Each volume takes me longer to read than most because of the text and panel heavy pages, which I quite like in a series that uses all that space to fill up with
amusing character interaction, manga serialization education and a lot of artistic trials that will speak to any artist one
way or another,
especially when working to appeal to the masses at large.
But with «St. Sebastian,» a blank - slate approach was unexpectedly easy, primarily because, for all the image's familiarity, I realized how different the painting looked, or rather felt, in the flesh... It's the painting's endearingly strange comedy —
especially the bottom half of the body, which seems to flap away (and bring to mind the flagellation of St. Bartholomew)-- that rescues it from post-adolescent self - pity and actually, in an odd
way, ennobles it, as if invested with an
amused stoicism.»