All four shots were dead - on and
especially in slow motion, are a complete work of art.
Not exact matches
In the video — especially in the slow - motion part of it — the runner clearly has toes pointed upwar
In the video —
especially in the slow - motion part of it — the runner clearly has toes pointed upwar
in the
slow -
motion part of it — the runner clearly has toes pointed upward.
In an effort to provide both sides of the story, the directors — especially in late, slow - motion - drenched elegiac passages full of uplifting and / or mournful music — buy too much of the pap being sold by the sannyasin
In an effort to provide both sides of the story, the directors —
especially in late, slow - motion - drenched elegiac passages full of uplifting and / or mournful music — buy too much of the pap being sold by the sannyasin
in late,
slow -
motion - drenched elegiac passages full of uplifting and / or mournful music — buy too much of the pap being sold by the sannyasins.
But here, the
slow -
motion allows for moviegoers to really hone -
in on the eye - popping visuals (which look
especially impressive
in 3D).
- E3 2014 video was running
in real time and
in - engine - the scene shown was made
especially for the trailer - the scene with Link shooting arrows at the Guardian on his horse, jumping off, and firing off one last arrow
in mid-air at the enemy
in slow motion, was a gameplay element that hadn't yet been implemented - Aonuma «really wanted to put that
in the game» and made this happen as development went on - the team expanded on the game's story as well, which was brought about from the E3 2014 trailer
Movement is still a little imprecise and janky, but the shooting itself remains ultimately satisfying,
especially with the inclusion of the Kill - cam that initiates
slow motion x-ray replays of well placed shots — a tool that not only feels rewarding, but can be pretty comical if aimed
in less orthodox places.
This
slow -
motion effect was done really well
in Aeon because of the great attention to the details, particle effects, and animation (
especially the character and weapon's animation).
Shown
in slow motion, sometimes with the camera tilted disorientingly, the models are objectified,
especially the awesomely curvaceous Keri.
We
especially liked the automatic capture feature, which triggers Super
Slow Motion when an object enters an adjustable, predefined boundary
in the camera's viewfinder.
True to form (
especially in the most recent Xperia phones), Sony packs
in a 19MP sensor that can capture 4K video and super
slow motion video at a whopping 960 fps.