That show included
an epic scale film, presented in four parts each over an hour long, that featured landscapes from Epaminonda's native Cyprus.
Not exact matches
Originally planned as a single
film, Kill Bill grew into an
epic -
scale two - part project totaling more than four hours in length; as with the first
film, Kill Bill Vol.
There are times when the
film's
epic scale threatens to overwhelm the intimacy in Steve Kloves» complexly interwoven script.
A full -
scale re-imagining of Universal Pictures» seminal 1932
film, The Mummy is a rousing, suspenseful and horrifying
epic about an expedition of treasure - seeking explorers in the Sahara Desert in...
A lovingly crafted fantasy on an
epic scale, Mary and the Witch's Flower is a
film about transformation made by filmmakers in transition.
It's a minor
film but that's part of the charm, the lack of bombast and
epic scale in a genre that keeps trying to top itself.
Loveless doesn't have the same
epic scope as Zvyagintsev's last
film, 2014's Oscar - nominated Leviathan: This is quieter and more ruminative, closer to Elena in
scale.
Best Format: The
scale of this
film is pretty
epic, so a theater screening is recommended.
Technically, this is one of the best - looking
films of the MCU, with Oscar - nominated cinematographer Rachel Morrison giving everything a grand
scale and scope that gives Black Panther an
epic feel.
Not only are «Get Out,» «The Shape of Water» and «Blade Runner 2049» some of the very best
films of 2017, but from the no - budget indie realm («Prevenge,» «A Ghost Story,» «Transfiguration,» «Raw») to expensive studio
epic scale («War for the Planet of the Apes,» «Kong: Skull Island») and newly blazed ground out of the predominantly formulaic superhero («Logan,» «Wonder Woman,» «LEGO Batman») and Star Wars («The Last Jedi») factory farms, fantasy filmmakers tried their hardest to be smart, visually adroit, sometimes startlingly innovative and — strangest of all for this escapist format — humanely, emotionally credible.
Some very good points in here To be honest, I like seeing huge battles as a climax in blockbusters... but I agree it's pretty cool when
films go for a smaller
scale ending that's less
epic and more personal.
Chadha, whose last
film The Viceroy's House tackled the tragic causes and
epic scale of the partition of India, said she hopes Blinded by the Light will, by contrast, mix a little of the quirky British humour of some of her earlier
films, such as Bhaji on the Beach (1993) and Angus, Thongs and Perfect Snogging (2008) with the lively energy of 1980s high - school movies written by John Hughes such as Pretty in Pink and The Breakfast Club.
A remarkable
film about a remarkable man, it won 8 Oscars and had an
epic scale rarely seen before.
At four hours long, this
film isn't for casual moviegoers, but fans of ambitious cinema will enjoy its
scale, even though it's more of an extended personal drama than a proper
epic.
Mononoke was the first
film to receive wide distribution and in retrospect it may have been the perfect introduction, at least for the adult audience: an environmentalist
epic as and blood and thunder fantasy adventure on an apocalyptic
scale.
It's good, old - fashioned filmmaking and would have been fertile territory for any
film composer - and Milius enticed one of the best, Jerry Goldsmith, to write what was essentially his first large -
scale adventure score - the
epics he had worked on previously had all been more adult - themed than this romp.
«Loveless» doesn't have the same
epic scope as Zvyagintsev's last
film, 2014's Oscar - nominated «Leviathan»: this is quieter and more ruminative, closer to «Elena» in
scale.
While Winterbottom has said that he intended it to be more
epic in
scale and was disappointed that the studio asked him to rein it in, the
film draws its strength from its tenebrous reticence and rare reserve — and exposes its weakness in the moments it exceeds its reach.
It's visually ambitious,
epic in
scale, and knows how to use nostalgia to pull fans of the classic animated
film right into its musical wonder.
The
film never stopped feeling like the audience was experiencing an
epic scale story.
Having been on the Croisette before with his debut
film Un 32 août sur Terrre (Un Certain Regard), and the Directors» Fortnight was home for his
epic short Next Floor and sobering Polytechnique, the Quebecois helmer saw his critically lauded Incendies and Enemy receive a pass from the fest, but it was this work that ultimately convinced backers with deep pockets to have the auteur filmmaker move onto large -
scale productions (Prisoners, Story of Us, the Blade Runner sequel), and in turn Sicario is now among the hopefuls for the Palme d'Or.
With its wide focus, Soderbergh's
film is technically
epic in
scale, yet Traffic derives its lasting power from the savvy notion that sheer size is no match for urgent, true - to - life immediacy.
Viewing the
film in 3D, there are some great
epic scale shots for the effect but I wasn't very blown away with it anyway.
Avengers: Infinity War may be the first superhero
film to match the
scale of
epic films like the Lord of the Rings and Star Wars.
It may be the first superhero
film to match the
scale of
epic films like the Lord of the Rings and Star Wars.
The Production Design (or «Art Direction») category normally favors large -
scale fantasy
films or lavish period
epics, but this year's nominees reflect a subtler batch of contenders (which makes sense given that the subdued Lincoln won the trophy last year).
The last time Deakins managed that feat was in 2002, for his work on the Coen brothers» The Man Who Wasn't There, and while we predicted that Deakins would complete the hat trick on Oscar night (we even thought he was due after five nominations), he lost to Andrew Lesnie's
epic -
scale lensing of Peter Jackson's The Lord of the Rings: The Fellowship of the Ring, which surely benefited that year from being the only
film in this category that was also up for best picture.
Even after winning an Academy Award for the
epic Traffic (2000) and continuing to work on bigger - budget Hollywood
films like Ocean's Eleven (2001), this high - profile filmmaker has never lost his drive to make compelling independent cinema, whether large -
scale (2008's Che) or small (2010's And Everything Is Going Fine).
The unfortunate part however, is that this
film is lacking in the focus and emotions to make it worthy of it's
epic scale and attempt at romance.
MATTHEW BARNEY: RIVER OF FUNDAMENT Fourteen large -
scale sculptures made in conjunction with Matthew Barney's «River of Fundament» (2014), a
film inspired by Norman Mailer's novel «Ancient Evenings,» and displaying similarly
epic, megalomaniacal ambitions.
His last
film to date, Messiah (1999), reveals on an
epic scale a summary of the themes present throughout his artistic career.
The exhibition brings together for the first time, the entire ensemble of Matthew Barney's multi-part River of Fundament project, comprising the symphonic
film of
epic length (5 hours) River of Fundament, large -
scale sculptures, drawings, photographs, story boards, and vitrines.
Lying on the floor in a wave - like formation were 90 tons of reinforcing rods salvaged from the ruins and straightened out, as though to smooth away the horror of the disaster.Human Flow is his first full - length
film and rather than seeking to smooth things over, it confirms the
epic scale of the current crisis.
The Contemporary Arts Museum Houston is alive with the dazzlingly chaotic hum of the late Stan VanDerBeek's category - defying, utopian hybrids of
film, technology and performance, including one of his «movie murals,» which combine
film excerpts with slide and acetate projections on an
epic scale.
Works being presented for the first time at the Hayward Gallery include a specially commissioned bell by Steven Claydon, cast at the Whitechapel Bell Foundry, which will chime 21 times a day; a new outdoor installation by Keith Wilson, a new
film The Empty Plan by Anja Kirschner & David Panos; a new chapter in Charles Avery's
epic island - fiction in the shape of large
scale drawing Untitled (View of the Port at Onomatopoeia); a new episode from Nathaniel Mellors» Monty Python - meets - Pasolini «soap opera», Ourhouse and a large canvas bear's body by Brian Griffiths — the head of which was shown at Nottingham.
Haus der Kunst present Matthew Barney: River of Fundament on view March 16 — August 17, 2014, an exhibition that brings together for the first time, the entire ensemble of Matthew Barney's multi-part River of Fundament project, comprising the symphonic
film of
epic length (five hours) River Of Fundament, large -
scale sculptures, drawings, photographs, story boards, and vitrines.
William Kentridge's most ambitious project to date combines music, dance,
film projections, mechanised sculptures and shadow play to create an imaginative landscape on an
epic scale.