Garlits is genuinely confused by
the erotic love for hot rods expressed by so many in the sport, and he describes his own dragster as «just a piece of junk.»
Not exact matches
It's not
for someone looking
for a casual read, but I've found it to be one of the most enlightening and convincing takes on how marriage becomes sacramental through the expression of
erotic love over time.
Sisterhood, female friendship, and female - identified
erotic love are female discoveries of relationships which do not entail the self - loss of male - defined relationships
for women.
For Plato, we are preeminently
erotic beings, in
love with the attractive beauty of goods and truths not of our own making.
It would surely continue the Church's grand tradition of contempt
for the
erotic, a tradition that ensures a guilty hangover in any Roman Catholic who dares to indulge in
love - making
for any reason other than the primary one of reproduction.
The Song of Solomon made the canon on the merits of the oldest orthodox view: these poems (which are in reality songs of
erotic love) are allegorical of the
love of God
for the congregation of Judaism.
And of course there is Benedict's Deus Caritas Est, itself a set of meditations on the meaning of the biblical doctrine that God is
love and on the implications of that theme
for man's
erotic nature.
The Wagnerian ideal of
erotic heroism inflames ordinary men and women with the desire to live as though such
love were possible even
for themselves;
for myth does not represent some archaic glory but is written «in the eternal present.»
It's not enough to celebrate
love; we need to have hanging - from - the - chandelier sex or at least some sort of an
erotic experience that we're probably not going to have
for another 364 days, so why not go
for it?
Sex is commercially lucrative as businesses globally gear - up
for the celebration of
erotic love (it is not arbitrary that the movie Fifty Shades of Grey is being released on February 14).
«Boy meets girl, boy loses girl, boy builds girl» could be the tagline
for this stunningly realized early futuristic film, as scientist C. A. Rotwang (Rudolf Klein - Rogge) replaces the woman he
loved with an
erotic female robot.
We looked at the scientific evidence
for and against 10 popular aphrodisiacs to find out whether there is a dish that can truly be called «the food of
love» — or whether these
erotic eats are really just big plates of placebo.
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Paul Bettany is note - perfect as Darwin, whether shading in grief, showing the
erotic heat beneath his
love for his wife (played by Bettany's real - life partner, Jennifer Connelly; they have palpable chemistry), or perfectly essaying the torturous nature of channeling ideas into words.
For a while, the naïve
erotic fumbling doesn't seem to matter that much, because we gaze at these two and think: This is what
love looks like.
Inspired by European
erotic dramas from the»70s, THIRST STREET burrows deep into the delirious extremes we go to
for love.
Luca Guadagnino's wonderful and
erotic love story Call Me by Your Name is in there with solid recognitions
for best film and best director, but again this film might have to content itself with what looks like, in footballing terms, mid-table respectability.
David Lynch (Mulholland Drive, Blue Velvet) delivers a vivid tale of
love on the run in this violent,
erotic tour - de-force, allowing
for some truly chaotic and inspired performances from Nicolas Cage, Laura Dern, and Willem Dafoe.
Both cover and rating were wholly misleading publicity fillips
for the movie, which isn't glamorous or gory, or even pornographic: the shots of Williams's Cindy being taken from behind by one boyfriend and receiving oral sex from another - Gosling's Dean, with whom she's newly in
love - are inexplicit and more functional than
erotic.
If you write
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love sweet inspirational.
The new campaigns are
for Budding Reader Book Set 1: Cat And Rat (Ten Books) by Melinda Thompson with Melissa Ferrell; National Book Award winning coming - of - age story
Love Like Gumbo by Nancy Rawles; Obama Search Words by Stephen Black; So You Want to be a Librarian by Lauren Pressley; and «a macabre, eco-friendly,
erotic sci - fi fantasy satire» The Third Awakening by Dennis Weiser.
Praise
for The Exhibitionist «An
erotic and deeply
loving BDSM romance... fans of
erotic romance will delight in its mix of heat and heart.»
The stone,
for Emin, represents a metaphor
for stability and enduring
love, be it platonic,
erotic, or focused on the self; a concept that has defined the scope of Emin's practice from the very beginning.
In these drawings that are tender and
erotic with hints of violence, the artist renders the story of Venus, the goddess of
love, and her tragic passion
for the handsome youth Adonis in her singularly expressive ink wash.
Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center
for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center
for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I
Love You More Than My Own Death, Venice Biennale 1992 Translation, Center
for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto
Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.
Medium: Painting Style:
Erotic spiritualism Birthday: 1933 Superpower:
For over 50 years, Iannone has translated feminine sexuality and free
love into wild colors, explosive shapes and sublime gestures.
For her second show at the gallery, Maher will display drawings and sculpture from three series inspired by the quest of Poliphilo in the famous 15th century novel, Hypnerotomachia Polophili: The Strife of
Love in a Dream, which explains that while all human dealings are essentially byproducts of
erotic, phantasmagorical ponderings, some parts are worthy of knowledge and memory.
Dorothy Iannone, who was born in 1933 in Boston and currently lives and works in Berlin, is known
for an oeuvre that depicts
erotic love.
In these drawings — tender and
erotic with hints of violence — the artist renders the story of Venus, the goddess of
love, and her tragic passion
for the handsome youth Adonis in her singularly expressive ink wash.
Tender and
erotic with hints of violence, these drawings depict the story of Venus, the goddess of
love, and her tragic passion
for the handsome youth Adonis in the artist's singularly expressive ink wash.
He summed up his
erotic block by saying, «When I
love, I feel responsible
for her, and it's hard
for me to feel my own pleasure, my own mounting excitement, while I'm in her presence.