The technicolor display, although rendered in acrylic
paint covered in
epoxy on resin, looks as if a box of super-sized Crayola crayons overheated and exploded all at once.
It makes no difference whether we are face - to - face with one of his large format images, in which he allows the pigments dissolved in
epoxy resin to run slowly down the picture carriers in satiated, glistening vertical stripes; or whether we study those works in which small drilled craters disclose many apparently archeological layers of
paint, or find ourselves in one of his site - specific, all - over
paintings that
cover the walls, floors and ceilings, their iridescent stripes of color subduing entire architectures and permanently altering the viewer's perception.