Sentences with phrase «ephemeral works from»

She has amassed more than 200 posters, signs, sculpture pieces, pussy hats, capes, banners and other ephemeral works from protests around the country.

Not exact matches

Finally, we take encouragement in this work of remote marriage preparation from Pope Francis who declared recently (address to Roman Rota 22/1/2016), «Therefore, with a renewed sense of responsibility, the Church continues to propose marriage in its essential elements — offspring, the good of the spouses, unity, indissolubility, sacredness — not as an ideal for a few, despite modern models centred on the ephemeral and the transitory, but as a reality that, with the grace of Christ, can be lived by all the baptised faithful.»

Without giving much consideration to the context that breed such an environment, bar a couple of fleeting scenes where one of the Day's gang attempts to find work as a farm hand, it begs the question as to what the film is trying to accomplish by focusing on the gang; especially when the film's ephemeral style distances the action from reality, laying blame on the gangs for Day's downward spiral into a life of crime and not the faulty idealism behind the myth of American opportunity.

But as SAMA's visitor notice makes clear, although the seventy - five works on view were translated from ephemeral sand and body paintings, they were done so for the express purpose of participating in the international contemporary art market.

The creation of ephemeral, site - specific works recalls earlier work from Cain's career in which she solely worked in abandoned buildings.

The works currently on display include traditional ephemera (Italian language guides, bakery business cards) as well as original works of art that mimic knickknacks, such as Sinead Cahill's hand - embroidered «girl scout» merit badges made from lithographed fabric, and many things that are not ephemeral at all, but step outside traditional fine art forms into the realm of the quotidian.

Similar to Owen's other works, this site - specific installation responds to the particular architectural properties — formal qualities as well as spatial patterns — of the Market and the gallery space, and is constructed out of modest and / or ephemeral materials, which seemingly grow from and within the architecture.

How can a curator help to record and share the effects and meaning of an ephemeral work without stripping away the power that comes from its immediacy?

Muniz's elaborate material creations - in this case the magazine collages - are ephemeral; it is his masterly photographic documentation that is the final work of art, which is intentionally many steps removed from the original image that inspired it...

Albuquerque is an internationally renowned artist who, over the course of her 40 - year career, developed a strong visual language and an expansive body of work ranging from sculpture, poetry, painting, photography, film, and multi-media performance to ambitious site - specific ephemeral projects in remote locations around the globe.

Even Wolfgang Tillmans's work seems newly elusive in this context: an ever - changing pursuit of the ephemeral, from which a new beauty reveals itself.

As ephemeral as they are translucent, these works present an elusive complexity as the striations of paint, fabric, keepsakes, collected and found objects, and clippings from mass - produced paper media coalesce into collages and assemblages that, taken individually or as a series, are most succinctly described as a multidimensional gestalt.»

From his minimalist films of the 1960s to his ephemeral installations to his instant film portraits on Polaroid, these works» technical means of production enable distinctly Warholian explorations of time in relation to both subject and artist.

Following his move from New York to Captiva Island in fall 1970, Rauschenberg began to work with a restricted palette, spare shapes, and a narrow range of simple ephemeral materials such as cardboard, paper, and sand, a shift that reflected both his change of environment and the emerging vocabulary of Postminimalism.

Known for his ephemeral performance - based works, which combined mechanical sculptures made from found objects, urban sounds and explosives, Cripps's spirit emerges from this highly sensory sculpture and sound installation, which in turn leaves you feeling somewhere between nostalgic for the past and anxious for the future.

What emerges from the Whitney's exhibition is a community of artists who appear compelled to limit themselves to ephemeral, transitory media, and whose work seems self - consciously designed to evanesce in a cynical age best forgotten.

Clare Lilley, who selected and placed the works, said: «From the contemplative and ephemeral to the robust and monumental, the exhibition includes the park's first - ever conceptual work — a remaking of a rare 1969 piece by Ed Herring — and classic painted sculptures by Claes Oldenburg and Jean Dubuffet alongside a newly created work by Eddie Martinez.

Due to the mostly ephemeral nature of their work, it can be difficult to trace the impact of many critical artists from the 1960's who were engaged in Happenings and Performance, who are historically important because of their contributions to culture and way of thinking.

I work from imagery based on my own photographs of ephemeral landscapes: places where water meets land, where fallen trees are swallowed by their reflection, where the horizon dissolves into sky.

Following on from exhibitions of the work of Garth Evans (2013, curated by Richard Deacon) and Uncommon Ground: Land Art in Britain 1966 - 79 (2014), which between them covered the period from 1959 - 1982, where sculptural practice was very much ephemeral, conceptual, or based on performance, this current exhibition looks at the early 80s, a time when sculptural practice in the UK went back into the workshops to experiment with a completely new approach of assembling.

Emerging from her use of objects in her paintings and her inclusion of found objects in her ephemeral site - specific works, these new painting - sculpture hybrids contrast monochromatic white and black areas with brightly - hued squiggles, splashes, stripes, and mazes and investigate what happens when a canvas and an object become a simultaneous and continuous surface for painting.

Frequently these artists work from photographs, but just as often, their inspiration is the observed world, and the notion that a tangible, perhaps ephemeral object or moment can somehow be brought back to life - reinterpreted through the artist's hand as re-made readymades.

Infusing a poetic sensuality into Minimalism's legacy, Gabriel Orozco's works vary from sculptural triumphs to more ephemeral, performative acts, such as rolling a huge ball of plasticine, of exactly his own body weight, through the streets in order to «get an impression» of the world around him.

Executed with a raw intensity on paper and in ephemeral installations, her work often draws its imagery and subject matter from current and historical events such as the torture of women in Nicaragua, the extermination of Jews in the Holocaust, and the atrocities of the Vietnam War.

Darryll Schiff is an established artist and photographer from Chicago whose work offers «metaphors for the impermanent, ephemeral quality of our lives, the constant flow and frenzy of contemporary times, illusions, and of perception versus reality».

The works no longer exist, they become ephemeral and the print on the gallery wall is the result of a Chinese whisper from the original image.

In the front room of the gallery, three works will be displayed including videos from Doug Rickard's acclaimed project «National Anthem» and Jeroen Jongeleen's ephemeral land artwork «Running Shapes.»

Andy Goldsworthy, (born July 26, 1956, Cheshire, England), British sculptor, land artist, and photographer known for ephemeral works created outdoors from natural materials found on - site.

There was a lot of work that he did — you know, like from Fluxus on — that was ephemeral and that was object - oriented, and etc., etc., and that was action - oriented.

In this work, Finch captures the ephemeral phenomenon of shadows, focusing specifically on re-creating light from locations of Eugene Atget's photographs of Paris.

Nikita Gale is an Atlanta - based artist working in an array of media, from the tangible to the more ephemeral.

Their work has been included in exhibitions such as Ephemeral / Trends II at Merrill Lynch ARTEAMERICAS and Between Art and Life: From Joseph Cornell to Gabriel Orozco at the Miami Art Museum.

The exhibition features about 30 works and will be on display in the Vivian & David Campbell Centre for Contemporary Art (Level 5) and in Walker Court, where Tino Sehgal's ephemeral Kiss (2002), a choreographed dance referencing sculptural kisses from art history, will be exhibited alongside two of the works that inspired it: Auguste Rodin's The Kiss and Constantin Brâncuşi's Kiss.

Tasha Lewis is an artist originally from Indianapolis, Indiana, whose sculptural and installation works combine the historic photographic process of cyanotype with paper sculpture, stitching, magnets, and ephemeral public art.

All the works contain material or form that was used in some other way before they became works of art, and the artist thinks of this transformation as a form of alchemy in which the ephemeral becomes ever - lasting while the new artworks still retain some remnant of the cultural content from their previous use.

Over 100 women from 15 countries are included, from well - known artists like Lygia Clark, Ana Mendieta, and Judy Baca, to scores of underrepresented pioneers, working across a wide spectrum of media from painting and sculpture, to photography, video, installation, and ephemeral actions.

Partially informed by observable patterns found in both human and natural phenomena such as buildings, maps and weather patterns, the work emerges from an ephemeral, intuitional state, resulting in objects and images that convey a sense of complexity, serenity and flux.

«Tower of Power» was an ephemeral work — the gold in the original exhibition, worth $ 1 million at the time, was borrowed for the length of the show from a Rhode Island bank, at about 6 % interest, according to a contemporaneous Wall Street Journal report.

This background deeply shapes his work as a contemporary visual artist, which has performative, participatory, and ephemeral characteristics that derive from Carnival.

Paul Thek in Process evaluates the complex organizational and conceptual task of the installation's eventual realization, and offers an exhibition history written with a view from the inside, with particular attention paid to the status of the ephemeral objects that remain as contingent representatives of the lost work.

SELECTED EXHIBITIONS 2018 In (di) visible, Station Museum of Contemporary Art, Houston, TX; Cameron Museum of Art, Wilmington, NC 2017 Translatio Imperii, Gutterbox Gallery, Raleigh, NC Digiscapes, Curated by Anthony Hamilton, Lump, Raleigh, NC Art on Paper, Curated by Emily Stamey, Weatherspoon Art Museum, Greensboro, NC Objectifying Myself: Works by Women Artists from the Pennsylvania Academy of Fine Arts, William Benton Museum of Art, Storrs, CT For Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA Shimmer, Light and Design Gallery, Chapel Hill, NC 2016 Seeping of a Ghost, Gallery Bastejs, Riga, Latvia (solo) Musings on an Origin, Spectre Arts, Durham, NC Typecast, Hillyer Art Space, Washington, DC 2015 Heterotopias as Other, Nha San Collective, Hanoi, Vietnam (solo) 2014 The Orient, The Occident, Galerie Quynh, Ho Chi Minh City, Vietnam (solo) Summer Shuffle: Contemporary Art @ PAFA Remixed, Pennsylvania Academy of Fine Arts The Mother Load, The Center for Creative Connections, Dallas Museum of Art, TX 2013 Contemporary Vietnamerican Art, Maier Museum of Art, Lynchburg, VAThe Linda Lee Alter Collection of Art by Women, Pennsylvania Academy of Fine Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam Art HK 12, Hong Kong International Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition, National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008 In Transition Russia, Municipal Centre for Contemporary Art, Yekaterinburg National Centre for Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go West!

An accompanying publication will reproduce works from the exhibition and supplementary ephemeral material used in the making of several pieces as well a curatorial project inspired by Melody Sumner Carnahan's The Form (1979).

The exhibition also incorporates ephemeral materials and video works drawn from the collections of multiple Museum departments.

«The Unarchivable», its opening group show, curated by Marco Scotini and Lorenzo Paini, brings together a selection of works from the crowded Italian art scene of the»70s, from Alighiero Boetti's and Luigi Ghirri's attempts to create personal, nonlinear archives, to the ephemeral gestures of Ketty La Rocca and Gianfranco Baruchello's «leftovers».

Marina Abramovic: The Artist Is Present accompanies an exhibition at The Museum of Modern Art that documents approximately 50 of the artist's ephemeral time - and media - based works from throughout her career.

An accompanying publication reproduces works from the exhibition and supplementary ephemeral material used in the making of several pieces, as well a curatorial project inspired by Melody Sumner Carnahan's The Form (1979).

Usually made in response to the space where they will be shown, and often created with ephemeral materials, her works have ranged from delicate cellophane, paper and polythene hanging pieces suspended with ribbon or tape to large - scale floor - based sculptures made from plaster, chalk powder and soil.

From ephemeral works that erode with time or emphasize the timelessness of nature, to works making a more political statement, it seems that the general role of environmental art is to prompt contemplation about the greater meaning of human engagement in nature, in relation to its cyclic processes.