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Most critics of portfolio assessment say they like the emphasis on demonstrated writing and oral skill, but have seen too many instances in which a refusal to give traditional tests of factual recall leads to charmingly written essays with little concrete information to support their arguments.
Not exact matches
The exact kind of person who can expect to score with a collection of humorous essays covering former crushes, friendships, and professional obstacles — i.e., Kendrick's Scrappy Little Nobody, which will be published in November.
Some of the readings are little gems: Justin Moser's 1772 warning about the dangers associated with «Diminished Disgrace of Whores and Their Children in Our day»; T. E. Hulme's «Essays on War» (1916), which respond to Bertrand Russell's arguments for pacifism; and Winston Churchill's «Speech on Rebuilding the House of Commons» (1943), a remarkable critique of «rationalism in politics» by a Burkean - minded statesman.
As the preceding essay by Denis Hurtubise shows Whitehead was hard pressed to find an adequate solution, and his successors have tried with little success.
And when I asked for more, you sent me poems, essays, books, articles, encyclopedia entries, and even songs — little gifts that softened my defensive posture by infusing me with fresh curiosity.
His little essay «An Explanation of the Diagram of the Great Ultimate» begins cosmologically with the generation of yang and yin from the Great Ultimate; from yang and yin come the Five Agents or material forces: water, fire, wood, metal, and earth; and from these all things are made.
Too often the essays treat the categories that define literature, and that enable us to talk about it critically, as though they were given with creation itself, and that all the general reader requires to appreciate the Bible as a literary document is a little (or a lot of) «expert literary appraisal.»
I did a short little essay about winter in the new Kinfolk (volume two), it goes along with some pictures Wayne and I contributed.
Marriage itself seems to be largely beyond the reach of public policy, with marriage promotion schemes showing little promise, as Ron Haskins outlined in an essay in National Affairs.
Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystical.
Video of the Day: Filmmaker:: kogonada, with a little help from Sylvia Plath, reflects on women and mirrors in the films of Ingmar Bergman, in this exclusive new video essay:
There was a little speech, which I did not deliver in song, alas, but the text of my introductory essay, from the awards booklet, reads as follows: «It's been a breakthrough and haphazardly maternal sort of year on the big screen for Tony - nominated stage actress Amy Ryan, with a slate of film roles in which she memorably portrays caregivers both attentive and criminally negligent.
In the otherwise breezy Little Miss Sunshine he was bearded and suicidal, while in the Anchorman films, he memorably essayed a tragic weatherman struggling desperately with his cripplingly limited intellect... Okay, so Steve Carell hasn't really done «serious» before.
The disc is a little light on extras, blessedly so in my opinion: Mark Wickum of Anchor Bay fame chimes in with his standard mini-biographical masterpiece, a long essay on Fabio Testi; Tracy Taylor's piece on Fulci returns to round out the platter.
The most important part of writing a five - paragraph — or any other style — essay has little to do with the actual essay writing: When it comes to a successful essay, the most crucial step is the planning.
Share with students some of the sentences that Lederer shares with readers in his essay Looking at Language: A Little Bit of Comma Sense.
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I found the fact that King released an essay on gun control and then wrote a plot about a man who barrels into a crowd of people with his car to kill as many as possible a little too coincidental.
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That odd — crudely drawn yet o - so - expressive — little being represents Brosh in this amusing (often laugh - out - loud), honest and touching collection of illustrated essays about her life, from her childhood antics to living with dogs to her struggle with chronic depression as an adult — and lots of moments in between.
Try Zinsser's short essays for the American Scholar magazine's website and now collected in «The Writer Who Stayed,» a book that begins with him wondering why «every year student writing is a little more disheveled.»
The collection kicks off with essays on books that were foundational to the genre (such as The Adventures of Sherlock Holmes), then moves on to the the heyday of hardboiled crime fiction with contributions from David Peace, Michael Connelly and Laura Lippman on classics like Raymond Chandler's The Little Sister.
Pat Jordan, ballplayer - cum - writer, provides a running essay on how he was instilled with a love for the game, from his days as a little leaguer through his abbreviated professional career.
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As a university scholar, you will be charged with writing two types of essays or papers — one requiring little to no research and, of course, the research paper, requiring a significant amount of outside reading of appropriate materials which will be used in the development of your thesis or question.
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«The Infrastructure of the Gods: 11 Signposts for Going all the Way» by Brian Hodge «The Writer's Purgatory: Between Finishing the First Draft and Submitting the Manuscript» by Monique Snyman «Why Rejection is Still Important» by Kevin Lucia «Real Writers Steal Time» by Mercedes M. Yardley «What Right Do I Have to Write» by Jasper Bark «Go Pace Yourself» by Jack Ketchum «A Little Infusion of Magic» by Dave - Brendon de Burgh «Never Look Away: Confronting Your Fears in Fiction» by Todd Keisling «Once More With Feeling» by Tim Waggoner Writers On Writing is an ongoing series of 15,000 to 20,000 word eBooks, with original «On Writing» essays by writing professionWith Feeling» by Tim Waggoner Writers On Writing is an ongoing series of 15,000 to 20,000 word eBooks, with original «On Writing» essays by writing professionwith original «On Writing» essays by writing professionals.
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This timely publication includes Judd's best - known essays organized chronologically with little - known texts previously published in limited editions.
The artist's book Every little bit helps, Ulrike Müller: Two Audio Works (2005) with essays by Gregg Bordowitz, Barbara Schröder, Lanka Tattersall, and Walter Johnston is distributed by Revolver and Printed Matter.
The second part, planned for the fall, will be a new comprehensive collection of Judd writings, published with David Zwirner Books and spanning the artist's entire career, from 1958 to 1993, including more than 40 pieces that will be published for the first time, as well as little - known essays previously published in limited editions.
Alongside this is a personal and insightful introduction by Fryer's long - term advisor Duncan Ward, and an essay by Amanda Harlech, both of which underline that Fryer's art works on multiple levels, and that it is conscious of its uniqueness and validity: «These works arrive at a time when little art has the tonic to shock and popular culture has seen to the dismantling of the avant - garde and the experimental in all it's sub sects... Paul Fryer senses the storm, and unfurls a kite so that we can connect with it.»
They are able to read the essays by many different contributors and have a full picture of the ideas we were trying to pull out with the exhibition, as well as getting a little bit more background about the 16 artists in the show.
The day before, the symposium's keynote address by Daniel Buren had tackled the subject of institutional critique more explicitly and in greater length, though with disappointingly little development from the position expounded in his essay of 1971, «The Function of the Studio.»
There is little information about the project on the gallery's website but one could assume that it is a community - oriented event and somewhat of a relational work by the LA - based artist, often working with poetry and painting, as well as essays and video.
Late last year, a blaze of publicity greeted the publication of his book The New Neurotic Realism, which featured an essay - cum - manifesto by Dick Price, art critic for the style magazine i - D, along with illustrations of work by some thirty - four British sculptors, photographers, and painters, most of them little known.
In an essay of 1944 Sartre (the leading postwar existentialist) explained: «In a word, man must create his own essence; it is in throwing himself into the world, in struggling with it, that - little by little - he defines himself.»
His projects, in various media, include a rethinking of AIDS and otherness using the figures of the pinprick and the glory hole; meditations on «the residual space of the American / Vietnam War» (comprising works on the squatting body as counter-architecture, military desertion as askesis, and surfing); a video essay on the site / non-site dialectic instigated by Robert Smithson's reception of Edgar Allan Poe (with a little help from Yvonne Rainer); a reconsideration of Marcel Duchamp's oeuvre as an discourse in ethics (as seen through Étant donnés); and «squatting projects» in various cities (Berlin, New York, Chicago, Vienna, Guangzhou, Hong Kong), where the squatting body, as a heuristic cipher, is conjugated by an interpretation generated by the conditions of each location.