For Katniss, it's important that the rebels not stare so long into the abyss that they become what they have beheld; when others callously plan to bury one of Snow's underground bases with an avalanche, it's Katniss who insists that one
tunnel be left open so that civilians can
escape and soldiers, if they choose, can surrender.
2014 «Parrottree, Building
for Bigger Than Real», The Renaissance Society, Chicago 2013 «Stative auf der Flucht / The tripods»
escape», Isabella Bortolozzi Galerie, Berlin «A Moveable Feast - Part IV», Campoli Presti, Paris «Rug Import», Campoli Presti, London 2012 «Portikus Printing Plant and Portikus Sounds», Frankfurt, Germany 2011 «COMMA 35», Bloomberg Space, London «Figurazione / Substituzione», Pavillon, Luca 2010 «Avere luogo», Fondazione Giuliani, Rome «
Tunnel» Sutton Lane (Campoli Presti), London and Paris «Hebezeug», Galerie Isabella Bortolozzi, Berlin Fondazione Galleria Civica - Centro di Ricerca sulla Contemporaneit, Trento 2009 «Nora Schultz», solo show as part of «Non-Solo Show, Non-Group Show» project, Kunsthalle, Zurich Art / 40 / Basel, Art Statements with Sutton Lane (Campoli Presti) «10 9 8 7 6 5 4 3 2 1 0», Koelnischer Kunstverein, Cologne 2008 «Nora Schultz», Reena Spaulings, New York «Hidden Fox», Dependance, Brussels 2007 «Zero Ruler», Sutton Lane (Campoli Presti), London «Carriers in Search of the Time - Tilted Weight», Isabella Bortolozzi, Berlin «Nora Schultz», Kjubh, Cologne 2006 «The Metal Magazine», Galerie Meerrettich, Berlin 2003 Turmgalerie Hochheim, Hochheim am Main «Fenster zur Stadt», Garage 13, Frankfurt / Main