Sentences with phrase «essay by the curator»

A beautiful, fully illustrated catalogue of the exhibition featuring essays by its curators and guest scholars, as well as entries on all the artists in the exhibition, is available now.
Many have scholarly essays by curators and historians covering the subject's life and work.
Explore early sketches and inspiration for many of the artworks, read illuminating essays by curators and interviews and texts by the artists, or simply enjoy the stunning installation photography.
A catalog with essays by the curator and contributors accompanies the exhibition.
A catalogue will feature essays by the curators and six other contributors from diverse fields.
In conjunction with the exhibition, Blum & Poe will publish a catalogue that will include new essays by curator Pedro Alonzo and conflict resolution and reconciliation activist Tim Phillips, along with new works of poetry by Tisa Bryant, Danielle Legros Georges, Robin Coste Lewis, and Kevin Young.
This fully illustrated volume features essays by curator Robert Leonard and writer Chris Kraus.
Corrado Cagli: From Rome to New York will be accompanied by a fully illustrated catalogue with introductory essays by curator Alberto Mazzacchera.
The 2017 Biennial will be accompanied by an exhibition catalogue, designed by Olga Casellas Badillo of San Juan - based Tiguere Corp., which includes essays by the curators as well as Biennial advisors Negar Azimi and Gean Moreno, a conversation between the curators and Scott Rothkopf, and a roundtable with filmmakers moderated by Aily Nash.
Astrologer's Garden celebrates a forthcoming traveling exhibition and the release of a 176 - page monograph distributed by University of Pennsylvania Press with essays by curator Debra Bricker Balken and Op art historian Joseph Hu.
The exhibition is accompanied by an illuminating and unusual volume, in equal parts artist's book and exhibition catalogue, which includes a trio of essays by curators Mark Godfrey, Roxana Marcoci, and Matthew S. Witkovsky that reflect on Williams's engagement with his artistic peers and predecessors, with cinema (particularly the film - essay), and with modes of display and publicity in the art world.
A fully illustrated catalog that includes an introductory essay by curator Sarah Bancroft and extensive interviews with the artist pairs, as well as biographical information, accompanies the exhibition.
The tale is told in essays by curators past and present, myriad photographs and a well - annotated chronology.
A catalog essay by the curator Philipp Kaiser mentions six tiny films that Ms. Sherman made in college as well as a much bigger effort that came halfway into her career, in 1996, when she was invited to direct a horror feature called «Office Killer.»
The volume includes essays by curator Carter Foster and critic Gregory Volk, as well as a collection of poems and imaginary letters written in response to selected works by Aldrich Director Harry Philbrick.
With an extensive and insightful critical essay by curator Robert Storr, a recent interview with the artist, a chronology, an exhibition history and nearly 300 color and duotone reproductions, Gerhard Richter: Forty Years of Painting marks a significant contribution to the understanding of contemporary art in general, and Gerhard Richter in particular.
Essays by curators Anne Ellegood and Johanna Burton as well as scholars George Baker, Julia Bryan - Wilson, Gavin Butt, and Darby English explore the historical and current terrain of appropriation and institutional critique, while pursuing topics including the downtown music scene in New York in the»80s, new strategies of painting, and theories of race after identity politics» heyday.
The volume includes essays by curator Michael Darling, Michael Dylan Foster, Chelsea Foxwell, Reuben Keehan, and Akira Mizuta Lippit, as well as a biography and exhibition history, selected bibliography, and index.
Body and Matter is accompanied by a fully - illustrated exhibition catalogue, Body and Matter: Kazuo Shiraga Satoru Hoshino, featuring poetic writings by both artists as well as original essays by curator Koichi Kawasaki and noted art historian John Rajchman.
The fully - illustrated catalogue includes poetic writings by both artists as well as original essays by curator Koichi Kawasaki and noted art historian John Rajchman.
This fully illustrated book is published on the occasion of this exhibition and includes essays by curators Lisa Le Feuvre and Tom Morton as well as texts on the 39 selected artists.
The catalogue for the exhibition includes an introductory essay by curator Gary Garrels and extended interviews with each of the artists.
The book includes a trio of essays by curators Mark Godfrey, Roxana Marcoci, and Matthew S. Witkovsky, which explore Williams's engagement with his artistic peers and predecessors, with cinema (particularly the film - essay), and with the methods and modes of display and publicity in the art world, in addition to a transcript of a talk Williams delivered on the work of John Chamberlain.
Catalogue Read two in - depth essays by curators Teresa Grandas and Paul B Preciado published in the exhibition catalogue available from the IMMA Shop:
Catalogue Read two in - depth essays by curators Teresa Grandas and Paul B Preciado published in the exhibition catalogue available from the (External) IMMA Shop:
A limited - edition artist's book, with essays by curator Gregory Burke and New Zealand — based critic and poet Wystan Curnow, accompanies the show.
The exhibition is accompanied by a catalogue with essays by the curators Berta Sichel and Barbara Krulik, as well as texts by Cecilia Alemani, Andil Gosine and the artist.
Featuring essays by curator Alison M. Gingeras, scholar Karen Kurczynski, and artist Bjarne Melgaard, The Avant - garde Won't Give Up: Cobra and Its Legacy zeroes in on the movement and its artists, who looked at kitsch art and tried to reconcile it with more high - minded tastes.
The exhibition is accompanied by a 176 - page, fully illustrated catalogue distributed by DelMonico Books • Prestel, with interpretive essays by the curators.
To get you ready for Luhring Augustine's concurrent shows of the American artist's work, we've excerpted this explanatory essay by curator Connie Butler from Phaidon's Defining Contemporary Art.
Bringing together the ideas behind this unique commission, this book features an illuminating conversation with Kwade about the work, as well as a detailed survey of her practice to date by curator Cameron Foote and new essays by curator Daniel F. Herrmann and anthropologist Debbora Battaglia.
It is accompanied with a really nice catalogue with essays by the curators Jehra Patrick and Mary L. Coyne.
The exhibition «Betye Saar: Uneasy Dancer» will be accompanied by an illustrated publication, edited by Fondazione Prada, with essays by the curator Elvira Dyangani Ose and scholars Kellie Jones (Columbia University), Richard J. Powell (Duke University), and Deborah Willis (New York University).
It includes essays by curator Omar Kholeif, Ed Halter and Erika Balsom; conversations between pioneering video artist Judith Barry and Sarah Perks; and newly commissioned artist interviews with Ulla Wiggen and Jonas Lund by Séamus McCormack, plus a sequence of artist interventions from Douglas Coupland.
Instead, there are academic essays by curators and writers, with only a short «question and answer» segment with Ms. Joyner and her husband, Alfred J. Giuffrida.
The publication features essays by curators Naomi Beckwith and Cesar Garcia, as well as contributions by each of the members of The Propeller Group: Nguyen pens an obituary for the group that pays homage to Vietnamese funereal celebrations, Phunam shares an astrological reading and Lucero creates a travelogue that records the group's recent exploration of Papua New Guinea.
Lee Mullican is accompanied by a 136 - page illustrated catalogue with essays by curator Carol Eliel, Amy Gerstler, and Lari Pittman.
The catalogue boasts essays by the curators and Queens historian Jeffrey Kroessler.
It includes essays by the curator Jens Hoffmann, the scholar José Luis Barrios, and the film critic Ernesto Diezmartínez Guzmán as well as information on all the participating artists and their works, extended notes on the classic films selected by the artists, and a special insert featuring a newly commissioned photographic project by Fernando Ortega depicting abandoned or repurposed movie theaters in Mexico City.
The exhibition will be accompanied by a fully - illustrated catalogue with essays by the curators Cynthia Burlingham and Allegra Pesenti, independent scholar Florian Rodari, and a chronology by Matthieu Vahanian, curatorial assistant at the Grunwald Center for the Graphic Arts.
Latest Projects Mr. Pendleton is finishing up «Black Dada Reader,» a book that incorporates essays by curators, as well as text from W. E. B. Dubois, Felix Gonzalez - Torres and others and will be published this fall by Walther Koenig Books.
The accompanying 128 page publication includes an introductory essay by the curators Maria Balshaw, Bryony Bond, Mary Griffiths and Natasha Howes which sets the historic context of the relationship between Manchester and West Africa and discusses the main themes which run throughout the exhibition.
Essays by curator Donna De Salvo and Surrealist scholar and translator Mary Ann Caws consider the impact of Surrealism on art and culture today.
a b c d e f g h i j k l m n o p q r s t u v w x y z