara must rely upon her glow stick and bright white when reading scrolls and manuscripts, alongside vibration which reflects the physical exertions on Lara's body during heavy landings after a high risk jump, when the ground gives way resulting in a serious impact or getting into fights with enemies.

Sound effects consist of punching, kicking, grappling and a variety of fighting moves as they are aimed, blocked or landed, crunching impacts from super moves and painful screams and groans, especially when a super move has inflicted such damage upon a character, while destructible environments are reflected when a fighter throws an object towards an enemy or a fighter is driven into a nearby object, alongside climactic cinematic music which perfectly compliments the voice - overs and sound effects.

Players will be able to freely explore as they move throughout the environment, scavenging for weapons and ammo while searching for the best locations to fight the monster onslaught.

While I feel the strategy and turn - based fighting isn't as good as Final Fantasy Tactics, it does have you planning layout and using the environment to get the upper hand.

While the environments in the game are rendered beautifully and designed with interesting hazards that can be used to gain advantage against opponents, the collision in some spaces seems a bit harsh especially in some of the boss fight arenas.

They eat one another, get into fights while ignoring you as a lesser threat, and bulldoze the four major environments in ways that completely redraw your battle lines.

While general counsel at Riverkeeper I was asked by a very well - known environmental lawyer, one who had long - fought alongside us to protect the environment, to support the removal of a waste - transfer station from a new park.

While forecasting the state of the environment more than 80 years into the future is a notoriously inexact exercise, academics gathered by the the United Nations at the Intergovernmental Panel on Climate Change are concerned the world is headed for «extensive» species extinctions, serious crop damage and irreversible increases in sea levels even before Trump started to unpick the fight against global warming.

While we know this award will not do much to right the injustices that put DeChristopher behind bars, we hope it will warm his spirits and encourage those that stand beside him in the eternal fight to protect the environment.

One can already see the huge generational rift among lawyers; those at the twilight of their careers fighting to retain a 19th Century business model, while younger lawyers want to move the profession into the 21st Century so as to better serve their clients and provide a better work environment for themselves.