Hilton Kramer agreed with this early date in
his eponymous essay in John Marin: The Painted Frame (New York, 2000), 13, n. 3.
Marco Antonini presents a slide lecture that takes Revolution in (Re) Form: More Thoughts on Abstraction Today,
his eponymous essay for the exhibition NEW NEW YORK: Abstract Painting in the 21st Century as a departure point for an informed and timely analysis of recent trends in contemporary abstract painting.
INTERSECTIONS VISITING SCHOLAR MARCO ANTONINI Lecture: Revolution in (Re) Form More Thoughts on Abstract Painting Today Wednesday, November 18 ART Auditorium, ART Building 6:30 - 8:00 pm 6:00 - 6:30 pm Light reception Marco Antonini presents a slide lecture that takes Revolution in (Re) Form: More Thoughts on Abstraction Today,
his eponymous essay for the exhibition NEW NEW YORK: Abstract Painting in Continue Reading»
Wednesday, November 18 / ART Auditorium 6:30 - 8:00 pm, Revolution in (Re) Form: More Thoughts on Abstract Painting Today Public lecture by author and NEW NEW YORK essayist Marco Antonini Antonini's
eponymous essay is a departure point for this lecture
His eponymous essay of 1986 now serves as the catalogue introduction to an exhibition at Michael Werner Gallery in London, of Kirkeby's paintings and sculptures from that decade.
The thesis underlying «Blackness in Abstraction» — arguably the marquee gallery show of the season — was first articulated in 2015 by curator Adrienne Edwards, in
an eponymous essay for Art in America.
For that event, she produced Towards a Metalanguage of Evil, a collage - based installation around the topic of psychopaths, in which she included the text of
the eponymous essay she wrote in 1987 and work by colleagues from Sherrie Levine to Steven Parrino.
Not exact matches
In his insert
essay for the Criterion Collection's recent Blu - ray release of Barbet Schroeder's seminal General Idi Amin Dada: A Self - Portrait, J. Hoberman compares Schroeder's chilling examination of its
eponymous Ugandan dictator to Jean Rouch's -LSB-...]
Issa Samb and the undecipherable form, OCA Office of Contemporary Art Norway and Raw Material Company, 2013, Chronicle of a Revolt: Photographs of a season of protest, Raw Material Company and Haus der Kulturen der Welt, Berlin, 2012, Condition Report on Building Art Institutions in Africa (Hatje Cantz Publishers, 2013), a collection of
essays resulting from the
eponymous symposium held in Dakar in January 2012, Kouoh is the curator of the education programme of 1:54 Contemporary African Art Fair whose inaugural edition took place in London in October 2013.
In collaboration with e-flux and Verso Books, the Guggenheim presents the U.S. launch of two recent Verso publications: Hito Steyerl's Duty Free Art: Art in the Age of Planetary Civil War, a new volume of
essays by the writer, filmmaker, and artist; and Supercommunity: Diabolical Togetherness Beyond Contemporary Art, a collection of
essays, poems, short stories, and plays by artists and theorists selected from the
eponymous 88 - text issue of e-flux journal commissioned for the 56th Venice Biennale.
This fully - illustrated catalogue, published to accompany the
eponymous exhibition on view at Dominique Lévy New York January through March 2016, features
essays by scholars Roni Feinstein, Suzanne Hudson, Anna Lovatt, Griselda Pollock, Richard Shiff, and Robert Storr.
This comprehensive catalogue, published to accompany the
eponymous exhibition on view at Dominique Lévy London February through March 2016, features a commissioned
essay by Angela Vettese, former President of the International Jury of the Venice Biennale and director of the graduate programme at the Università Iuav di Venezia.
Created by the artist in close collaboration with designer Joseph Logan and published on the occasion of Bove's
eponymous show at David Zwirner, New York, in November 2016, Polka Dots features an
essay by Johanna Burton that charts the artist's fascination with process and commitment to disrupting traditional ways of seeing.
Her most recent projects include Personal Liberties, a program comprised of three exhibitions, seminars, talks, screenings and an upcoming publication looking at sexuality in Africa, homosexuality and homophobia, «Condition Report on Building Art Institutions in Africa», a collection of
essays resulting from the
eponymous symposium held in Dakar in January 2012, «Word!Word?Word!
This exhibition is accompanied by an
eponymous publication including an
essay by Charles Ray.
An
eponymous catalogue with
essays by gallery owner Tim Nye, writer and art critic Lucy Lippard, and curator Saul Ostrow accompanies the exhibit.
Created by the artist in close collaboration with designer Joseph Logan and published on the occasion of her
eponymous show at David Zwirner, New York, in November 2016, Polka Dots features an
essay by Johanna Burton that charts Bove's fascination with process and commitment to disrupting traditional ways of seeing.
In his solo exhibition Amor e Progresso artist Raphaël Grisey presents the newly produced
eponymous video
essay on the Templo da Humanidade («Temple...
In his solo exhibition Amor e Progresso artist Raphaël Grisey presents the newly produced
eponymous video
essay on the Templo da Humanidade («Temple of Humanity») in Rio de Janeiro, one of the three still existing temples of the Positivist community in Brazil.
Published on the occasion of Borremans's
eponymous exhibition at David Zwirner in Hong Kong, this publication includes an
essay by critic and curator Michael Bracewell, in which the author takes an in - depth look into specific paintings, tackling both the highly charged subject matter and the masterly command of the medium.