Published on the occasion of Borremans's
eponymous exhibition at David Zwirner in Hong Kong, this publication includes an essay by critic and curator Michael Bracewell, in which the author takes an in - depth look into specific paintings, tackling both the highly charged subject matter and the masterly command of the medium.
This beautiful monograph reproduces the seven large paintings and thirteen works on paper displayed in
the eponymous exhibition at Matthew Marks Gallery, along with 21 smaller drawings, which together comprise the Letter series, the largest cohesive body of work the artist has made since his 1991 Cold Mountain series.
Likewise, at his recent
eponymous exhibition at the Serpentine Gallery in London, spectators moved collectively from room to room following a soundtrack.
Amalia Pica's
eponymous exhibition at the Museum of Contemporary Art Chicago is her first major museum show and a welcome introduction of the multi-layered work of the Argentinian - born artist to a wider audience.
The Naked Parrot, the first addressee of
the eponymous exhibition at Labor, is a modern chimera, a being fully constructed from the outside.
Copublished with Kunsthalle Wien and Kunsthalle Basel on the occasion of
the eponymous exhibition at the former, February 7 — May 4, 2014, and «Projekt 13» at the latter, January 16 — March 14, 2010 Design by Boy Vereecken with Antoine Begon
Published on the occasion of
the eponymous exhibition at Gagosian Gallery, London, this 170 - page catalogue illustrates work by thirty - five artists, from 1947 through today
Mirrored accompanies
the eponymous exhibition at the Nordic Pavilion at the 57th Venice Biennale, featuring works by six artists from different generations: Siri Aurdal, Nina Canell, Charlotte Johannesson, Jumana Manna, Pasi «Sleeping» Myllymäki and Mika Taanila.
The Situationist International (1957 - 1972)(the catalogue for
the eponymous exhibition at Centraal Museum, Utrecht, and Museum Tinguely, Basel) is the first publication to evaluate the creative contributions of the SI.
In conjunction with her current
eponymous exhibition at the gallery, Ecaterina Vrana's new book As I Lay Living has been released.
This book documents the artist's first major museum presentations in the United States, with
an eponymous exhibition at the Blaffer Art Museum at the University of Houston, as well as a newly commissioned project, When Two Are in One, at the Pérez Art Museum, Miami.
Image after Image accompanied
an eponymous exhibition at Louisiana Museum of Modern Art in Humlebaek that honoured Gerhard Richter's œuvre with a large scale exhibition for the first time in Denmark
Kiss — that's the title of the performance — is the brainchild of Tino Sehgal, a Berlin - based artist who specializes in «situations» and the subject of
an eponymous exhibition at the Guggenheim.
Arne Glimcher, founder of Pace Gallery, and Dr. Kent Minturn discuss Jean Dubuffet's landmark series, Théâtres de mémoire, on the occasion of
the eponymous exhibition at Pace Gallery in London.
Bilder / Serien accompanies Gerhard Richter's
eponymous exhibition at the Fondation Beyeler.
From Caspar David Friedrich to Gerhard Richter, German Paintings from Dresden is the catalogue published on the occasion of
the eponymous exhibitions at The J. Paul Getty Museum, Los Angeles in 2006
Not exact matches
The
exhibition coincides with AZIMUT / H: Continuity and Newness, on view
at the Peggy Guggenheim Collection in Venice from September 20, 2014 to January 19, 2015, celebrating Azimut / h, the Milan gallery and
eponymous review founded in 1959 by Enrico Castellani and Piero Manzoni.
Neighboring Hanart TZ Gallery has invested all its energy in Gu Wenda, organizing three simultaneous solo
exhibitions: an
eponymous show
at the gallery; one
at the gallery's booth
at Art Basel Hong Kong; and another
at the art fair's Encounter section, which featured the artist's much - documented United Nations — Man and Space (1999 — 2000), comprising 188 flags made from human hair.
Conceived as a contemporary response to a commemorative
exhibition at the National Archaeological Museum titled Odysseys, Emily Riddle's proposal draws its inspiration from the same
eponymous Homeric text.
This fully - illustrated catalogue, published to accompany the
eponymous exhibition on view
at Dominique Lévy New York January through March 2016, features essays by scholars Roni Feinstein, Suzanne Hudson, Anna Lovatt, Griselda Pollock, Richard Shiff, and Robert Storr.
The 2016 monograph, Goldschmied & Chiari: La démocratie est illusion documents the
eponymous exhibition curated by Etienne Bernard,
at the Centre d'art contemporaine passerelle, Brest, France in 2014, which traveled to the Villa Croce, Museum of Art, Genova, Italy, curated by Ilaria Bonacossa.
This comprehensive catalogue, published to accompany the
eponymous exhibition on view
at Dominique Lévy London February through March 2016, features a commissioned essay by Angela Vettese, former President of the International Jury of the Venice Biennale and director of the graduate programme
at the Università Iuav di Venezia.
«I had Sanford Biggers in my windows for months,» said Meloche of the artist's recent
exhibition at her
eponymous gallery, «I brought him here to the fair and there are Chicago collectors discovering the work for the first time.»
However, a splotch can be deliberate and welcomed even if it is unintentional — across generations, cultures, and mediums — as demonstrated in art historical contexts and in the two - venue
eponymous group
exhibition at Sperone Westwater and Lesley Heller Workspace.
Courtesy of David Zwirner, New York © Chris Ofili), another ghostly night - bird, depicted in the large,
eponymous painting which dominates the
exhibition's final room (it could conceivably apply to the artist
at work).
The work
Eponymous Seedling (2018) by Harm van den Dorpel, that was on show in his solo
exhibition Pattern and Presence
at Upstream Gallery was chosen for the cover of the issue.
His
eponymous essay of 1986 now serves as the catalogue introduction to an
exhibition at Michael Werner Gallery in London, of Kirkeby's paintings and sculptures from that decade.
At David Zwirner in New York, Fiore curated the
exhibitions 112 Greene Street: The Early Years (1970 — 1974)(2011), which led to the critically acclaimed,
eponymous catalogue (David Zwirner / Radius Books, 2012), and Gordon Matta - Clark: Above and Below (2013).
He was back in the city to install his most recent
exhibition at Ameringer McEnery Yohe gallery and I took the opportunity to ask Bartlett what had inspired the creation of his
eponymous center.
This extensively illustrated catalogue documents an
eponymous group
exhibition curated by Simon Morris
at Bury Museum & Sculpture Centre, England, from August - November 2016, featuring work by:
This catalog accompanied the
exhibition Seven Americans
at Bruce Silverstein Gallery September 6 - October 20 2012, a rendition of Alfred Stieglitz»
eponymous 1925
exhibition, which showcased seven of the most important American artists working during the period: Georgia O'Keeffe, Marsden Hartley, John Marin, Arthur Dove, Charles Demuth, Paul Strand, and Alfred Stieglitz.
In celebration of the 30 - year anniversary of his
eponymous label, Tommy Hilfiger has teamed up with art dealer and curator Jeffrey Deitch for a new
exhibition, titled «Rock Style», which will run from September 22 to October 30, 2015,
at Sotheby's View Project
And successive group
exhibitions Making Real
at the Or Gallery, an
eponymous two - person show
at CSA Space with Michael Morris, and Enacting Abstraction
at the Vancouver Art Gallery, plus her recent solo show New Shapes
at Blanket Gallery in 2009 all gave me longer.
The
exhibition takes a closer look
at the creative dialogue between film and the visual arts, presenting works by contemporary international artists who found inspiration in the
eponymous French film classic.
Her most recent projects include Personal Liberties, a program comprised of three
exhibitions, seminars, talks, screenings and an upcoming publication looking
at sexuality in Africa, homosexuality and homophobia, «Condition Report on Building Art Institutions in Africa», a collection of essays resulting from the
eponymous symposium held in Dakar in January 2012, «Word!Word?Word!
Among the studio's recent art installations and
exhibition designs are «Exit»
at the Palais de Tokyo, Paris and other international locations; «Pierre Chareau: Modern Architecture and Design»
at the Jewish Museum, New York; «Musings on a Glass Box»
at the Fondation Cartier pour l'Art Contemporain, Paris; «Charles James: Beyond Fashion»
at the Metropolitan Museum of Art, New York; and «The Look,» a book and
eponymous exhibition for the Deste Foundation for Contemporary Art in Athens, Greece.
Roberto Cuoghi's print Pazuzu (2008) depicts the
eponymous demon that plays an important part in the artist's thinking for his
exhibition Šuillakku
at the ICA in London.
«By manipulating the wood and other objects to weather and age them, Drew's awe - inspiring sculptures reveal the artist's intense attention to shaping, cutting, building, and working his pieces through his own material language,» explains a press release for Drew's
eponymous solo
exhibition at Talley Dunn Gallery this past fall.
At the eponymous group exhibition at Corvi - Mora, art is appropriated.
At the
eponymous group
exhibition at Corvi - Mora, art is appropriated.
at Corvi - Mora, art is appropriated...
At the eponymous group exhibition at Corvi - Mora, art is appropriated as a vivarium, in what is an unusual and intriguing concep
At the
eponymous group
exhibition at Corvi - Mora, art is appropriated as a vivarium, in what is an unusual and intriguing concep
at Corvi - Mora, art is appropriated as a vivarium, in what is an unusual and intriguing concept.
Salcedo is the subject of an
eponymous solo
exhibition currently
at the Guggenheim, New York, which originated
at the Museum of Contemporary Art, Chicago, and will travel to the Pérez Art Museum in Miami.
From March 24 - April 11, 1947, Daphnis had an
eponymous solo
exhibition at the Contemporary Arts Gallery
at 106 E 57th St, New York
at which his biomorphic paintings were featured.
The selection of artists presented
at the
exhibition is based upon their former cooperation with the feminist culture magazine Aspekt and the
eponymous educational and publishing organization, as well as the gender - oriented magazine Glosolália.
Michaël Borremans: Horse Hunting, published on the occasion of the artist's second solo
exhibition at David Zwirner in 2006, is devoted to the 14 new paintings on view, among them the
eponymous «Horse Hunting» (2005), which portrays a young man, fashionably attired, holding two twigs from each of his nostrils.
Alex Prager's
eponymous solo
exhibition is on view
at Lehmann Maupin gallery, Hong Kong, until May 16, 2015.
(London, UK) «The Lustful Turk» is the inaugural
exhibition of «The Civilising Process», a yearlong programme of
exhibitions and events
at Gasworks inspired by German sociologist Norbert Elias's
eponymous 1939 book, which looks
at the development of the tastes, manners and sensibilities of Western Europeans since the Middle Ages.
McDermott & McGough are particularly drawn to the mysterious and theatrical nature of the rapidly developing science of photography in their chosen era and the
exhibition presents a series of magical experiments sourced from Les Récréations Scinetifiques and hints
at the possible use of photography to communicate across time to different psychic spaces, as in the
eponymous Experience of Amusing Chemistry, 1884 (1996) and Curious Experience of Equilibrium with Three Sticks, 1884 (1990).
(London, UK) «The Lustful Turk», the first UK solo
exhibition by Italian artist Patrizio Di Massimo, is the inaugural
exhibition of «The Civilising Process», a yearlong programme of
exhibitions and events
at Gasworks inspired by German sociologist Norbert Elias's
eponymous 1939 book, which looks
at the development of the tastes, manners and sensibilities of Western Europeans since the Middle Ages.
«Late Barbarians» is the second
exhibition of «The Civilising Process», a yearlong programme of
exhibitions and events inspired by German sociologist Norbert Elias's
eponymous 1939 book, which looks
at the development of the tastes, manners and sensibilities of Western Europeans since the Middle Ages.