In between are many of her most recognizable images, like her hyper -
erotic paintings of pearls between glistening lips parted in ecstasy and her video of grimy, stiletto - heeled feet kicking through glass.
Summoning a kinship with the kaleidoscopic mosaics of the Byzantine era,
the erotic paintings of the Middle East, and the compositional flatness of Japanese woodcuts, Iannone's paintings, video, wood cutouts and illustrated text pieces, primarily from the artist's early career, reveal the visions of a matriarchal high priestess.
Not exact matches
Blessed and Beautiful: Picturing the Saints by Robert Kiely Yale, 288 pages, $ 40 What I discovered,» writes Robert Kiely in this sumptuously illustrated book on Italian Renaissance
paintings of the saints, «were images often infused with tenderness, exquisite sentiment,
erotic vigor, but....
It is through the experience
of his own body that he
painted erotic pictures, and it is through his own physical imagination, heightened by sexual experience, that he
painted the war pictures.
Ostensibly both a remake
of the Southern Gothic
erotic thriller by Don Siegel from 1971 and also an adaptation
of Thomas P. Cullinan's 1966 novel «A
Painted Devil», Coppola (who also wrote the screenplay and won the Best Director Award at the 2017 Cannes Film Festival) smartly and slowly unravels her tale via the female gaze in a film that, if one is patient with it, slowly pulls you under its sunlit and fainéant spell.
(In Hindi and English with subtitles) Klimt (Unrated) John Malkovich channels Gustav Klimt (1862 - 1918) in the titular role
of this bio-pic about the iconoclastic Viennese artist and notorious womanizer who fathered 30 children with the models featured in his
erotic paintings.
Joan Semmel's
Erotic Series (or «fuck
paintings»)
of the 1970s, subsequent nude self - portraits, and recent unflinching depictions
of her aging body establish her as one
of the most important feminist painters
of her generation.
Two thick brown, purple, and green globs
of oil
paint are dolloped onto the top half
of a small white canvas — the word «
erotic» is outlined in red below.
The Sick Child (1896), the hellishly
erotic Madonna (1894 - 95), The Dance
of Life (1899 - 1900), Vampire (1893), Red Virginia Creeper (1900) and, if you believe the curators at MoMA, Self - Portrait: Between the Clock and the Bed (1940 - 42)-- each
painting encapsulates the artist's preoccupations with physical vulnerability, sexual avarice, emotional alienation and the futility
of faith.
Avoid the former show if you want to keep away from abject, base subject matter — McCarthy has made his career our exposing
erotic, profane and damn dirty desires, and his new
paintings push all boundaries
of taste imaginable... I wonder what image our picture editor is going to choose for this page?
The Art
of the
Erotic documents this timeless aspect
of art history, through 170 carefully curated chronological works, ranging from drawings by Turner, prints by Hokusai, Indian temple carvings, Persian miniatures, to
paintings by Botticelli, Picasso and Cecily Brown, and sculptures by Michelangelo, Rodin and Louise Bourgeois.
Everyone knows the
paintings of Lisa Yuskavage, an artist who rocketed to renown in the 1990s for her unabashedly
erotic, provocative, and empowering depictions
of women.
Hans Schärer: «Madonnas and
Erotic Watercolors» (through Feb. 7) One
of Switzerland's most celebrated artists, Hans Schärer (1927 — 1997) created
paintings that look as if made by a self - taught psychiatric patient.
In the 1970s, Semmel began her exploration
of female sexuality with the «Sex
Paintings» and «
Erotic Series,» large scale depictions
of highly sexual positions.
By isolating and highlighting fragments
of body parts, the opulent bas - reliefs and series
of erotic paintings (Hand Fragments) refer in particular to the women washing and dressing motif.
One shows a dark and
erotic clearing, another the tree assaulted with red
paint and the last that Titian - blue tarpaulin, dangling like a spectral ghost from the bough
of a tree: life, death and resurrection.
Writing
of Klapheck's psycho -
erotic «machine» imagery in a 1994 Art in America review, critic Ken Johnson wrote, «What makes Klapheck's pictures compelling is the way the objects he
paints are psycho - erotically animated.
This second display starts with an ink and pencil drawing
Erotic Composition (1967 - 70), by Lebanese artist Huguette Caland which is a study for the abstract, sensual
paintings of the body that she created later on in her career.
Referred to by Semmel as «fuck
paintings,» the Second
Erotic Series
paintings are sharp and realistic but retain the intense, unnatural colors
of the First
Erotic Series.
The Portuguese artist sees
painting as a way
of exacting revenge, and says her work has become less
erotic as she's aged
It came after several years
of erotic paintings, but it still comes as a shock compared to scenes, like his Stone Breakers, that so defined a break with academic
painting and prefigured modern art.
Works such as Lunar V (Moon V), ca. 1973, show a hybrid
of painting and sculpture that has as its constant the research
of an
erotic sensuality.
[3] Her MFA thesis show at Pratt consisted
of paintings from the First
Erotic Series.
I
paint the female figure as others before me, and continue to push boundaries by exploring current political constructs
of feminism through
erotic imagery.
Utilizing the
erotic tension
of surrealism and the stylish veneer
of Pop Art, Brooklyn - based artist Emily Mae Smith is constantly seeking new ways to place her
painting into both conceptual art and the history
of painting itself.
One
of the key works in the show is The Swing (after Fragonard), 2001, a re-creation by British - Nigerian artist Yinka Shonibare
of the French artist's highly
erotic painting.
Desiring to «revisit the spirit
of 15th c. Italian
painting» and Japanese Bunraku puppet theater, Ms. Larsen creates tilting panoramas featuring tea ceremonies, cowboys and cowgirls, the hand
of God and an interrupted
erotic encounter involving two women, one man and a pair
of kayaks.
Brooklyn - based artist Heidi Hahn
paints women but eschews explicit or
erotic representation
of her female subjects in favor
of a nuanced perspective that allows viewers to understand what it means to be a woman in 2017.
Artist Fahren Feingold pulls from history, the present, and the future for her watercolor
paintings of erotic nudes.
During his New York years Wong made
paintings of his environment — brick buildings, storefronts, interiors — as well as depictions
of prison life and firemen, for whom he had an
erotic fascination.
There is an
erotic sense to this notion - the viewer's pursuit
of an object
of desire - and in Byrne's
paintings this pursuit is sublimated into intricate plays
of display and concealment.
But smoking at all was unladylike, and so, in 17th century
painting, cigarettes appeared only in the hands
of prostitutes and other «fallen women»; later, the cigarette became an important marker
of Victorian
erotic photography.
In Vevers» work, the gold leaf and stylized figuration
of pre-Renaissance
painting collides with Japanese
erotic prints from the early 19th century.Throw in a 20th - century comic book turn and a 21st - century alarm about environmental conditions, and you've got her cocktail - seductive, but with teeth.
This comprehensive retrospective brings together more than 100
of his
paintings, from his ubiquitous romantic scenes to a selection
of his
erotic works.
Courbet's
painting positions women as the butt
of a joke: as either an
erotic object or a utilitarian object.
Widely associated with a re-emergence
of the figurative in contemporary
painting, Lisa Yuskavage has developed her own genre
of portraiture in which lavish,
erotic, vulgar, angelic women (and more recently men) are cast within fantastical landscapes or dramatically lit interiors.
1966 The Aldrich Museum, Ridgefield, CT, Selections from the John G. Powers Collection The Cincinnati Art Museum, Cincinnati, American
Painting Art Gallery
of Toronto, Toronto, American
Painting The Museum
of Modem Art, New York, Art in the Mirror, exhibition traveled to Mansfield Art Guild, Mansfield, OH; San Francisco State College; San Francisco; Municipal Art Gallery, Los Angeles; Los Angeles Valley College, Van Nuys, CA; Museum
of Fine Arts, Houston; State University College, Oswego, NY) Loeb Art Center, New York University, New York, Contemporary Drawings Sidney Janis Gallery, New York,
Erotic Art ’66 Museum
of Art, Rhode Island School
of Design, Providence, Recent Still Life The Museum
of Modem Art, New York, Contemporary American Still Life, exhibition traveled to State University College, Oswego.
Besides zeroing - in on
erotic paintings and photos, The Art of the Erotic does not forget to pay homage to sculptures as the editors prepared reproductions of pieces by Auguste Rodin and Louise Bour
erotic paintings and photos, The Art
of the
Erotic does not forget to pay homage to sculptures as the editors prepared reproductions of pieces by Auguste Rodin and Louise Bour
Erotic does not forget to pay homage to sculptures as the editors prepared reproductions
of pieces by Auguste Rodin and Louise Bourgeois.
They rejected the idealized nudes
of academic
painting, as well as the hypocritical confinement
of the
erotic to mythological subjects.
Nineteen works have been acquired that highlight key moments in Brimfield's career, from collaborative films created for past performances and meticulously drawn and
painted posters for imaginary
erotic magazines about Henry Moore and Barbara Hepworth, to five photographs recreating moments in the life
of Jackson Pollock from the perspective
of the canvas, a filmed music hall performance starring a fictional raconteur, and posters anticipating her proposed 2015 exhibition at The Hepworth Wakefield.
The exhibition's central themes continue in a display
of paintings, sketches and watercolours
of erotic subjects by Tracey Emin as well as JMW Turner and Auguste Rodin, whose iconic sculpture The Kiss is on show at Turner Contemporary until 2 September 2012.
Cesarine: Many
of your
paintings feature erect male genitalia and copulation — what draws you to depict
erotic imagery?
Ghada Amer is best known for her large - scale, hand - embroidered
paintings of seemingly abstract lines that resolve into repetitive patterns
of highly
erotic figures and scenes.
The exhibition traces the development
of Sillman's work over the past 25 years — from her early use
of cartoon figures and a vivacious palette, through to her exploration
of the diagrammatic line, the history
of Abstract Expressionism, and a growing concern with the bodily and the
erotic dimensions
of paint.
These are just a few
of the things that struck me about work in the exhibition: Feeley was intensely interested in a confounded figure - ground relationship; he was able to economically synthesize the formal and the comic; he was attentive to the
erotic; his work clearly stands apart from Color Field
painting.»
Presented in book format, as a static archive, it's completely banal — not a series
of erotic images so much as an overall picture
of a particular
erotic, much as Guyton's black
paintings together represent an idea
of the monochrome rather than a selection
of monochromatic works.
His glossy photo - realist
paintings isolate a particularly influential branch from our ubiquitous pop - culture cacophony — the movie poster — to illustrate the tensions, escape fantasies, conflicts,
erotic stimulation and power
of this popular form
of mass - media imagery.
The LACMA show gathers about 70
of his
paintings and drawings: bulbous,
erotic abstractions (along with plenty
of not - so - abstractions that are NSFW).
The main draw is a veritable retrospective
of the drawings,
erotic and otherwise, and a smattering
of paintings starring the new - in - town, gold - on - gold «Adele Bloch - Bauer I.» Also here: a photo mural
of sections
of Klimt's most famous
painted mural, the «Beethoven Frieze»; a period room; photographs and personal effects, including one
of the artist's signature caftans; and piped - in music, all written in Vienna
of course, and available for purchase on CD.
Reichman's compositions frequently reference those
of religious
paintings, imbuing the
erotic with a sense
of sacred space, struggle and sacrifice, while locating his work in a tradition
of historical
painting.