The main features of essay format may be presented in the following form: essay format allows students to make a good
essay in the bounds of their study program.
Not exact matches
The philosophy of organism culminates
in a new metaphysical theology.12 In Whitehead's view, «The most general formulation of the religious problem is the question whether the process of the temporal world passes into the formation of other actualities, bound together in an order in which novelty does not mean loss» (Process and Reality, An Essay in Cosmology 517)-- as it does in the temporal worl
in a new metaphysical theology.12
In Whitehead's view, «The most general formulation of the religious problem is the question whether the process of the temporal world passes into the formation of other actualities, bound together in an order in which novelty does not mean loss» (Process and Reality, An Essay in Cosmology 517)-- as it does in the temporal worl
In Whitehead's view, «The most general formulation of the religious problem is the question whether the process of the temporal world passes into the formation of other actualities,
bound together
in an order in which novelty does not mean loss» (Process and Reality, An Essay in Cosmology 517)-- as it does in the temporal worl
in an order
in which novelty does not mean loss» (Process and Reality, An Essay in Cosmology 517)-- as it does in the temporal worl
in which novelty does not mean loss» (Process and Reality, An
Essay in Cosmology 517)-- as it does in the temporal worl
in Cosmology 517)-- as it does
in the temporal worl
in the temporal world.
An official doctrine of the Church does not lose its
binding authority only because some theologian expresses — whether
in a book, an
essay, a lecture, on the radio or
in television — an opinion of which another Catholic can not understand how it is compatible with the doctrine of the Church; and mostly the theologian
in question will not have tried very hard to show how it can agree with it.
The thick staple -
bound insert reprints «They Were Expendable», an
essay by filmmaker - author Kent Jones offering thoughtful analysis of the film's melancholy world and how it could only have existed
in the 1970s.
Rear Window — One of the greatest, and most famous, of all Alfred Hitchcock films is this
essay on voyeurism
in which James Stewart plays a wheelchair -
bound photographer who passes his convalescence watching his neighbors through their open windows.
But these out - of -
bounds learning experiences — when they're open and accessible to all kids and families — can provide exciting new avenues for connection, says Heather Weiss, the director of the Harvard Family Research Project (HFRP),
in a new
essay published
in Ed Tech Digest.
As Stephen Knack, now a senior economist at the World Bank, explained
in a 1992
essay, «Civic Norms, Social Sanctions, and Voter Turnout,» even people with a weak personal sense of obligation have a greater likelihood of voting
in a place that is populated with duty -
bound compatriots.
When I was a high school English teacher, I taught two sections of the same American literature course for college -
bound students, and even with the same teacher, the same school, the same curriculum, the same books, the same ability level of the students, there never once was an
essay that I assigned
in which students
in one section of the course received exactly the same grade distribution as students
in the other section.
One area where one is
bound to ask for help is
in the
essay writing field.
-- Business
essay: A writing service can help business students out when they're
in a
bind.
Extended
essay writing is one of the assignments you are
bound to work at while studying
in certain higher educational institutions.
It's not simply the sequel to High Times Hard Times, nor the revision of genealogies traced
in the «Provisional Painting»
essays, nor the direct extension of ideas explored
in «Abstraction Out of
Bounds» — though it shares something
in common with each of these.
In her delightful
essay, «Why Abstract Painting Still Matters,» Laurie Fendrich asserts that «abstract painters ought to celebrate loudly, rather than apologize for, the convention -
bound nature of their artwork.»
In Newsom's 2015 catalog of work from the past 10 years to the present exhibition, critic Barry Schwabsky writes in his essay, «what keeps «strong painting» from becoming merely muscle bound — is Newsom's secret weapon: the discipline that comes from considering himself, not a painter of images, but rather an abstractionist... to appreciate his paintings is... to engage with their surfaces of purely sensual incident.&raqu
In Newsom's 2015 catalog of work from the past 10 years to the present exhibition, critic Barry Schwabsky writes
in his essay, «what keeps «strong painting» from becoming merely muscle bound — is Newsom's secret weapon: the discipline that comes from considering himself, not a painter of images, but rather an abstractionist... to appreciate his paintings is... to engage with their surfaces of purely sensual incident.&raqu
in his
essay, «what keeps «strong painting» from becoming merely muscle
bound — is Newsom's secret weapon: the discipline that comes from considering himself, not a painter of images, but rather an abstractionist... to appreciate his paintings is... to engage with their surfaces of purely sensual incident.»
Part of the 2000 Words series conceived by Massimiliano Gioni and published by the DESTE Foundation for Contemporary Art, this colorful monograph, with an
essay by Lauren Cornell, celebrates Waliszewska's work, which calls into question society's moral
bounds by reveling
in lawlessness and depravity.
They find their corollary
in Godard's four - and - a-half-hour miniseries Histoire (s) du cinéma (1988 — 98), which is less a history of filmmaking than it is a long - form
essay about all the theories and concepts that were
bound together when cinema came into existence.
If the «Provisional Painting»
essays represent one line of thinking Rubinstein hoped to «reinvent» through the current show, there is still another, earlier point of departure to be found
in another two - part
essay, «Abstraction Out of
Bounds,» and «Nine Lives of Painting,» from 1997 and» 98.
It's not simply the sequel to High Times Hard Times, nor the revision of genealogies traced
in the «Provisional Painting»
essays, nor the direct extension of ideas explored
in «Abstraction Out of
Bounds» — though it shares something
in common with each of these.2 Though it's not necessary to think of the show
in conjunction with anything else at all, it could be interesting to consider it, since I've been pursuing comparisons thus far, as a sequel to one of Rubinstein's poems — for example, his «Some Ways of Looking at «Some Trees»», 3 part of which goes: The artist whose work inspired this experiment once titled a canvas «Contempt of one's work as planning for career.»
Nigel Lawson had a nice
essay a couple of weeks ago — «Five Myths and a Menace» — that talked about the
bind you describe
in quite an entertaining way (myth # 2)...
«As first noted here late last night,
in today's edition of The Recorder of San Francisco, attorney Cyrus Sanai has an interesting
essay entitled «Taking the Kozinski Challenge» that begins, «The fiercest battle within the federal appellate courts these days is not over abortion or gay marriage, but the arcane question of whether an attorney may cite the unpublished case law of an appellate court as the
binding law of the circuit.»»
«Drawing on our previous work
in positive political theory, this
essay argues that
binding sentencing guidelines are necessary to constrain trial - court discretion and permit meaningful appellate review.»
As William Baude suggests
in a recent
essay exploring originalism's ability to constrain judges, «originalism can still have constraining power, but mostly for those who seek to be
bound».