Sentences with phrase «ephemeral works at»

Fine - Ass Art Fine - Ass Art Throw Away Art presents Fine - Ass Art, a showcase of permanent and ephemeral works at Kings County Bar during Bushwick Open Studios.

Not exact matches

With its flowing harmonies, «Disobedience» works equally well as an example of modern classical music at its most thankfully harmonious, Herbert dresses strings lines over each other with gossamer delicateness in a way that's also reminiscent of the hypnotic film works of ephemeral composer Michael Convertino («Bed or Roses») in a way that awakens with its womens» growing self empowerment, also calling to the ear such diverse, ultra-melodic composers as Claude Debussy and Richard Wagner.

At 70 years of age, Long still produces all his work himself, without assistance, and the physical act of making a piece or completing a walk is very much a part of the work itself — some of which, ephemeral in nature, go on to exist solely through photography and text records.

Parallel to this show, Jason Rhoades» work can be seen at the Whitney Museum of American Art's Biennial exhibition, where he will exhibit his large - scale work entitled «Uno Momento, the Theatre in my Dick, A Look to the Physical / Ephemeral», first shown at the Kunsthalle Basel, Switzerland, in 1996.

This past year my work has been included in exhibitions at the 2012 New York Photo Festival (Brooklyn, NY), South Hill Park Arts Centre (Bracknell, UK), Artspace New Haven (CT), Galerie Jeanroch Dard (Paris, France) and most recently a solo exhibition, The Dubious Sum of Vaguely Discernable Parts, at the Bindery Projects in St. Paul, Minnesota which included a series of text based drawings, a photo installation and ephemeral print publication of images and writings.

In another work, a text and sound exhibition titled «The transience of soap» in 2001 at The Tin Sheds Gallery, McGreevy collaborates with Barbara Halnan and Warren Summers to create ephemeral spatial drawings using suspended perspex etched with text, where the passage of time is an essential part of the work.

The works currently on display include traditional ephemera (Italian language guides, bakery business cards) as well as original works of art that mimic knickknacks, such as Sinead Cahill's hand - embroidered «girl scout» merit badges made from lithographed fabric, and many things that are not ephemeral at all, but step outside traditional fine art forms into the realm of the quotidian.

In 1959, Mallary took a teaching position at Pratt and moved to New York, where he would combine the brooding weight and density of the New Mexico abstractions with ephemeral urban detritus, creating works that established him among the core artists exploring junk art, such as John Chamberlain, Richard Stankiewicz, Claes Oldenburg and Lee Bontecou.

The show at Garage will also be expanded, to include a special ephemeral intervention in the Atrium by Carlos Cruz - Diez, as well as several works and reconstructions by Russian, Latvian, and Estonian artists.

A year earlier Roy was commissioned to make «Nature Belle» for the Hank Aaron Trail, an ephemeral work that was beautifully documented by Mary Louise Schumacher in words and video (Roy still admires Mary Louise for getting up at 5 am to capture the work at daybreak).

The sculptures, drawings, photographs, mixed media works, and films in Ana Mendieta: Late Works 1981 - 1985 at Galerie Lelong reveal Mendieta's translation of her ephemeral practices in the landscape to independent art objworks, and films in Ana Mendieta: Late Works 1981 - 1985 at Galerie Lelong reveal Mendieta's translation of her ephemeral practices in the landscape to independent art objWorks 1981 - 1985 at Galerie Lelong reveal Mendieta's translation of her ephemeral practices in the landscape to independent art objects.

Many first generation Conceptual artists working in the late 60s and early 70s de-emphasized the art object, in part as a gesture against what they perceived as the increasing commercialization of the artwork (one thinks of Sol LeWitt's ephemeral wall drawings, painted over at the end of their exhibition, or the linguistic investigations of Lawrence Weiner who in 1972 wrote, «I do not mind objects, but I do not care to make them»).

Not quite Superwoman, but every bit a woman of steel, artist Miya Ando is best known for her metalwork in the form of anodized aluminium that is hand - dyed to achieve beautiful end results; work that is industrial and ephemeral at the same time.

Claudia Schmuckli, director and chief curator at the Blaffer, described Andy Coolquitt as a comprehensive exhibition in the sense that it surveys what is available of Coolquitt's work, explaining that many earlier creations were ephemeral in nature and no longer physically exist.

Following on from exhibitions of the work of Garth Evans (2013, curated by Richard Deacon) and Uncommon Ground: Land Art in Britain 1966 - 79 (2014), which between them covered the period from 1959 - 1982, where sculptural practice was very much ephemeral, conceptual, or based on performance, this current exhibition looks at the early 80s, a time when sculptural practice in the UK went back into the workshops to experiment with a completely new approach of assembling.

I was surprised at the ephemeral quality, not of the work itself, but of the atmosphere that you had created.

Though Huyghe is arguably France's most acclaimed mid-career artist — he represented the nation at the Venice Biennale in 2001, won the Guggenheim's Hugo Boss Prize the next year, and has appeared in editions of just about all of the important international biennials over the past two decades — a retrospective of his work always seemed fairly improbable, given the site - specific, and often - ephemeral, nature of his art.

At the same time, Krebs sought to create drawings expressing the atmospheric and ephemeral qualities of his light works.

Hundley's choice of found, often ephemeral objects embeds each work with sentimentality and personal meaning, but these small - scale details are at times suggestive of more universal imagery and ideas: mythology, forces of nature, and aerial views of vast and fantastic landscapes.

It also features many previously unpublished photographs of the artist in the studio and at home and other ephemeral materials, making the publication the complete word on this acclaimed and original artist's life and work.

«When Attitudes Become Form: Bern 1969 / Venice 2013» brings together the original works presented at the Kunsthalle and Schulwarte, loaned for the event by important private collections and international museums (for example the works of Carl Andre, Claes Oldenburg, Bruce Nauman, Eva Hesse, Giovanni Anselmo, Hanne Darboven, Reiner Ruthenbeck, Marinus Boezem and Richard Tuttle); site - specific interventions «reenacted» directly or in association with the artists and their Estates (for instance the works of Joseph Beuys, Daniel Buren, Walter De Maria, Jan Dibbets, Alain Jacquet, Joseph Kosuth, Sol LeWitt, Keith Sonnier, Ger van Elk, Lawrence Weiner and Gilberto Zorio); plus a selection of photographs, videos, books, letters, ephemeral objects and other original materials relating to the 1969 show and its context.

The transitory and ephemeral nature of the project can not be overstated — at core the works were an exercise in the effects of context and perception — and visitors were activated as artists themselves to point out how those exercises resonated within the Schindler House.

The project, entitled SOUNDWORKS, aims to take a broader look at the range of work being produced in audio arts today and embraces the ephemeral and peripatetic nature of sound through the creation of an online platform that doubles as a virtual exhibition space.

Their work has been included in exhibitions such as Ephemeral / Trends II at Merrill Lynch ARTEAMERICAS and Between Art and Life: From Joseph Cornell to Gabriel Orozco at the Miami Art Museum.

The work that we were creating at that time was explicitly trying to undermine the commercial gallery museum's access with ephemeral performance art and posters on the wall and posters for the rat population of New York — stuff that undermined the pillars of values that were established in the art world.

«When Attitudes Become Form: Bern 1969 / Venice 2013» brings together the original works presented at the Kunsthalle and Schulwarte, loaned for the event by important private collections and international museums (for example the works of Carl Andre, Claes Oldenburg, Bruce Nauman, Eva Hesse, Giovanni Anselmo, Hanne Darboven, Reiner Ruthenbeck, Marinus Boezem and RichardTuttle); site - specific interventions «reenacted» directly or in association with the artists and their Estates (for instance the works of Joseph Beuys, Daniel Buren, Walter De Maria, Jan Dibbets, Alain Jacquet, Joseph Kosuth, Sol LeWitt, Keith Sonnier, Ger van Elk, Lawrence Weiner and Gilberto Zorio); plus a selection of photographs, videos, books, letters, ephemeral objects and other original materials relating to the 1969 show and its context.

Erik Niedling (* 1973) is known as a conceptual photographer, who placed disappearance and the ephemeral at the center of several work series.

«There are a few artists who are making live action that is based in sculpture, but what sets him apart is his purist insistence on the immateriality — or ephemeral materiality — of the work, so it crystallizes and disperses again, so there is no trace left at all.»

At HangarBicocca, Suga will activate objects as dynamic parts of a total structure: Viewers will find themselves immersed in an environment of wooden configurations, paraffin - wax structures, floor works composed of both organic and manufactured materials, and ephemeral outdoor interventions.

Just as the distribution and presentation sites she has used (e.g. maga - zines, posters) are characterized by a certain transience and intensified circulation, so too Kruger often insists on the ephemeral physical status of her works, since her wall and large - scale spatial installations are usually destroyed at the end of an exhibition.

It also features many previously unpublished photographs of the artist in the studio and at home and other ephemeral materials, making the publication the last word on Ayres» life and work.

«Tower of Power» was an ephemeral work — the gold in the original exhibition, worth $ 1 million at the time, was borrowed for the length of the show from a Rhode Island bank, at about 6 % interest, according to a contemporaneous Wall Street Journal report.

Marina Abramovic: The Artist Is Present accompanies an exhibition at The Museum of Modern Art that documents approximately 50 of the artist's ephemeral time - and media - based works from throughout her career.

At this point Sonnier had already begun to make use of ephemeral materials in the creation of his work.

Green fingers 27 July A major new group exhibition opens at the Royal Botanical Garden Edinburgh this weekend — «Plant Scenery of the World» is an ephemeral mixed media exhibition featuring painting, video, and architectural drawings alongside photographic works.

At home in Scotland for the run of the show, Goldsworthy has been e-mailing to the gallery each day images of ephemeral works he makes on his land.

The artist creates fragile paper sculptures, which are then temporarily balanced and then photographed at the point of collapse, capturing the millisecond of the work's stability and enabling the viewer a sustained view of the ephemeral, resulting in colourful abstract images blurring the boundaries between painting and photography.

The role of a Collision Investigator has changed, I used gather the evidence at the collision scene in the form of skid marks, ephemeral data and the position of debris to work out the movements of the vehicles up to the point of impact.

Cooley stands to reap at least $ 1.8 m (# 1.5 m) in legal fees and expenses for its work on the initial public offering (IPO) of of Snap, the parent company of photo - sharing and ephemeral messaging service Snapchat, according to a securities filing.