Lung's upcoming film chronicles the longtime search for «Kukan,» the until recently lost Oscar - winning documentary and
epic color film about war - torn China produced in collaboration between Chinese - American Li Ling - Ai and Scott's grandfather, Rey Scott, in 1941.
Not exact matches
Kaminski and Spielberg don't go all the way to black and white, but the 1.85 image (giving the
film a more intimate scope than the expected
epic 2.35:1) bleeds the bright
colors down to the green - and - brown elements and overcasts the smoky skies.
The
color palette and mis - en - scene composition are fittingly vibrant and
epic for a blockbuster
film of this scope, and many of the ambitious action sequences are well - executed and impressive, which helps to justify seeing the
film on a theater screen.
8 — Moby Dick (Twilight Time, Blu - ray), John Huston's 1956
film of Herman Melville's whaling drama turned
epic odyssey starring Gregory Peck plays the obsessed Captain Ahab, was scripted in collaboration with Ray Bradbury and shot by cinematographer Oswald Morris with a desaturated
color palette to give the
film a sepia quality to evoke the engraving and illustrations of the whaling era.
takes us back to many different genres of filmmaking from the 1940s, including historical
epics, war
films, musicals — tap dancing Frank Sinatra musicals and Esther Williams musicals with vibrant
colors, rich black and whites — all the while allowing Deakins to do what he always does with any movie he's working on whether it's the shittiest
film you've ever seen or the best — making it 100 % better just by having shot it.
Bertolucci's production is sweeping and lavish — this was the first foreign production granted access to
film within the walls of the Forbidden City — and cinematographer Vittorio Storaro uses
color like a painter on an
epic canvas.
Blue is the Warmest
Color is a devastating
epic in the grand tradition of bigger - than - life love stories, and pretty comfortably the best
film of 2013.