The work Looms like a dinosaur — «Gift Horse» portrays a skeletal, riderless horse — a wry comment on
the equestrian statue of William IV originally planned for the plinth.
The bronze cast of a fist with an out - of - proportion thumbs - up was the winning commission for the Fourth Plinth Project, which has been inviting artists since 1999 to make a proposal for the empty plinth, originally intended to hold
an equestrian statue of William IV that was never made.
Haacke's design, Gift Horse, is intended as a comment on
the equestrian statue of William IV originally planned for the plinth.
Hans Haacke's Gift Horse depicts a skeletal, riderless horse - a wry comment on
the equestrian statue of William IV originally planned for the plinth.
The work nods to both
the equestrian statue of William IV that was planned for the space, but never realized, and the engravings of horse anatomy by 18th - century British artist George Stubbs.
Tour - goers will enjoy hearing stories about Mrs. Whitney's creations — which included a sculpture for the 1939 World's Fair, the famed
equestrian statue of Buffalo Bill, and a winning design for a memorial to the victims of the Titanic sinking — in the newly renovated space.
Not exact matches
In one scene, we witness the pulling down
of a highly middlebrow but communally pleasurable
equestrian statue, placed previously outside Stockholm's royal palace.
Haunch
of Venison (at Eastcastle St) Simon Patterson: Under Cartel 13 July — 31 August 2012 A photography show with a concept; found photos and large photographic works
of equestrian statues in city capitals with the idea they can be swopped between locations.
Haacke's work is a nod to other
equestrian statues in the square, and to the George Stubbs portrait
of Whistlejacket in the nearby National Gallery.
• Anna Hyatt Huntington (1876 - 1973) Born in Massachusetts, she was one
of the great masters
of naturalistic animal sculpture, notably
equestrian statues.
Ivan Argote's «Horses» series displays Parisian
equestrian statues without their famous riders, subverting the traditional function
of public monuments: «They are there to remind us that we belong to a nation, a history, a tradition.