Sentences with phrase «escapist film»

During the pre - production on Valhalla Rising, his long time collaborator and friend Rupert Preston urged him into accepting an offer to write and direct Bronson (2009), an ultra-violent, surreal, and escapist film following the real life landmarks and self - entrapment of Britain's most notorious criminal, Charles Bronson.

This high - budget (supposedly $ 135 million) summer - blockbuster escapist film is dull formulaic fare that has a questionable history premise, a star who does not light up the screen with charisma (Matthew McConaughey), a foreign - born female lead (Penélope Cruz) as eye candy who struggles with the English language to a point where it's an unwelcome distraction, and a tiresome and silly plot line to fill in the gaps while the adventurers are involved in their all too familiar set action pieces.

Even today, there is something remarkable about a well - structured western, something of an escapist film poised to make us reimagine and relate.

«I go to artsy movies, too, but sometimes you don't want to admit that you saw the latest shoot -»em - up escapist film.»

On the surface, 1943's The Gang's All Here released by 20th Century Fox, appears to be one of many World War Two era morale boosting escapist films.

About Time has a deserving place among the heartwarming escapist films that audiences are always craving.

Not exact matches

Though the books and film adaptations continue remain popular in certain circles, other evangelicals criticize the rapture mindset for fostering an escapist mentality toward the world rather than a desire for its redemption.

The Director of Communications and Audience Engagement will work closely with the CEO to create, curate, and market an expansive collection of film clips (full episodes and movies as well as short clips) focused on bringing light escapist pleasure to the (mostly female) masses.

Shrek the Third probably marks the dividing line between whether you are watching because you are a die - hard fan or you are just looking viewing the film for escapist entertainment.

It's an escapist fantasy film that more or less works as solid spectacle entertainment.

The escapist fun found earlier in the film is replaced by utterly ridiculous, redundant, and boring excess.

Returning as the same character the following year in the appropriately titled The Scorpion King, Johnson did little to enhance his reputation of a trained thespian, though he did get the summer film season off to a rousing start for audiences hungering for some energetic escapist fun.

Akshat Verma's script is imaginative and funny, the film's stars are engaging and Delhi Belly adds up to pleasing escapist fare.

It's just one example of how «Django Unchained» is one of those films that works on multiple levels, either as pure escapist entertainment or as something deeper.

Definately not an Oscar contender, but in a year of mediocre to awful films, this one manages to entertain and serves to deliver some escapist entertainment to the public.

Sprinkled with little personality bits here and there (Tallahassee's mad quest for an ever - elusive Twinkie, Columbus's crippling fear of clowns, etc.), Zombieland doesn't break any new ground in the horror genre so much as make for a strong dose of escapist fun for knowing fans of the films.

While I did enjoy The Escapist, it was just a mediocre film.

Hellboy makes for some fun escapist entertainment for fans of the the darker comic style films, such as Men in Black, X-Men, and Blade.

After this film, how can we demand movies that present murder as escapist entertainment and still sleep at night?

Ignoring the absurd idea that somehow the Korean resistance to the Japanese was a key to the winning of the war (which the film explicitly states at one point), the creation of noble resistance heroes (even when sometimes compromised) versus the evil Japanese villain is pure escapist nonsense that passes itself off as realism instead of the Tarantino-esque fantasy it actually is.

Some of you may know Rupert Wyatt from his 2008 film, The Escapist, starring Brian Cox.

The Rundown is a pretty dumb film, but knows it is, and director Peter Berg (Very Bad Things) wisely plays almost everything for laughs, making this an escapist romp that's not too dark or violent to enjoy.

Not only are «Get Out,» «The Shape of Water» and «Blade Runner 2049» some of the very best films of 2017, but from the no - budget indie realm («Prevenge,» «A Ghost Story,» «Transfiguration,» «Raw») to expensive studio epic scale («War for the Planet of the Apes,» «Kong: Skull Island») and newly blazed ground out of the predominantly formulaic superhero («Logan,» «Wonder Woman,» «LEGO Batman») and Star Wars («The Last Jedi») factory farms, fantasy filmmakers tried their hardest to be smart, visually adroit, sometimes startlingly innovative and — strangest of all for this escapist format — humanely, emotionally credible.

Director: Rupert Wyatt (The Escapist, Rise of the Planet of the Apes) Writers: William Monahan (screenplay), James Toback (1974 film) Producers: Robert Chartoff, Stephen Levinson, Mark Wahlberg, David Winkler, Irwin Winkler Starring: Mark Wahlberg, George Kennedy, Griffin Cleveland, Jessica Lange, Omar Leyva, Steve Park, Brie Larson MPAA Rating: R Running time: 111 min.

There are no escapist thrills like the pre-9 / 11 disaster films, but a cloying message of what matters most.

No Hughes - directed film is without some pathos, but The Breakfast Club skews more towards drama and realism than Hughes» typically more escapist fare.

He would return to the era in later films, most notably his hugely successful drama Twenty - Four Eyes (1954), but immediately after Morning for the Osone Family, he dived into escapist fare that better showed off his range, from the poetic romance The Girl I Loved (1946) to the noirish thriller Woman (1948) to the comedy Here's to the Young Lady (1949) to the ghost story Yotsuya kaidan (1949).

It's escapist entertainment with a genuine heart and playfulness and when it's called upon to be exciting, it has some excellent set - pieces that Spielberg is more than able to handle.The late Melissa Mathison's screenplay has a tendency to wander and the film could have been tighter but the visual effects are astonishing and Rylance and Clement really deliver the goods in the acting stakes.

OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening November 23, 2007 BIG BUDGET FILMS August Rush (PG for slight violence, mild profanity and mature themes) Freddie Highmore stars as the title character in this escapist fantasy about a promising musical prodigy who runs away from an orphanage to New York City to find his parents (Keri Russell and Jonathan Rhys Myers) only to end up living with a Fagin - like wizard (Robin Williams) and lots of other kids in a makeshift shelter in an abandoned theater which was once the Fillmore East.

It's a PG - rated film, so nothing gory or truly abhorrent occurs, and you never truly sense that anyone is in real danger for even a moment, which makes it suitable all but the most squeamish of children as a mildly scary and generally amusing escapist adventure.

Some poor performances, particularly by Neve Campbell (Wild Things, Scream 2), and some hackneyed storytelling hinders the story from ever being truly gripping, but the film does give some insights into why America had become so immersed in an escapist and hedonistic dance craze after the turmoil of Vietnam.

The film is about their quest for happiness, their lack of attaining it, and the covering up of the unhappiness through their escapist addictions.

Wyatt has directed three feature films in his career, 2008's «The Escapist,» 2011's «Rise of the Planet of the Apes» and «The Gambler,» released last year and starring Mark Wahlberg.

«Choke» (2008) 2008 was not a great year for the festival, with films like «Assassination Of A High School President,» «Transsiberian,» «What Just Happened,» «The Escapist» and «The Great Buck Howard» all under - performing when they finally made it to screens.

Here's a brand new international banner for the upcoming film «Rise of the Planet of the Apes» by director Rupert Wyatt (The Escapist, Get the Picture, Subterrain) and starring James Franco (Oz: The Great and Powerful, Your Highness), Andy Serkis (The Hobbit: Part 1, The Spider, Freezing Time) and Freida Pinto (Slumdog Millionaire, Trishna).

I've been following director Rupert Wyatt ever since seeing his break - out film The Escapist at Sundance years ago.

The dark film was a departure for MGM — known for upbeat, lavish, escapist fare — but the studio's production chief Dore Schary ushered in a period of social consciousness for the company, notes Drew Casper, film scholar and author of «Post-War Hollywood Cinema 1946 - 1962,» in his DVD commentary.

Arrival, with its handwringing worthiness and easy answers, certainly meets these criteria as escapist balm for the masses, but this analysis ignores the fact that M Night Shyamalan's 2002 film Signs is not just a superior film about alien invasion (funnier, darker, more cinematic), but also a stronger allegory for the apocalyptic fever that has gripped America and, by extension, the world.

Some may prefer the more fantastical and escapist nature of Spielberg, but for me, this is the finest film he's made.

Jumanji is a special effects - laden family film that has a simple premise, and delivers enough escapist entertainment to probably keep young and old alike modestly entertained.

The adventure itself is the film's main selling point, and if you enjoy historical pieces and don't mind the inaccuracy that runs rampant in Hollywood releases, it's not bas as popcorn escapist fare.

It was clear that Blakeson was set for a Christopher Nolan - style career path, moving from low - budget indie thriller to bigger - scale films, but, like fellow Brit Rupert Wyatt, who went straight from the excellent «The Escapist» to the mega-budgeted «Rise of the Apes» without passing Go, Blakeson seems to be skipping a few steps, and going straight for the tentpole.

The story here is fairly basic, and ultimately it's all built to bolster the film's pervasive action sequences, but director Paul W.S.Anderson still managed to craft a solid piece of escapist sci - fi around it all, and in the end, the film entirely held my interest.

For the rest of this week and next, we're going to round some of them up, starting today with the 50 films we're most looking forward to out of everything (many with more of a dramatic bent) followed with another 50 tomorrow (with more of a genre / escapist leaning).

For all its faults (and yes, viagra 40 mg there are plenty of them), story The Avengers: Age of Ultron is still a fun escapist superhero film.

Here's the latest international movie poster for the upcoming film «Rise of the Planet of the Apes» by director Rupert Wyatt (The Escapist, Get the Picture, Subterrain) and starring James Franco (Oz: The Great and Powerful, Your Highness), Andy Serkis (The Hobbit: Part 1, The Spider, Freezing Time) and Freida Pinto (Slumdog Millionaire, Trishna).

I loved the way escapist fantasy tangoed with brute consequence in «The Shape of Water» and «The Florida Project,» two films that have nothing in common other than heroines desperate to keep faith with innocence in a fallen world.

Bottom line: «Under the Tuscan Sun» is an amiable film that, in the tradition of escapist fiction, provides a nice, scenic getaway with just enough drama to keep the story from getting stagnant.

But the man, who hasn't directed a film since the brilliant but bleak Munich in 2005 (no, Indiana Jones and the Kingdom of the Crystal Skull doesn't count), has became Hollywood's most heavy - handed melodramatist in his later years, bombarding even his most escapist work with daddy issues and inoffensive, utterly sentimental narratives.

Movie review: For an audience seeking fluffy, escapist, country - music - tinged romance, the film should hit a sweet spot.