Sentences with phrase «ephemeral materials with»

His works, often marked by fragile or ephemeral materials with regard to the personal, mystic, and spiritual, have been a source of widespread influence to artists such as Mike Kelley, Tony Oursler, and Robert Gober, amongst numerous others.

In Waiting to Be Found, Allié takes the mundane, the motions of city life, discarded items, and an ignored, forgotten subset of people forced to settle in places not designed to be inhabited, and captures their impermanent migrations by utilizing the ephemeral materials with which they engage.

Not exact matches

Eschewing ephemeral materials and archival photographs, the show mixes artwork from the 1970s with newly reconceived and recreated installations based on 1970s originals.

This group of intergenerational artists closely considers the process of art - making in their work by playing with scale, the ephemeral quality of their materials, the nature of time and language, and the relationships between the objects that they create.

The works, suspended plate - glass sculptures internally etched with images of clouds, share Isamu Noguchi's interest in sculpting ephemeral materials, and in using them to shape space.

On view April 25 — August 19, 2018, the works — suspended plate - glass sculptures internally etched with images of clouds — evoke Isamu Noguchi's interest in sculpting ephemeral materials, and in using them to shape space.

Artists began actively participating in the creation of ephemeral materials including gallery invitations, brochures, and advertising traditionally made by a designer with limited artist's input.

Named by Italian critic and curator Germano Celant in a 1967 exhibition he presented in Genova, the movement features dreamlike sculptural installations which display the artists» preoccupation with history and myth and preference for humble, often ephemeral materials.

The 1980's were characterized by his use of new materials with ephemeral qualities, such as flowers, straw, or ash while early exploited lead became more dominant, due to his purchase of the lead roof from a Cologne cathedral when the replacement was done.

Mr. Chamberlain worked with a broad range of materials, some as pliant as foam rubber and as ephemeral as brown paper bags.

Following his move from New York to Captiva Island in fall 1970, Rauschenberg began to work with a restricted palette, spare shapes, and a narrow range of simple ephemeral materials such as cardboard, paper, and sand, a shift that reflected both his change of environment and the emerging vocabulary of Postminimalism.

In 1964, the artist staged temporary interventions with living animals, and in 1975 she made an Obelisk of Sweet Bread, that models the national monument in the ephemeral material.

His paintings filled with objects from modern life that epitomize its ephemeral nature, the artist engages the viewer in searching for relations through material identity.

James Dean Erickson, an artist whose paintings explore the space between realism and abstraction to elicit the ephemeral and enduring qualities of nature, will lead the Painting Traditional Subjects with Modern Material workshop and Simplicity and Synthesis lecture in February.

Stone Walls and Copper Veils: Architect Wendy Joseph likes to temper weighty materials with ephemeral, dynamic ones in her designs, which include a Holocaust memorial, a women's museum, and a hotel within a Frank Lloyd Wright skyscraper Valerie Gladstone

«When Attitudes Become Form: Bern 1969 / Venice 2013» brings together the original works presented at the Kunsthalle and Schulwarte, loaned for the event by important private collections and international museums (for example the works of Carl Andre, Claes Oldenburg, Bruce Nauman, Eva Hesse, Giovanni Anselmo, Hanne Darboven, Reiner Ruthenbeck, Marinus Boezem and Richard Tuttle); site - specific interventions «reenacted» directly or in association with the artists and their Estates (for instance the works of Joseph Beuys, Daniel Buren, Walter De Maria, Jan Dibbets, Alain Jacquet, Joseph Kosuth, Sol LeWitt, Keith Sonnier, Ger van Elk, Lawrence Weiner and Gilberto Zorio); plus a selection of photographs, videos, books, letters, ephemeral objects and other original materials relating to the 1969 show and its context.

The Museum of Arts and Design will present «Sonic Arcade: Shaping Space with Sound,» a multi-component exhibition that explores how the ephemeral and abstract nature of sound is made material.

With these elements, artists like Hiroshi Sugimoto, Luisa Lambri, Melanie Schiff, Walead Beshty, and Adam Ekberg create ephemeral works that explore the foundation of the photographic image: the play of light through half opened shutters; haunting seascapes reduced to a gradation of elemental material; and luminous circles of light formed by the interplay of sunlight and the camera's lens.

The materials allude to, again, death — the lightbulbs are ephemeral, they will burn out, but there is potential for renewal with the bulbs being replaced.

In Recycled Sensations, Nam constructs complex structures with material drawn from outmoded or disposable electrical appliances, drawing attention to the ephemeral nature of today's digital technologies.

Sebastian Buczek who also runs the alternative record label altanova creates eroding sounds with ephemeral materials like wax, platic, glass and chocolate.

«When Attitudes Become Form: Bern 1969 / Venice 2013» brings together the original works presented at the Kunsthalle and Schulwarte, loaned for the event by important private collections and international museums (for example the works of Carl Andre, Claes Oldenburg, Bruce Nauman, Eva Hesse, Giovanni Anselmo, Hanne Darboven, Reiner Ruthenbeck, Marinus Boezem and RichardTuttle); site - specific interventions «reenacted» directly or in association with the artists and their Estates (for instance the works of Joseph Beuys, Daniel Buren, Walter De Maria, Jan Dibbets, Alain Jacquet, Joseph Kosuth, Sol LeWitt, Keith Sonnier, Ger van Elk, Lawrence Weiner and Gilberto Zorio); plus a selection of photographs, videos, books, letters, ephemeral objects and other original materials relating to the 1969 show and its context.

It is characterized by its use of text, as well as imagery, along with a variety of ephemeral, typically everyday materials and «found objects».

With his frequent use of highly perishable materials, Thek accepted the ephemeral nature of his art works — and was aware, as writer Gary Indiana has noted, of «a sense of our own transience and that of everything around us.»

-- BIOGRAPHY OF ARTISTS: Anya Gallaccio Born in Paisley, Scotland 1963, Anya Gallaccio's work is concerned with nature, beauty and the passing of time and often uses ephemeral materials to refer to the cyclic nature of life and death.

He has spent his artistic life working with the most ephemeral of materials: newspaper clippings, photographs, found snapshots, clothing, candles, light bulbs, old biscuit tins.

With an ephemeral quality thanks to its lightness and silver hues, the installation makes for a physical experience, as accentuated by prosaic materials such as gauze, aluminum and copper / zinc.

Through a variety of reproductive media, understood as acts of translation, Buechler addresses a variety of concerns regarding our relationship with historic and contemporary communication systems, the dis / functionality of language, and loss as both an ephemeral and material phenomenon.

Gallaccio's work is concerned with nature, beauty and decay, she uses ephemeral materials to refer to the cyclic nature of life and death.

Usually made in response to the space where they will be shown, and often created with ephemeral materials, her works have ranged from delicate cellophane, paper and polythene hanging pieces suspended with ribbon or tape to large - scale floor - based sculptures made from plaster, chalk powder and soil.

She reportedly chose to work with those materials because they were ephemeral and would show the passage of time.

About my objectives: I'm interested in the combination between ARTIST RESEARCH and ARTIST EDUCATION.To investigate the way between Architectural + Sculpture = «Archisculture», New architectural forms with organic materials and ephemeral works.

Sonic Arcade: Shaping Space with Sound is a multi-component exhibition featuring interactive installations, immersive environments, and performing objects that explore how the ephemeral and abstract nature of sound is made material.

Rail: Could you describe the shift from using random accumulations of ephemeral materials (from what I've seen in reproductions), such as nylon stapled onto the wall, grease, beeswax and graphite, applied with rather agitated and all - over scribbling, and the more calming repetition of fingerprints, all of which were included in «Anti-Illusion,» then there was a dramatic progression that took place in your next two one - person shows at Paula Cooper, in 1970 and 1972?