Without abundant verbiage and abstruse theorizing — that is to say, without the Conceptualist Diva's blessing — the desultory
ephemera featured in Materializing «Six Years» would have no significance — aesthetic or otherwise.
Not exact matches
Under special
features, find three featurettes and graphical
ephemera.
PLUS: A booklet
featuring an essay by critic Geoffrey O'Brien and a selection of commentary from young writers, along with a map of New Penzance Island and other
ephemera
A collector's booklet
featuring new essay by critic Philip Kemp, as well as an abundant selection of archival imagery and
ephemera.
, a
feature - length documentary on the entire series (from the memorable Second Sight Films release of the film); In Search of the Hotel Broslin, a 2001 featurette with Henenlotter and rapper R.A. «The Rugged Man» Thornburn; a six - minute outtakes reel in HD from a 2K scan of a 16 mm print; The Frisson of Fission: Basket Case, Conjoined Twins, and «Freaks» in Cinema, a new video essay by Travis Crawford discussing the history of films
featuring «freaks of nature»; a set of image galleries (promotional stills, behind the scenes,
ephemera, advertisements, home video releases); a promo gallery
featuring 3 theatrical trailers (all in HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet
featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!»
This blog
features art books, art catalogues, monographs, zines, and printed
ephemera.
It
features a few characters including, Ventus,
Ephemera, Chirithy, Skuld, Laurium, Blaine and one more unknown figure in the background.
The event will
feature all the zines you can shake a stick at, as well as art books and
ephemera.
The High Museum of Art is the exclusive East Coast venue for a sweeping retrospective
featuring more than 250 prints and
ephemera by artist Andy Warhol (American, 1928 --- 1987).
The mid-career retrospective also
features his latest work, along with his cache of props and
ephemera, many of which are dutifully rendered in the works themselves.
The MoMA exhibition included a selection of the artist's sculptures, performance props,
ephemera, and documentary footage of recitals, and
featured live performances, reuniting the Corps for the first time since Adkins's death.
In Celebration of the 70th Anniversary of the American Abstract Artists
featured the work of 70 members of the organization as well as books, posters, and other
ephemera representing some of the group's past history.
Featuring «What's Going On» by Barkley L. Hendricks on the cover, the catalog provides a visual journey through the period with documentary photographs and full - color images of art and
ephemera, coupled with writings by Mark Godfrey and Zoe Whitley.
opened at NURTUREart in three exhibition cycles «
featuring artworks,
ephemera and publications that have been mostly conceived and produced to be freely distributed.»
Organized by ICP's Assistant Curators Susan Carlson and Claartje van Dijk, Winning the White House: From Press Prints to Selfies
features works by Cornell Capa, Grey Villet, Elliott Erwitt, Bill Eppridge, Chris Buck, Stephen Crowley, Ken Light, Mark Peterson, Antoni Muntadas and Marshall Reese, and others as well as campaign
ephemera, posters, and video materials created for candidates from John F. Kennedy and Richard Nixon to Hillary Clinton and Donald Trump.
Focusing on historical context and
featuring more than 200 works (including paintings, photographs and
ephemera), the exhibition represents an immense archival feat by curator Melissa Rachleff.
Featuring approximately 200 paintings, sculptures, works on paper, photographs, decorative arts, architectural and landscape designs, costumes, and popular culture
ephemera — dating from the late 18th century to the present day — VMFA's landmark exhibition expands the chronological and geographic boundaries of the regionally diverse, multicultural revival.
The exhibition will
feature Aguiñiga's «AMBOS (Art Made Between Opposite Sides)» series alongside seven other projects from her ongoing design and artistic practice in photographic documentation, radio broadcasts,
ephemera, data and an installation.
The show
features paintings by Helen Frankenthaler, Alfred Leslie, Trevor Winkfield, Nell Blaine, Joe Brainard, Grace Hartigan, Joan Mitchell, Jane Freilicher and Fairfield Porter; poetry collections published by the gallery's imprint, Tibor de Nagy Editions, and
featuring work by Frank O'Hara, Kenneth Koch, James Schuyler, John Ashbery, Barbara Guest and others, with illustrations by Tibor de Nagy artists; photographs and films by Rudy Burckhardt; letters, announcement cards and other
ephemera; and archival photographs of leading cultural figures of the day by John Gruen and Fred McDarrah.
The exhibition includes major figures, such as Oscar Wilde, and
features works by Simeon Solomon, John Singer Sargent, Gluck, Ethel Sands, Duncan Grant, Dora Carrington, Keith Vaughan, David Hockney and Francis Bacon, alongside
ephemera and personal photographs.
This month's line - up
features receptions for
Ephemera in Target Gallery, Newly Juried Artists in The Associates Gallery, and Open Exhibit in The Art League.
Organized in close coordination with the artist, the exhibition brings together nearly 350 works that span the breadth of his career,
featuring paintings, fabric works, multiples, installations, documentation, photography, and
ephemera created between 1987 and the present day.
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated
ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated
ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining
features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
Featuring some 40 works, both past and new, 9 Artists includes a range of sculpture, painting, installation, video, and
ephemera.
The
features nearly 100 original artworks and
ephemera by illustrator Mort Künstler.
This exhibition will
feature the performance Awful Inside helper on opening night, with two simultaneous performers, two drawings, and additional
ephemera.
Taking over all of the Museum's galleries and
featuring more than 260 works, as well as
ephemera drawn from the museum's Archives, Clyfford Still: The Works on Paper explores the centrality of drawing to Still's practice.
This exhibition
features extensive archival material, including photographs, texts, and
ephemera, drawn from LAPD's archives.
This exhibition
features over 200 works on paper from the archive of Steven Leiber (1957 — 2012), a pioneering collector and dealer specializing in artists» books, editions and
ephemera.
Curated by Marco Antonini, this project consisted of three exhibitions,
featuring artworks,
ephemera and publications that have been mostly conceived and produced to be freely distributed.
The show
features rarely - seen photography, archival material, and
ephemera documenting the crucial role of performance, fashion, and music at the Times Square Show.
American Abstract Artists 75th Anniversary
featured artwork selected by OK Harris Works of Art from 77 current members of the organization as well as
ephemera representing some of the group's past history.
The exhibition will also
feature a newly expanded presentation of Dream English Kid 1964 — 1999 AD (2015), an autobiography told through what the artist calls «found memories» that have been compiled from sources like archival television clips, YouTube videos, and eBay
ephemera, as well as meticulous reconstructions of specific memories using props and models.
This month, the J. Paul Getty Museum and the Los Angeles County Museum of Art, launch a major two - venue Mapplethorpe retrospective, Robert Mapplethorpe: The Perfect Medium, that digs deep into the photographer's massive archive and
features more than 300 pieces of art and
ephemera from every period of his prolific career.
It includes more than 60 works and photographs by the pioneering modernist designer, and also
features a selection of her personal letters, furniture and
ephemera.
Radical Presence will
feature video and photo documentation of performances, performance installations,
ephemera and objects created through actions.
An avid collector of antiquated prints and
ephemera, Dr Lakra superimposes tattoos and pen drawings over images
featuring pin - up girls, 1940s Mexican businessmen, and luchadores.
This luminous pool of
ephemera, which
featured everything from noodles to fabric softener — much of it amassed from junk stores — sold for some $ 20,000 (not bad for a Frieze debut).
L.A. Object & David Hammons Body Prints is the most thorough examination to date of Hammons's early work and
features installation shots,
ephemera, and many never - before - published photographs of Hammons in the studio....
Featured are original pen - and - ink illustrations, preparatory sketches, unpublished drawings, and
ephemera.
This show
features paintings, prints, drawings, sound,
ephemera and key correspondences from throughout his career.
It
features more than 70 works of art as well as a collection of the artist's
ephemera such as notebooks, sketchbooks, and models — not just from the years spanning his career (1998 - 2014), but from his childhood and youth as well.
Ephemera such as early childhood drawings and the artist's comic strip that ran in a college newspaper are
featured to allow viewers to see the genesis of the artist's mythology as well as the evolution of his practice.
This comprehensive retrospective is the largest exhibition of its kind presented and
features more than 250 prints and
ephemera by Andy Warhol (American, 1928 — 1987), including such iconic screenprint portfolios as «Marilyn Monroe» (1967), «Campbell's Soup I» (1968), «Electric Chair» (1971) and «Mao» (1972).
Focusing primarily on African American artists in and out of the Black Arts Movement, the exhibition
features approximately 100 objects assembled from the Smart Museum's collection and other public and private collections, including art and
ephemera associated with the Wall of Respect, Black Creativity, the Civil Rights Movement, AfriCOBRA, Afrofuturism, the Hairy Who, and the radical sounds of the Association for the Advancement of Creative Musicians.
This exhibition includes a new large - scale work entitled «Jokes on You,»
featuring images of
ephemera from the collections of the National Museum of American History, which was part of Rafferty's study during her Smithsonian Artist Research Fellowship.
This groundbreaking exhibition, which
features approximately 25 paintings along with selected
ephemera by each artist, provides unprecedented access to the couple's intertwined artistic and personal lives.
Tillmans's own image rarely appears here (while the gallery permits photography, the exhibition leaflet specifies «no selfie - sticks»), but the gregariousness of the curating — which
features a rare videowork, a live programme,
ephemera from the artist's Berlin - based project space, juvenilia like a foray into garment design and an inexplicable gong sculpture — reveals the artist in a surprising number of dimensions; he even codesigned the catalogue.
Miami's Vince Fine Arts
features contemporary /
ephemera pieces by blue chip and emerging artists in sculpture, paintings, drawings and printed matter.
This artist - designed exhibition catalogue
features more than 60 works in various media, illuminating the artist's process with selections from his personal archive of clippings and
ephemera, as well as raw sketches for his projects.