On the wall full of Canone Aureo works on paper, in Gallery 3, the collaging of numbers and marks can appear like the fevered working out of a mathematical problem, a cosmic equation that is far more pleasing to the eye and subliminally satisfying than any professorial, blackboard scratching
On the wall full of Canone Aureo works
on paper, in Gallery 3, the collaging of numbers and marks can appear like the fevered working out of a mathematical problem, a cosmic equation that is far more pleasing to the eye and subliminally satisfying than any professorial, blackboard scratching
on paper, in Gallery 3, the collaging of numbers and marks can appear like the fevered working out of a mathematical problem, a cosmic
equation that is far more pleasing to the eye and subliminally satisfying than any professorial,
blackboard scratchings.
Like any abstract the paintings rely
on the subjective emotional response of the viewer — but also with this artist there is the sensation of the viewer studying a mathematician's
blackboard — there is a balance in the work suggesting a Renaissance purity — as if the viewer is witnessing the attempt to «paint» an
equation.