Sentences with phrase «eponymous solo»

[1] She started to gain recognition for her street art around 1999 and large - scale installations soon thereafter; in 2005, she was the subject of an eponymous solo exhibition mounted by now - mentor Jeffrey Deitch.
Alex Prager's eponymous solo exhibition is on view at Lehmann Maupin gallery, Hong Kong, until May 16, 2015.
The exhibition is based on the eponymous solo show, co-produced by the Centro Guerrero in Granada and the Fundación Helga de Alvear in Cáceres, which comprises the series Wild Laocoön (2010 — 11), Scrambling (2011), and Empire (or K.D.)(2013 — 14).
From March 24 - April 11, 1947, Daphnis had an eponymous solo exhibition at the Contemporary Arts Gallery at 106 E 57th St, New York at which his biomorphic paintings were featured.
Alfredo Jaar, an eponymous solo show by the Season 4 featured artist, opens this Friday September 14 at The Ezra and Cecile Zilkha Gallery at Wesleyan University in Middletown, CT....
Salcedo is the subject of an eponymous solo exhibition currently at the Guggenheim, New York, which originated at the Museum of Contemporary Art, Chicago, and will travel to the Pérez Art Museum in Miami.
«By manipulating the wood and other objects to weather and age them, Drew's awe - inspiring sculptures reveal the artist's intense attention to shaping, cutting, building, and working his pieces through his own material language,» explains a press release for Drew's eponymous solo exhibition at Talley Dunn Gallery this past fall.
Co-edited by Cobogó, the book «Espírito de tudo» was presented on April 25, 2017 and it is based on the eponymous solo exhibition of the artist in Oi Futuro Flamengo.
In 2016, he produced the project Sculpt specially for LACMA, Los Angeles, on the occasion of his eponymous solo show.
Daniel Fuller, who joined the Atlanta Contemporary as curator in December 2014, has organized three eponymous solo shows — John Riepenhoff, Marlon Mullen and Aleksandra Domanović — that represent Atlanta's first full exposure to his aesthetic bent and institutional...

Not exact matches

In 2015, Marvel announced that it was handing the keys to Wakanda over to writer Ta - Nehisi Coates by letting him take on the Black Panther comic in advance of the eponymous character's first big - screen appearance in Captain America: Civil War and eventual solo movie.
The cherry on the cake is almost certainly Newton Howard's sumptuous masterpiece of a score, one that derives enormous power from Hilary Hahn's earthy violin solos to convey the seeming paradise of the eponymous village.
The film's title comes from the eponymous folk musician's first and only solo album, which is, by all accounts and like the man whose name encompasses two - thirds of the title, a failure.
Cuchifritos Gallery is pleased to present Cuboids, a solo exhibition by Polish American artist Wojciech Gilewicz comprised of three eponymous spatial, painted objects and a video.
Neighboring Hanart TZ Gallery has invested all its energy in Gu Wenda, organizing three simultaneous solo exhibitions: an eponymous show at the gallery; one at the gallery's booth at Art Basel Hong Kong; and another at the art fair's Encounter section, which featured the artist's much - documented United Nations — Man and Space (1999 — 2000), comprising 188 flags made from human hair.
The new eponymous gallery, which launches on 18 November with a solo exhibition of work by Korean artist Jewyo Rhii, will represent many of Wilkinson's former artists, including Joan Jonas, Laurie Simmons, and the estate of Derek Jarman.
The work Eponymous Seedling (2018) by Harm van den Dorpel, that was on show in his solo exhibition Pattern and Presence at Upstream Gallery was chosen for the cover of the issue.
Tarsila do Amaral: Inventing Modern Art in Brazil is the first North American solo exhibition of the eponymous artist who, as the show suggests, «gave rise to Brazil's modern movement.
And successive group exhibitions Making Real at the Or Gallery, an eponymous two - person show at CSA Space with Michael Morris, and Enacting Abstraction at the Vancouver Art Gallery, plus her recent solo show New Shapes at Blanket Gallery in 2009 all gave me longer.
Prior to his new position, Gardarin directed an eponymous Lower East Side that was founded in 2014 and hosted solo shows through the end... Read More
Opening: «Tom Sachs: Nuggets» at Jeffrey Deitch With simultaneous solo shows at the Noguchi Museum and the Brooklyn Museum — and now this one - person outing marking the return of Jeffrey Deitch's eponymous gallery — Tom Sachs is having a bit of a revival (not that he actually needed one).
It says something about the universality, perhaps versatility, of David's work that, only a year ago, his art was also the subject of solo show in the Hepworth Wakefield in the eponymous town in the north of England.
First co-founding Young Hoffman Gallery in 1976 and then splitting off as her eponymous Rhona Hoffman Gallery in 1983, Hoffman became known for her discerning and pioneering eye - introducing to Chicago conceptual and minimal artists like Sol Lewitt, Donald Judd, Vito Acconci, and Gordon Matta - Clark; giving women artists such as Cindy Sherman, Barbara Kruger, and Jenny Holzer solo shows early in their careers; and foregrounding work by African - American artists, including Kehinde Wiley, Mickalene Thomas, Carrie Mae Weems - and currently Derrick Adams, Deana Lawson, and Nathaniel Mary Quinn.
Michaël Borremans: Horse Hunting, published on the occasion of the artist's second solo exhibition at David Zwirner in 2006, is devoted to the 14 new paintings on view, among them the eponymous «Horse Hunting» (2005), which portrays a young man, fashionably attired, holding two twigs from each of his nostrils.
Peter Land's (b. 1966) solo exhibition owes its title to the Danish artist's eponymous installation: Springtime (2010) is a large pile of bricks from which an arm protrudes.
This solo exhibition, an eponymous show by the Egyptian artist Hassan Khan, constituted the entire visual arts program of the Downtown Contemporary Arts Festival (D - CAF), Egypt's only international multidisciplinary contemporary arts festival.
Finally, the neon, Untitled (CARELESS WHISPER), quotes the eponymous 1984 mega-hit that launched George Michael's solo career, reading «GUILTY FEET HAVE GOT NO RHYTHM.»
In his solo exhibition Amor e Progresso artist Raphaël Grisey presents the newly produced eponymous video essay on the Templo da Humanidade («Temple...
(London, UK) «The Lustful Turk», the first UK solo exhibition by Italian artist Patrizio Di Massimo, is the inaugural exhibition of «The Civilising Process», a yearlong programme of exhibitions and events at Gasworks inspired by German sociologist Norbert Elias's eponymous 1939 book, which looks at the development of the tastes, manners and sensibilities of Western Europeans since the Middle Ages.
In his solo exhibition Amor e Progresso artist Raphaël Grisey presents the newly produced eponymous video essay on the Templo da Humanidade («Temple of Humanity») in Rio de Janeiro, one of the three still existing temples of the Positivist community in Brazil.
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