I've had a great history working with Producer Josh McLaglen who has worked on
epic effects films from Titanic to Avatar and effects producer, Ron Ames was integral in bringing us together and organizing all of the visual effects on the film.
Not exact matches
Whether it's the latest superhero reboot, science fiction thriller or historical
epic drama, the
effects - driven juggernaut that powers the modern
film industry seems to continually overlook subaquatic cinema.
While the previous
films in the series have been just that — parts of a sequence designed to get us here, each with their own beginning and end — the first and second parts of Deathly Hallows are two halves of the same
film, and to approach them as separate entities means missing just what director David Yates, writer Steve Kloves, and a host of storytellers and performers have done: They've made a five - hour fantasy
epic that balances
effects - driven battles with some very real character moments, and one that isn't afraid to have its heroes pay a high price for their convictions.
Transformers is an entertaining
film with
epic action, breathtaking visual
effects and some humor as well, but sadly the
film suffers from bad performances and a cheesy story.
Terrible plot, lackluster
effects, a trainwreck sense of direction, and an absolute lack of an
epic scope that the first two delivered on so well makes Superman IV: The Quest for Peace not only the worst Superman
film, but one of the worst comic book movies in general
Even if it may feel a bit overlong, this fantastic sequel is perhaps even more thrilling than the first
film, this time investing more in the action and first - rate special
effects with a bigger budget to create something
epic - and it is always awesome to see Schwarzenegger as the big hero.
It's the little things that are absurd, and that reduce the
film from awe - inspiring disaster
epic to silly special -
effects showcase.
The
film feels close to the recent Spider - Man and X-Men installments, not merely because of common origins (as one of many noteworthy Marvel lines introduced by Stan Lee and Jack Kirby during the medium's Silver Age), but also because of its grand sense of adventure, diverse roster of powerful mutants, and
epic stage of
effects - enabling spectacle.
Today, we have two new Underworld: Blood Wars trailers for your viewing pleasure, which show off the
films epic special
effects and intense action scenes.
• The Hobbit: The Battle of the Five, Dec. 17: The third
film in Peter Jackson's
epic, special -
effects - packed trilogy.
«Building an
Epic Battle» (5:48) looks at the creation of one of the
film's obligatory
effects - and - stunts - heavy combat sequences.
Even without its extensive butterfly
effect on
film culture en masse, Kurosawa's landmark
film is an
epic to behold, especially on 35 mm in Seattle's Cinerama Theater (now one of the most advanced, hi - tech theaters in the world.)
Experience the nonstop action, incredible fight sequences and stunning visual
effects of 2
epic films in The Scorpion King Action - Pack.
Whereas Allen's
films were primarily
epic tales of human valor in the face of certain calamity, the new crop of disaster
films are meant merely as a showcase of mind - blowing, earth - shattering special
effects first, while the little stories of personal peril are merely filler to tie together the prolonged scenes of mass destruction.
Featuring Academy Award ® - winning visual
effects and groundbreaking filmmaking that has been hailed as «a triumph of special
effects artistry» (Roger Ebert, Chicago Sun - Times), this
epic film is sheer movie - making magic that was 65 million years in the making.
Made on the wonderful jungle sets of King Kong while that
epic's special
effects were being finished, this is one of the great action - horror
films and has provided a template for many «rich sicko» melodramas — the entire «torture porn» subgenre springs from the obsessions of its villain, Count Zaroff (Leslie Banks).
Never is the irritable insurance pitchman more chafed than when his prehistoric brethren are stereotyped as mere musclebound cretins with brainpans the size of M&M s. And although the characters in the big - budget, special -
effects - laden prehistoric
epic «10,000 B.C.» don't exactly fall into that whole «Captain Caveman» mold — they stand upright, they speak English, they wear stylish dreadlocks — movie - goers, Neanderthal or not, likely will find the
film's primitive plotting every bit as insulting.
Viewing the
film in 3D, there are some great
epic scale shots for the
effect but I wasn't very blown away with it anyway.
Not just some longer version with deleted scenes cut back in, the Extended Editions were painstakingly reedited for home video by Peter Jackson with new special
effects, a reworked score by Howard Shore to match the new rhythms of the narrative and some lovely scenes that were cut for time in the theatrical version of the
film but add depth to the characters and the scope of the
epic.
Working from a script by John Ridley (Red Tails, U Turn), who adapts Northup's own incredible memoir published in 1853, McQueen creates a powerful
effect by not making the
film «
epic» or by proclaiming itself an «pretentiously important issues movie», but by keeping the emphasis on the characters and their individual stories much more so than as a
film meant to cover the topic of slavery as a whole.
The formulaic
film is basically another special
effects - driven adventure featuring an
epic showdown between righteous and rogue wizards.
Wield Mjolnir to hear some
epic sound
effects — all inspired by the new
film, «Thor: Ragnarok»!
Like the Mass
Effect series, the anime
film will «tell the tale of an
epic science fiction adventure set in a vast universe filled with dangerous alien life and mysterious, uncharted planets»