Sentences with phrase «essay by photography»

The catalogue includes an essay by photography historian Deborah Irmas as guest curator and 50 extended written entries by Eve Schillo, assistant curator, LACMA, and the curatorial team at the Wallis Annenberg Photography Department at LACMA, along with a foreword by Susan Sayre Batton, Oshman Executive Director at SJMA.

A catalog designed by Miami graphic designers Lemon Yellow with an essay by photography writer Vicki Goldberg accompanies this exhibition, defining women as dynamic image makers using a medium in relentless flux.

Not exact matches

Ohio, USA About Blog A blog by travel writer and photographer Brandon Elijah Scott, featuring essays, travel advice, articles and photography.

2018-04-07 17:44 This video is about How to upload a Video to YouTube Photography Website - http: / / Follow me on Facebook - https://www Consider this twisted scenario: A national publication unearths an essay written decades ago by a conservative Republican candidate for the White House in

This video is about How to upload a Video to YouTube Photography Website - http: / / Follow me on Facebook - https://www Consider this twisted scenario: A national publication unearths an essay written decades ago by a conservative Republican candidate for the White House in

The 52 page book: Forward by Abel Ferrara Essays by Nick Pinkerton, Michael Chaiken, and Sean Price Williams Photography by Eleonore Hendricks «The Story of the movie Hellaware and the Fake Horrorcore Band That Went Viral» by Michael M. Bilandic Original art by Mike Diana

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

Extras: Two audio commentaries from 2003, one featuring director Ken Russell and the other screenwriter and producer Larry Kramer; segments from a 2007 interview with Russell for the BAFTA Los Angeles Heritage Archive; «A British Picture: Portrait of an Enfant Terrible,» Russell's 1989 biopic on his own life and career; interview from 1976 with actor Glenda Jackson; interviews with Kramer and actors Alan Bates and Jennie Linden from the set; new interviews with director of photography Billy Williams and editor Michael Bradsell; «Second Best,» a 1972 short film based on a D. H. Lawrence story, produced by and starring Bates; trailer; an essay by scholar Linda Ruth Williams.

Special Features New 4K digital restoration New interview with cinematographer John Bailey about director of photography Conrad Hall's work in the film New interview with film historian Bobbi O'Steen on the film's editing New interview with film critic and jazz historian Gary Giddins about Quincy Jones's music for the film New interview with writer Douglass K. Daniel on director Richard Brooks Interview with Brooks from a 1998 episode of the French television series «Cinema Cinemas» «With Love From Truman,» a short 1966 documentary featuring novelist Truman Capote, directed by Albert and David Maysles Two archival NBC interviews with Capote: one following the author on a 1966 visit to Holcomb, Kansas, and the other conducted by Barbara Walters in 1967 Trailer Plus: An essay by critic Chris Fujiwara

Running time: 97 minutes Distributor: Criterion Collection DVD Extras: A new digital transfer supervised and approved by director of photography; «Ask Todd,» an audio Q&A with director Todd Solondz; Making «Life During Wartime,» a new documentary featuring interviews with actors; a new video piece in which Lachman discusses his work on the film; the original theatrical trailer; and a booklet featuring an essay by film critic David Sterritt.

Special Features 2K digital transfer, supervised by director of photography Yorick Le Saux and approved by director Olivier Assayas, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray New interview with Assayas 2016 Cannes Film Festival press conference featuring actor Kristen Stewart and other members of the film's cast and crew Theatrical trailer PLUS: An essay by critic Glenn Kenny

The movies will in turn serve as «a jumping - off point» for «guest editors,» who will add content inspired by the film, anything from «essays, music, video and photography to cultural ephemera» that reflects themes expressed in the selected films.

China: Portrait of a Country compiled by Pulitzer Prize - winning photojournalist Liu Heung Shing, and with thoughtful, intelligently nuanced essays on Chinese history and photography by journalist James Kynge and art critic Karen Smith, focuses on an often mysterious and complex culture.

Written by Scott Reisfield (a Garbo grand - nephew) and Hollywood glamour photography expert Robert Dance, the volume includes insightful essays.

Proud to Be: Writing by American Warriors, Volume 5 presents essays, fiction, poetry, interviews, and photography by military - service personnel, veterans, and their families.

I can imagine beautiful books of essays or poetry accompanied by art or photography — previously dismissed out of hand by a traditional publisher as too costly to print — delivered digitally and enjoyed on screen, no problem.

Split into three sections to reflect the different sides of London's nocturnal character, an accompanying book of the same name contains essays by Museum of London's Curator of Photographs, Anna Sparham, poetry by award - winning poet and playwright Inua Ellams, and over 100 images from the exhibition that span the genres of architectural, documentary and portrait photography.

Henry Louis Gates Jr.'s essay on Frederick Douglass is very empowering, and at the end he says, «Even a lecture about something as seemingly apolitical as photography or art in the end must by definition be engaged within and through Douglass's state of being as a black man in a white society in which one's blackness signifies negation.»

In the past year she has contributed essays to Peripheral Visions: Italian Photography in Context, 1950s - Present, published by Charta in association with an exhibition at the Bertha and Karl Leubsdorf Art Gallery at Hunter College.

This richly illustrated catalogue includes essays by Glenn Adamson, author of The Craft Reader and Deputy Head of Research and Head of Graduate Studies, Victoria Albert Museum; Britt Salvesen, Department Head and Curator, Wallis Annenberg Department of Photography, Los Angeles County Museum of Art; science fiction author William Gibson; and Julie Joyce, AICA - USA member and Santa Barbara Museum of Art Curator of Contemporary Art.

An accompanying, fully illustrated publication will include an essay by art historian and curator Camille Morineau; rarely seen photography by Bob Adelman that captured the creation of the original Greene Street Mural; and extensive documentation relating to Lichtenstein's twelve realised and four unrealised murals.

The volume concludes with brief essays by Dennis C. Dickerson («Black Braddock and Its History») and Laura Wexler («A Notion of Photography»), and a conversation between Frazier and fellow photographer Dawoud Bey.

A number of events expand on the themes explored in the exhibition including a tour led by the exhibition curator David Campany (20 July, 6.30 pm, Free); the exhibition's curator David Campany is joined by writer and critic Brian Dillon, artists Xavier Ribas and Eva Stenram for a symposium discussing notions of time, perception and the history of photography (17 June, 2 - 6 pm, # 15 / # 12.50 concs); and award - winning essay film - maker Grant Gee presents his study of the late German writer W.G. Sebald which is a multi-layered exploration of place, memory, longing and dust (29 June, 7 pm, # 9.50 / # 7.50 concs).

Jill Freedman: Resurrection City, 1968 features Freedman's original text from 1971 and new essays by John Edwin Mason, historian at the University of Virginia, and by Aaron Bryant, the Mellon Curator of Photography at Smithsonian National Museum of African American History and Culture.

Dwelling features several never - before published works, newly commissioned photography and essays by Brad Cloepfil of Allied Works and Joseph Becker, Associate Curator of Architecture and Design at the San Francisco Museum of Modern Art.

It includes essays on working methods and collaboration by photography curator Rebecca Senf, Norton Family Curator of Photography at the Phoenix Art Museum, and an essay by Stephen Pyne, Regents» Professor, Arizona State University, that provides a conceptual framework for understanding the history of photography curator Rebecca Senf, Norton Family Curator of Photography at the Phoenix Art Museum, and an essay by Stephen Pyne, Regents» Professor, Arizona State University, that provides a conceptual framework for understanding the history of Photography at the Phoenix Art Museum, and an essay by Stephen Pyne, Regents» Professor, Arizona State University, that provides a conceptual framework for understanding the history of the canyon.

2001 Open City: Street Photographs since 1950, published by the Museum of Modern Art Oxford, Oxford, UK, pp. 18, 168 — 173, [ill., cover] Over Exposed: Essays on Contemporary Photography, published by The New Press, New York, NY, 2001 Bohn - Spector, Claudia and Jennifer Watts, eds., The Great Wide Open: Panoramic Photographs of the American West, published by Merrell Publishers Ltd., London, UK, 2001, pp. 104 — 107 [ill.]

This elegantly - designed accompanying catalogue includes complete photography of the commission as well an essay on the work by curator Lydia Yee and new critical writing by Habda Rashid and Douglas Fogle.

Subjective Realities: Works from the Refco Collections of Contemporary Photography, essay by Dave Hickey, published by Refco Group, Ltd., New York, NY, 2003, p. 182 — 183 [ill.]

This focused catalogue, with essays by Guggenheim Museum Curator of Photography Jennifer Blessing and Katrin Blum, aptly demonstrates Wall's continuing interrogation of the history of photographic representation — here specifically the legacies of documentary photography and NeorePhotography Jennifer Blessing and Katrin Blum, aptly demonstrates Wall's continuing interrogation of the history of photographic representation — here specifically the legacies of documentary photography and Neorephotography and Neorealist film.

Yoo, Hee - Young, ed., Trust: Media City Seoul 2010, published by Se - Hoon Oh, Seoul, Korea, 2010 Cooke, Lynne and Douglas Crimp, Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present, published by the Museo Nacional Centro de Arte Reina Sofía: Madrid, Spain, 2010 Leszkowicz, Pawel, Ars Homo Erotica, published in conjunction with the exhibition at the National Museum in Warsaw, Poland, 2010 McGinley, Ryan and Catherine Opie, Everybody Knows This Is Nowhere, published by Dashwood Books for the exhibition at Team Gallery, New York, NY, March 18 — April 17, 2010 Costantino, Tracie and Boyd White, eds., Essays on Aesthetic Education for the 21st Century, Rotterdam: Sense Publishers, 2010.

Inspired by Donna Haraway's essay, A Cyborg Manifesto, the feminist science fiction and Afrofurturists of the 1970s; the exhibit will feature performance, sculpture, painting, comics, and photography that aim to re code normative expectations celebrating the LIFEFORCE that is beyond human matter and closer to it's essence.

The Edge of Night: Urban Landscape Photography, essay by Susan H. Edwards, published by Hunter College, New York, NY, 1998 From the Corner of the Eye, curated by Martijn van Nieuwenhuyzen, Leontine Coelewij and Hripsime Visser, Stedelijk Museum, Amsterdam, Netherlands, 1998 [ill.]

An introductory essay by Sarah Hermanson Meister situates them within the contexts of modernist photography, the Bauhaus ethos, and of Albers's own practice.

The sumptuously illustrated book (with 149 color and 71 black - and - white illustrations), co-published by Chinati and Yale University Press, begins with an introductory essay surveying the history of Judd's work in Marfa, then presents the individual installations at the museum in chronological order, with stunning photography.

Her work has been published in Nymphoto Books: Conversation Volume 1 and Fotofest 2010 Contemporary U.S. Photography with a curatorial essay by Aaron Schuman.

The publication includes an exchange between the artist and curator Achim Borchardt - Hume; an essay on conceptions of truth by poet and writer Alan Gilbert; a text on Raad's use of photography and its ties to Beirut by Blake Stimson; and an essay by Hélène Chouteau - Matikian.

Accompanied by a generously illustrated catalogue with essays by Brandt, Joshua Takano Chambers - Letson, Alexandra Chang and Muna Tseng, the Grey Art Gallery exhibition makes a strong case for Tseng's photography - based performances as an essential critical intervention in the historical representation of the Asian «other» in the West — and one that is rooted in an interventionist queer practice.

The exhibition is accompanied by a 316 - page comprehensive catalogue with plates of all the photographs, along with essays and interviews, published by Three Shadows Photography Art Centre.

Including a major essay plus individual texts on each commission by Joan Simon, and filled with interviews, artist statements, plans, archival photographs and stunning new photography, this book charts the history of the project through each commission, through the eyes of the artists and the Olivers.

Unlike its photography counterpart, written and curated by Peter Galassi, the painting catalogue has a generously annotated bibliography and piece - by - piece essays on each painting (what is photography, chopped liver?).

On display are Magdalena Abakanowicz» Hurma, an epic figurative environment by the Polish sculptor; Isaac Julien's Western Union: Small Boats, a video installation on migration and the hope for a better life; George Osodi's Oil Rich Niger Delta, a photographic essay on the people of Nigeria; and Photography and Sculpture: A Correlated Exhibition (new and vintage photography linked to contemporary Photography and Sculpture: A Correlated Exhibition (new and vintage photography linked to contemporary photography linked to contemporary sculpture).

Featuring essays and unpublished texts by critics in contemporary and media arts, including Joan Fontcuberta, Derrick de Kerckhove, Suzanne Paquet, Fred Ritchin, and David Tomas, the publication was designed to challenge a re-examination of what photography is today, in a time when communication and transmission of visual data in cyberspace, the boundaries of virtual reality, and the Internet as a global public space proliferate images and reflect an imaginal reshaping of the world.

This episode harks back to Plato's cave, inspired by the late Susan Sontag's essay «In Plato's Cave» as was published in her seminal book On Photography (1973).

The monograph includes a foreword by Hilary Roberts, the Head Curator of Photography at the Imperial War Museums in Britain as well as an essay by Natalie Zelt, the co-author and co-curator of, War / Photography: Images of Armed Conflict and Its Aftermath.

The 104 - page, full color catalog includes images of works, installation views, an exhibition checklist, an essay by the eminent photography writer and historian Vicki Goldberg, a forward by Creative Director Michelle Weinberg, a curatorial statement by Dina Mitrani and poem by Miami writer Emma Trelles.

It is a 176 - page book featuring the essays by Kristen Gresh, Estrellita and Yousuf Karash, assistant curator of Photographs at the Museum of Fine Arts, Boston, and Michket Krifa, an independent curator and art critic of Middle Eastern and African photography.

Related Publication The Kongo across the Waters exhibition is accompanied by a 450 page publication available in the Museum Shop which presents a collection of richly - illustrated essays and a catalogue of the exhibition with superb photography.

With text by Max Kozolff and an additional essay by Jane Livingston, the volumes show the impressive range of Leiter's early photography.

With new photography documenting Julie Mehretu's (born 1970) studio process, plus details and large - scale reproductions of paintings and drawings, and essays by renowned authors, this book documents her richly layered visual universe.