Sentences with word «episteme»

81 b6 that one can not have episteme of particulars — «for neither can one get to them from universals (sc.
However, this administration did not require episteme.
One way to put the difference is to say that techne or technique involves a «knowing how,» while episteme allows us to know why.
If this is to be done well, then citizens need episteme, knowledge of first principles.
However, itself refers to a very specialized form of knowledge, deriving both from the exact meaning of the original Greek term and its usage in Platonist philosophy (see Plato's gnostikoi» and gnostike episteme from Politicus (or Statesmen) 258e - 267a).
But he was also negotiating between abstract epistemes — stripes, say, or hatchings, or catenary curves — and an abstruse iconography of mortality, elements of which Johns found in Edvard Munch's Between the Clock and the Bed, 1943, or in the armor of the sleeping guards in Matthias Grünewald ’s
While I find virtually all the photography in this history extremely important and inspiring, I fear significant work has been overlooked, in particular that which addresses the materiality of the photograph.3 One of the ironies of history is that while Heinecken is credited with giving birth to the postmodern episteme, postmodernism and the art world have, for the most part, ignored the questions of process and material specificity that underlie Heinecken's work.
In philosophy it was the centering of the individual ego as a timeless episteme, and its use as a reference — an inverted Platonism if you will — that was sacred in phenomenology and in its expression in modern art.
Plato and Aristotle juxtaposed this sort of knowledge to episteme, knowledge of first principles.
This is striking because he calls what he is doing in that work «science» (episteme) and, according to his own Posterior analytics, a science ought to be so arranged.
Such stable unchanging self identity is an indispensable condition for the objects of knowledge, episteme, in the strict sense, as distinguished from the contingent, evanescent objects of opinion, doxa, the things which are ever becoming and never really are, to use the language of Plato's Timaeus (Tim.
We should grasp it as belonging (albeit sometimes in shifting or barely legible relationships) to the same continuum of experience and knowledge - the episteme - that encompassed an array of cultural changes, myths, and motifs or the sixties... yet nor was Color Field art shaped in a vacuum by artist adrift from external reality.
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