Sentences with phrase «erotic films with»

This was really hard for me to sit through, it's not worth the time... okay, maybe just one sit through the movie if you like bizarre erotic films with lots of stripping, Elizabeth Berkeley's t*ts and lap dance, weird sex and mediocre softcore porn.

Not exact matches

Donnerstein's research showed that films which combine erotic material with violence tend to desensitize people regarding aggression against women.

Dr. Edward Donnerstein of the Center for Communication Research at the University of Wisconsin told the hearing that his study of films which combine erotic material with violence indicates that exposure of young men to violent sexual scenes, especially rape, tends to desensitize them to aggression toward women.

«Boy meets girl, boy loses girl, boy builds girl» could be the tagline for this stunningly realized early futuristic film, as scientist C. A. Rotwang (Rudolf Klein - Rogge) replaces the woman he loved with an erotic female robot.

When researchers asked women to watch either an erotic film, a sports video, or a «neutral» video of a train, and then perform a series of unpleasant acts (like drinking out of a cup with a bug in it), they found that those who'd watched the sexual acts rated the tasks as less disgusting — and were also able to complete more of them.

Therefore Sex - related Netsuke symbolizes work of art — such as elements, images and dating services online search there dream erotic dating love and fun, film, sculpture — whatever that cope with erotically stimulating details.

Expectations are fully met in Park Chan - wook's exquisitely filmed The Handmaiden (Agassi), an amusingly kinky erotic thriller and love story that brims with delicious surprises, making its two - and - a-half hours fly by.

There's nothing wrong with erotic literature — or film — for women.

The film attempts to entice audiences with the mysterious and erotic opening of the Counselor and Laura sharing pillow talk underneath the sheets.

sung by Mick Jones as himself in a cameo that makes a strange sort of sense within the films context of cloning; a minor character with a freckle fetish who regards Anne of Green Gables as an erotic classic; and one of the most achingly powerful evocations of longing that I have ever seen.

Dripping with sumptuous, erotic, sweaty imagery (and also dripping with literal cum), it's one of the most gorgeous - looking films of the year, and one of the weirdest.

Korean director Park Chan - wook's English - language debut plays like one giant homage to Alfred Hitchcock (particularly his 1943 film «Shadow of a Doubt»), but with a decidedly unique and erotic twist that's every bit as perverse as his previous work — the kind of movie that gets under your skin and stays there for days.

In his earlier films, such as Monsieur Hire (1989) and The Hairdresser's Husband (1990), Leconte has often dealt with voyeurism and erotic desire.

Many of Brown's comments regarding the film's cinematography are repeated within the bonus material on Disc 2, but it's enlightening to discover just how much was shot with the SteadiCam, and I appreciated his dry musings on how he wasn't wearing safety goggles when filming the close - ups of the axe chipping away at the bathroom door and how shooting a nude scene is anything but an erotic experience.

Luca Guadagnino's wonderful and erotic love story Call Me by Your Name is in there with solid recognitions for best film and best director, but again this film might have to content itself with what looks like, in footballing terms, mid-table respectability.

Not to mention the early love scenes with Scarlett Johansson, which may be the most erotic of any Allen film.

While Tom at the Farm is most intrinsically linked to another impeccably tense erotic queer thriller that screened in Toronto, Alain Guiraudie's Stranger By the Lake, the best film I saw at Toronto, Kelly Reichardt's Night Moves also deals with stubborn characters plagued by uncomfortable internal conflicts in a horticulture - based setting.

Last week's top film, the erotic romance sequel «Fifty Shades Freed,» slid to third place, with $ 16.9 million in its second week for Universal.

The episode also features a clip of Dario's deep discussion about film criticism and contemporary film culture with friend of the podcast Simran Hans, which can be found in full over on our Patreon site for subscribers, as well as Neil's chat with film critic and podcaster Leslie Byron Pitt about representation in filmmaking and film criticism alongside as Basic Instinct and erotic thrillers as Leslie is one quarter of the excellent Fatal Attractions podcast.

His film is a twisting, turning delight, with great performances illuminating a deceptively complex and well - structured narrative that crackles with erotic tension, dramatic weight and thrilling unpredictability.

An influential figure in the 1970s British indie cinema, producer / director Pete Walker tested the limits of film censorship in the UK with a string of gruesome and erotic thrillers.

Now they move together from the positively demure «Single Man» to the cunning sordidness of «Nocturnal Animals,» as done up in the height of LA art chic - meets white trash murderousness, Given a multi-story enigma of a film, Korzeniowski's ultra-lush themes beautifully dress up unspeakable behavior, a rapture of erotic orchestral melody whose contrast with the onscreen grotesqueries is exactly the point as his music shivers with anticipation towards the next shocking chapter.

When casting news for the film adaptation of E.L. James» erotic romance novel «Fifty Shades of Grey» broke over the long weekend, reactions were muddled with expressions running from «Finally!»

Director Peter Strickland follows his 2012 thriller Berberian Sound Studio and Björk's concert film Biophilia Live with this darkly comic erotic drama.

Ostensibly both a remake of the Southern Gothic erotic thriller by Don Siegel from 1971 and also an adaptation of Thomas P. Cullinan's 1966 novel «A Painted Devil», Coppola (who also wrote the screenplay and won the Best Director Award at the 2017 Cannes Film Festival) smartly and slowly unravels her tale via the female gaze in a film that, if one is patient with it, slowly pulls you under its sunlit and fainéant spell.

This film is surprisingly erotic but extremely beautiful and innocent with it.

The film serves up a savory broth of culinary adventure, seasoned with offbeat comedy sketches and the erotic exploits of a gastronome gangster.

The adaptation of E.L. James» erotic novel has grossed $ 558 million worldwide, with many crediting the film's success to Taylor - Johnson's arguable improvements over the source material and Dakota Johnson's star - making performance.

It's a set of films that skirt around the trappings of an erotic thriller yet refuse to indulge in any of the lurid murderous plotting that usually goes along with it.

The film A decade before «Basic Instinct» launched the era of the mainstream erotic thriller, Lawrence Kasdan reinvented film noir for a sophisticated modern audience with this sweaty tale of scheming femmes fatales.

A monumental film about the female erotic desire, with claims and counter-claims, conflicting angles, and moral or perhaps precisely immoral observations.

Among them is the erotic drama Sleeping Beauty, the directorial debut of novelist Julia Leigh which stars Emily Browning in a daring role; A Separation, the Asghar Farhadi directed drama which won the film and ensemble acting awards at the Berlin Film Festival; and the much awaited return of master filmmaker Terrence Malick, with his anticipated drama The Tree of Life starring Brad Pitt and Sean Penn, finally making its way to our screens.

It's too wide a span of films to cover, not to mention that modern film noir is practically incongruous with the more seedy, Hitchcockian elements intrinsic to the nightmarish erotic thrillers that dominated the years just prior to Fatal Instinct's release.

In short order, however, Bowie's John begins to develop frightening symptoms, aging years every hour, and the erotic tenor of the film shifts rapidly to an extended metaphor for disease, with Deneuve's Miriam presiding over a host of immortal but aged lovers trapped as withered husks in coffins, testament to an addiction that consumed them.

In Body Double, his 1984 erotic thriller that the critics were much too quick to judge and discard, Brian De Palma succeeded in creating an unforgettable film that at the same time pays an obvious tribute to the works of Alfred Hitchcock and remains somehow completely his own, coherent with his very own stylistic preferences and vision of filmmaking.

8 p.m. (5 p.m.): «Lolita» (1962, Stanley Kubrick, U.S. - Britain) Kubrick's superb film of Vladimir Nabokov's classic comic - erotic novel — about the dangerous affair of college professor Humbert Humbert (James Mason) with nymphet Lolita (Sue Lyon), while they are nightmarishly pursued by writer / sybarite Clare Quilty (Peter Sellers).

WHY: Written by former «Prison Break» star Wentworth Miller, «Stoker» plays like one giant homage to Alfred Hitchcock (particularly his 1943 film «Shadow of a Doubt»), but with a decidedly unique and erotic twist that only a director of Park Chan - wook's warped sensibilities could conceive.

Thematically, the novel is preoccupied with relics, the physical reminders of emotion — for Miles, the abandoned possessions of hundreds of evicted tenants; for Bing, the beaten - up antiques he has pledged to save; for Ellen, the dangerously erotic images she is finally able to cultivate from the ephemera of her mind and put onto paper; and for Alice, an obsession with a World War II film which she believes captures the simultaneous hope and despair of a generation.

The humour in Story's version is not erotic as the form of her sculpture suggests a clown on a stage (although, to me, it looks like a happy frog) that makes a link with the film «Limelight» wherein Chaplin plays Calvero, a clown at the end of his days.

The outside of the camera is covered with bill posters and heavy graffiti over a series of film posters and stills from «Blow Up» with mildly erotic images taken from contemporary advertising.

Ifekoya works with intimate forms of knowledge production and the possibilities of an erotic and poetic occupation using film and writing.

But he's also a gleeful torturer with his own dark erotic obsessions, and due to an accident with the fish - man early in the film, part of his hand is literally rotting off.