Sentences with phrase «epic scale film»

That show included an epic scale film, presented in four parts each over an hour long, that featured landscapes from Epaminonda's native Cyprus.

Not exact matches

Originally planned as a single film, Kill Bill grew into an epic - scale two - part project totaling more than four hours in length; as with the first film, Kill Bill Vol.
There are times when the film's epic scale threatens to overwhelm the intimacy in Steve Kloves» complexly interwoven script.
A full - scale re-imagining of Universal Pictures» seminal 1932 film, The Mummy is a rousing, suspenseful and horrifying epic about an expedition of treasure - seeking explorers in the Sahara Desert in...
A lovingly crafted fantasy on an epic scale, Mary and the Witch's Flower is a film about transformation made by filmmakers in transition.
It's a minor film but that's part of the charm, the lack of bombast and epic scale in a genre that keeps trying to top itself.
Loveless doesn't have the same epic scope as Zvyagintsev's last film, 2014's Oscar - nominated Leviathan: This is quieter and more ruminative, closer to Elena in scale.
Best Format: The scale of this film is pretty epic, so a theater screening is recommended.
Technically, this is one of the best - looking films of the MCU, with Oscar - nominated cinematographer Rachel Morrison giving everything a grand scale and scope that gives Black Panther an epic feel.
Not only are «Get Out,» «The Shape of Water» and «Blade Runner 2049» some of the very best films of 2017, but from the no - budget indie realm («Prevenge,» «A Ghost Story,» «Transfiguration,» «Raw») to expensive studio epic scale («War for the Planet of the Apes,» «Kong: Skull Island») and newly blazed ground out of the predominantly formulaic superhero («Logan,» «Wonder Woman,» «LEGO Batman») and Star Wars («The Last Jedi») factory farms, fantasy filmmakers tried their hardest to be smart, visually adroit, sometimes startlingly innovative and — strangest of all for this escapist format — humanely, emotionally credible.
Some very good points in here To be honest, I like seeing huge battles as a climax in blockbusters... but I agree it's pretty cool when films go for a smaller scale ending that's less epic and more personal.
Chadha, whose last film The Viceroy's House tackled the tragic causes and epic scale of the partition of India, said she hopes Blinded by the Light will, by contrast, mix a little of the quirky British humour of some of her earlier films, such as Bhaji on the Beach (1993) and Angus, Thongs and Perfect Snogging (2008) with the lively energy of 1980s high - school movies written by John Hughes such as Pretty in Pink and The Breakfast Club.
A remarkable film about a remarkable man, it won 8 Oscars and had an epic scale rarely seen before.
At four hours long, this film isn't for casual moviegoers, but fans of ambitious cinema will enjoy its scale, even though it's more of an extended personal drama than a proper epic.
Mononoke was the first film to receive wide distribution and in retrospect it may have been the perfect introduction, at least for the adult audience: an environmentalist epic as and blood and thunder fantasy adventure on an apocalyptic scale.
It's good, old - fashioned filmmaking and would have been fertile territory for any film composer - and Milius enticed one of the best, Jerry Goldsmith, to write what was essentially his first large - scale adventure score - the epics he had worked on previously had all been more adult - themed than this romp.
«Loveless» doesn't have the same epic scope as Zvyagintsev's last film, 2014's Oscar - nominated «Leviathan»: this is quieter and more ruminative, closer to «Elena» in scale.
While Winterbottom has said that he intended it to be more epic in scale and was disappointed that the studio asked him to rein it in, the film draws its strength from its tenebrous reticence and rare reserve — and exposes its weakness in the moments it exceeds its reach.
It's visually ambitious, epic in scale, and knows how to use nostalgia to pull fans of the classic animated film right into its musical wonder.
The film never stopped feeling like the audience was experiencing an epic scale story.
Having been on the Croisette before with his debut film Un 32 août sur Terrre (Un Certain Regard), and the Directors» Fortnight was home for his epic short Next Floor and sobering Polytechnique, the Quebecois helmer saw his critically lauded Incendies and Enemy receive a pass from the fest, but it was this work that ultimately convinced backers with deep pockets to have the auteur filmmaker move onto large - scale productions (Prisoners, Story of Us, the Blade Runner sequel), and in turn Sicario is now among the hopefuls for the Palme d'Or.
With its wide focus, Soderbergh's film is technically epic in scale, yet Traffic derives its lasting power from the savvy notion that sheer size is no match for urgent, true - to - life immediacy.
Viewing the film in 3D, there are some great epic scale shots for the effect but I wasn't very blown away with it anyway.
Avengers: Infinity War may be the first superhero film to match the scale of epic films like the Lord of the Rings and Star Wars.
It may be the first superhero film to match the scale of epic films like the Lord of the Rings and Star Wars.
The Production Design (or «Art Direction») category normally favors large - scale fantasy films or lavish period epics, but this year's nominees reflect a subtler batch of contenders (which makes sense given that the subdued Lincoln won the trophy last year).
The last time Deakins managed that feat was in 2002, for his work on the Coen brothers» The Man Who Wasn't There, and while we predicted that Deakins would complete the hat trick on Oscar night (we even thought he was due after five nominations), he lost to Andrew Lesnie's epic - scale lensing of Peter Jackson's The Lord of the Rings: The Fellowship of the Ring, which surely benefited that year from being the only film in this category that was also up for best picture.
Even after winning an Academy Award for the epic Traffic (2000) and continuing to work on bigger - budget Hollywood films like Ocean's Eleven (2001), this high - profile filmmaker has never lost his drive to make compelling independent cinema, whether large - scale (2008's Che) or small (2010's And Everything Is Going Fine).
The unfortunate part however, is that this film is lacking in the focus and emotions to make it worthy of it's epic scale and attempt at romance.
MATTHEW BARNEY: RIVER OF FUNDAMENT Fourteen large - scale sculptures made in conjunction with Matthew Barney's «River of Fundament» (2014), a film inspired by Norman Mailer's novel «Ancient Evenings,» and displaying similarly epic, megalomaniacal ambitions.
His last film to date, Messiah (1999), reveals on an epic scale a summary of the themes present throughout his artistic career.
The exhibition brings together for the first time, the entire ensemble of Matthew Barney's multi-part River of Fundament project, comprising the symphonic film of epic length (5 hours) River of Fundament, large - scale sculptures, drawings, photographs, story boards, and vitrines.
Lying on the floor in a wave - like formation were 90 tons of reinforcing rods salvaged from the ruins and straightened out, as though to smooth away the horror of the disaster.Human Flow is his first full - length film and rather than seeking to smooth things over, it confirms the epic scale of the current crisis.
The Contemporary Arts Museum Houston is alive with the dazzlingly chaotic hum of the late Stan VanDerBeek's category - defying, utopian hybrids of film, technology and performance, including one of his «movie murals,» which combine film excerpts with slide and acetate projections on an epic scale.
Works being presented for the first time at the Hayward Gallery include a specially commissioned bell by Steven Claydon, cast at the Whitechapel Bell Foundry, which will chime 21 times a day; a new outdoor installation by Keith Wilson, a new film The Empty Plan by Anja Kirschner & David Panos; a new chapter in Charles Avery's epic island - fiction in the shape of large scale drawing Untitled (View of the Port at Onomatopoeia); a new episode from Nathaniel Mellors» Monty Python - meets - Pasolini «soap opera», Ourhouse and a large canvas bear's body by Brian Griffiths — the head of which was shown at Nottingham.
Haus der Kunst present Matthew Barney: River of Fundament on view March 16 — August 17, 2014, an exhibition that brings together for the first time, the entire ensemble of Matthew Barney's multi-part River of Fundament project, comprising the symphonic film of epic length (five hours) River Of Fundament, large - scale sculptures, drawings, photographs, story boards, and vitrines.
William Kentridge's most ambitious project to date combines music, dance, film projections, mechanised sculptures and shadow play to create an imaginative landscape on an epic scale.
a b c d e f g h i j k l m n o p q r s t u v w x y z