Sentences with phrase «erotic power in»

Guadagnino finds more erotic power in a painful foot massage than the meshing together of bodies.

Not exact matches

Audre Lorde makes this power explicit in her essay on the «Uses of the Erotic: The Erotic as Power.&rpower explicit in her essay on the «Uses of the Erotic: The Erotic as Power.&rPower.»

In order to accomplish this, we must be open not only to the erotic power we experience within ourselves but also to the erotic energy that moves among women.

They have no enforcement powers, but they can, for example, point out to participants in the throes of erotic ecstasy that their condoms are slipping.

Therefore, as Heilbrun argues in Writing a Woman's Life, we must reclaim for women an «impulse to power as opposed to the erotic impulse which alone is supposed to impel women.

As one example, Rita Nakashima Brock has made use of Loomer's understanding of relational power in her construction of a theology of erotic power (PPS 17 - 35).

Seven years later, following on the heels of Rita Nakashima Brock's initiating of the theme of «erotic power,» 14 Heyward observed that «to speak of the erotic or of God is to speak of power in right relation,» 15 defining «erotic» as «the sacred / godly basis of our capacity to participate in mutually empowering relationships.»

In fact, «erotic power denied and crushed» is precisely what generates dominance and control, 25 as power perverted.

Her latest book, Honey Money: The Power of Erotic Capital, places a high premium on a person's attractiveness, in all its forms.

We sussed out their sexy wisdom by talking to Amy Jo Goddard, sexual empowerment coach and author of Woman on Fire: 9 Elements to Wake Up Your Erotic Energy, Personal Power, and Sexual Intelligence, who regularly works with couples in long - term relationships.

In terms of the erotic content, the power of SMS is unimaginable.

Chicago american dating erotic, at this tank the feature was writing around the much life of day, with an value over the time including the power to notice over a same and standardized human afternoon radiation start which was used in an music of american black dating able truth means.

These extremes of power are highly erotic, and they can be used in different ways to suit the tastes of all participants involved.

Noirish, erotic, chaotic and intense, Bad Timing grows in complexity and emotional power as it progresses, with a wonderful soundtrack and some exceptional cinematography.

The gritty realism extends to the erotic yet un-romanticized, clipped sex scenes, and to the sequences where Roque orchestrates tit - for - tats with other operatives in the corridors of power.

Lozano's interest in industrial or mechanical tools show her obsession for the erotic power and gender inflection of labour.

Images such as nudes dr02 (2011) become painterly illustrations of vague desire in which anonymous women sport and pose, their erotic power modified by a muted palette and hazed resolution, while in nudes ar09 (2011) the fetishistic power of the female subject is all but reduced to lush formal qualities — a cascade of thick blonde hair, the curve of pink thighs, the glossy black of a stiletto heel.

Gibbs was asked to reflect on the hermetic spaces of the film that suggested an erotic nucleus to both the counter-culture that the film captured, and the private interests of that time which sought to reformulate their power in the shifting economies and class structures of the late sixties.

1991 Fashion Photography Since 1945, Victoria and Albert Museum, London, England Twentieth Century Collage, Margo Leavin Gallery, Los Angeles, USA, travelled to Centro Cultural Arte Contemporaneo, Mexico City, and Musee D'Arte Moderne et D' Arte Contemporain, Nice, France 7 Women, Andrea Rosen Gallery, New York, USA The Body in question, Aperture Foundation, New York, USA The Power of Theatrical Madness, Fotografie Forum Frankfurt, Frankfurt, Germany Modern Botanical, ICAC Weston Gallery, Carmel, USA National Gallery of Victoria, Melbourne, Australia Erotic Desire, Perspektief, Rotterdam, Netherlands La Revanche de L'Image, Galerie Pierre Huber, Geneve, Switzerland, Framed, Stephen Wirtz Gallery, San Francisco, USA Cruciformed: Images of the Cross since 1980, Cleveland Center for Contemporary Art, Cleveland, travelled to the Museum of Contemporary Art at Wright State University, Dayton, USA Photography From 1980 to 1990, Ginny Williams Gallery, Denver, USA Galerie Nikolaus Sonne, Berlin, Germany

The choice of works is very deliberate with the exhibition broken down into seven themes: Beauty, Power and Space, which looks at each artist's engagement with the sublime, a theme central to English Romantic art but which survived through the modernist movement and is a key feature of Twombly's paintings; Atmosphere, which considers the ways in which the three artists paint land and sea through a filter of atmospheric conditions; Naught so Sweet as Melancholy, named after a phrase in Robert Burton's Anatomy of Melancholy, where the theme of loss and memorialisation are central concerns; The Seasons which reflects upon the passage of time; Fire and Water where all three artists evince the power of the elements; The Vital Force which brings together works of a sensual or erotic nature; and finally A Floating World where each artist contemplates mortality and external events that impact on their lPower and Space, which looks at each artist's engagement with the sublime, a theme central to English Romantic art but which survived through the modernist movement and is a key feature of Twombly's paintings; Atmosphere, which considers the ways in which the three artists paint land and sea through a filter of atmospheric conditions; Naught so Sweet as Melancholy, named after a phrase in Robert Burton's Anatomy of Melancholy, where the theme of loss and memorialisation are central concerns; The Seasons which reflects upon the passage of time; Fire and Water where all three artists evince the power of the elements; The Vital Force which brings together works of a sensual or erotic nature; and finally A Floating World where each artist contemplates mortality and external events that impact on their lpower of the elements; The Vital Force which brings together works of a sensual or erotic nature; and finally A Floating World where each artist contemplates mortality and external events that impact on their lives.

But her most celebrated essay is only one of her many contributions to art history: her books include Realism (1971), Woman as Sex Object: Studies in Erotic Art, 1730 — 1970 (1972); Women, Art, and Power, and Other Essays (1988), The Politics of Vision (1989), The Body in Pieces: The Fragment as a Metaphor of Modernity (1994), and Bathers, Bodies, Beauty (2006); Misère, her book about the representation of misery in the second half of the 19th century in France and England is due out next year.

She co-authored the highly successful Lesbian Sex Secrets For Men, recently released in second edition, and her second book Woman on Fire: 9 Elements to Wake up Your Erotic Energy, Personal Power and Sexual Intelligence was published by Penguin Random House on September 29th, 2015