Not exact matches
Neighboring Hanart TZ
Gallery has invested all its energy in Gu Wenda, organizing three simultaneous solo exhibitions: an eponymous show at the gallery; one at the gallery's booth at Art Basel Hong Kong; and another at the art fair's Encounter section, which featured the artist's much - documented United Nations — Man and Space (1999 — 2000), comprising 188 flags made from huma
Gallery has invested all its energy in Gu Wenda, organizing three simultaneous solo exhibitions: an
eponymous show at the
gallery; one at the gallery's booth at Art Basel Hong Kong; and another at the art fair's Encounter section, which featured the artist's much - documented United Nations — Man and Space (1999 — 2000), comprising 188 flags made from huma
gallery; one at the
gallery's booth at Art Basel Hong Kong; and another at the art fair's Encounter section, which featured the artist's much - documented United Nations — Man and Space (1999 — 2000), comprising 188 flags made from huma
gallery's booth at Art Basel Hong Kong; and another at the art fair's Encounter section, which featured the artist's much - documented United Nations — Man and
Space (1999 — 2000), comprising 188 flags made from human hair.
Stefania Bortolami has been part of New York's art scene for years: first, as an artist liaison for Larry Gagosian — after a successful stint with the legendary London dealer Anthony d'Offay; then co-owning a Chelsea
gallery with Amalia Dayan and finally, on her own, as the founder of an
eponymous gallery five blocks down the street from the previous
space.
Each have a prolific multi-decade artistic career deserving of further scholarship, but a palpable coincidence further connects these three gures: Betty Parsons was the founder of the
eponymous gallery which launched the careers of the likes of Pollock, Rothko and Newman; Arakawa and his wife co-founded the Reversible Destiny Foundation, seeking a new model for architectural practices by borrowing from disciplines including experimental biology, quantum physics, and medicine; Lohaus co-founded the Wide White
Space gallery (WWS) in Antwerp in 1966, which exhibited artists such as Beuys, Broodthaers, Christo and many others.
Depicting characters like the
eponymous young sculptor in Roderick Hudson and
spaces like the crowded
galleries in The Wings of the Dove, Henry James's iconic novels reflect the significance of the visual culture of his society.
Formerly at Gavin Brown's and then Artists
Space in New York, Jenny Borland traded coasts about a year ago and has since built out an excellent
gallery program of her own at the
eponymous Jenny's, with Max Hooper Schneider being one of her choice discoveries (though her landing the fast ascendent Liz Craft was a coup as well).
And successive group exhibitions Making Real at the Or
Gallery, an
eponymous two - person show at CSA
Space with Michael Morris, and Enacting Abstraction at the Vancouver Art
Gallery, plus her recent solo show New Shapes at Blanket
Gallery in 2009 all gave me longer.
The exhibition is organized by Michael Thibault, who runs an
eponymous gallery in Los Angeles and is the first of a number of small group shows that will be organized in
spaces away from his
gallery.
After moving to San Francisco, she opened her
eponymous gallery there, relocating it last November to a larger
space in the once rough - and - tumble Tenderloin district.