Sentences with phrase «essays about contemporary»

Art Basel's official annual publication captures and documents the exhibitions in Basel, Miami Beach, and Hong Kong, and goes beyond them, featuring interviews, portfolios, essays about contemporary art, and personal highlights from artists, curators, collectors and museum directors.

Since then, she has published reviews, features and essays about contemporary art.

The assignment was to write an argumentative essay about contemporary literature tendencies.

This essay, which builds upon an essay about contemporary abstract painting that I wrote for The Brooklyn Rail in 2011, was just published in the January / February 2014 issue of Christie's Magazine.

Not exact matches

sanbikinoraion: when I wrote the above I was thinking about liberal egalitarianism as a general philsophy and I had in mind what I see as the «big three» works of contemporary liberal egalitarianism: Rawls» A Theory of Justice, Dworkin's Sovereign Virtue and earlier, related essays, and Ackerman's Social Justice in the Liberal State.

Now, other reviewers have weighed in — and most are enthusiastic about the idiosyncratic 1,100 page doorstop with more than 200 essays by contemporary writers and academics, including novelist Walter Mosley writing on what it means to be «hardboiled,» novelist Mary Gaitskill on why Norman Mailer moves her, and humorist Sarah Vowell on «American Gothic» and kitsch.

Throughout Annabelle Gurwitch's book of essays about life for women on the edge of 50, I See You Made an Effort, she references several terms that are gradually or quickly catching on in contemporary conversation.

There's your research paper about the French New Wave, and then there's your essay about the effectiveness of NATO in contemporary international relations and so on.

About Site - World Literature Today is an international literary magazine that publishes the best contemporary interviews, essays, poetry, fiction, and book reviews from around the world.

5 Storr, whose essay is full of perceptive comments about Drexler's work (as when he notes how the «vernacular» quality of her colors evokes «sideshow signage») is certainly correct in making the connection between Drexler and her abstract contemporaries, but we shouldn't let the existence of such strong affinities (whether with Pop or with abstract styles) distract us from the distinctive qualities of Drexler's art, especially when it comes to materials and process.

If you've ever taken a course about modern and contemporary art history, chances are you know that Minimalist sculptor Donald Judd wrote the lively essay «Specific Objects» in 1965.

Everything is going to be alright, Elizabeth Cherry Gallery, curated by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox Art Gallery, Buffalo, New York, USA Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias Fine Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias Fine Art, Boston, USA Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield, CT Palm Beach Institute of Contemporary Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Staton)

1992 Doubletake: Collective Memory and Current Art, Hayward Gallery, London, England, essays by Lynne Cooke, Bice Curiger and Greg Hilty, London: South Bank Centre / Parkett Stephan Balkenhol: Uber Menschen und Skulpturen / About Men and Sculpture, texts by Stephan Balkenhol, James Lingwood and Jeff Wall; interviews by Ulrich Ruckriem and Thomas Schutte, Stuttgart: Edition Cantz Witte de With Center for Contemporary Art, Rotterdam, The Netherlands

In this beautifully designed and lavishly illustrated book, art lovers learn about an important aspect of the history of the Houston contemporary art scene, while scholars gain insight into the history of the contemporary exhibition through a series of texts: essays, facts, reminiscences and anecdotes.

Her work has been written about in the Los Angeles Times and Art in America, and her essay «The Serial Attitude Redux» was recently published in X-TRA, Quarterly for Contemporary Art (Winter 2010 / Volume 12.)

Legendary feminist art historian Linda Nochlin and art curator Maura Reilly are joined by contemporary women artists for a discussion moderated by Arezoo Moseni about the positions of women artists and women in the art world today and how they have changed since the 1971 publication of Nochlin's landmark essay «Why Have There Been No Great Women Artists?»

Based on the thoroughness of these class notes, and also on the syllabuses for the Asian art courses that Reinhardt took from Alfred Salmony at the IFA in the late 1940s, the essentializing of Reinhardt's published essays was intentional, part of a larger strategy to promote his own ideas about contemporary abstract painting by means of paintings from a foreign past.

In an effort to further expand opportunities for education, this journal features essays, interviews and other writings that provide context for 1708 Gallery's exhibitions and promote further dialogue about contemporary art. 1708 Gallery works with a range of writers, from graduate students to professional writers, to allow for multiple voices and experiences to contribute to this project.

Accompanying the exhibition is an illustrated catalogue, published by the Museum of Contemporary Art Chicago (MCA), with essays by Michael Darling and Chrissie Iles, the Whitney Museum of American Art Anne and Joel Ehrenkranz Curator, and a creative essay by the novelist Kate Zambreno, noted for her writings about women and myths of modernism.

Its monthly publication e-flux journal has produced essays commissioned since 2008 about cultural, political, and structural paradigms that inform contemporary artistic production.

About Barbara Rose Barbara Rose is the author of American Art Since 1900, American Painting, Autocritique: Essays on Art and Anti-Art and many other books and catalogues on modern and contemporary art.

In 2010 he began an online project called «The Silo» to publish brief essays about the artists he has rediscovered or, in some cases, reinterpreted - what he calls a «revisionist dictionary of contemporary art.»

His books and essays include When Pain Strikes, an anthology about pain and its relief, (University of Minnesota Press,, 1999); Bird Radio, (KW Institute for Contemporary Art, Berlin, Germany, 2007); The Guide to the Flora and Fauna Information Station, (ICA, London, England, 2008); Three Books and an Audio CD About Plants and Animals and War; Dogs and Boats and Airplanes told in the form of Ivan the Terrible, (Space Poetry, Copenhagen, Denmark, 2about pain and its relief, (University of Minnesota Press,, 1999); Bird Radio, (KW Institute for Contemporary Art, Berlin, Germany, 2007); The Guide to the Flora and Fauna Information Station, (ICA, London, England, 2008); Three Books and an Audio CD About Plants and Animals and War; Dogs and Boats and Airplanes told in the form of Ivan the Terrible, (Space Poetry, Copenhagen, Denmark, 2About Plants and Animals and War; Dogs and Boats and Airplanes told in the form of Ivan the Terrible, (Space Poetry, Copenhagen, Denmark, 2011).

A conservation essay offers two case studies that explore preservation issues and address larger concerns about the challenges of conserving contemporary art and organic materials.

The catalog for Shinique Smith: Menagerie at the Museum of Contemporary Art in North Miami contains an essay by the forever groovy DJ Spooky, aka Paul D. Miller, who writes about Smiths knack for synthesizing mediums, her stature in the post - Facebook / YouTube generation and the «libidinal economy of «scripting autobiographical statements into her work.

The Harvard Society for Contemporary Art — Exhibition Timeline and Artists 1929 - 1932 Many essays have been written about Lincoln Kirstein (1907 — 1996), John Walker III (1906 — 1995), and -LSB-...]

My admiration led to me writing a catalogue essay for an exhibition he did with Peter Doig at the Santa Monica Museum of Contemporary Art, and that led to visiting his studio over several months to research a feature about the creation of his - now famous - painting installation The Upper Room.

Helen has written about contemporary art for a wide range of publications and journals and is currently contributing to an essay for inclusion in the first Lubaina Himid monograph.

Olga Sureda is author of several essays about Curatorial Practices and Contemporary Art published in different countries, such as the Philippines, Egypt, Portugal and Spain.

The Article category of art writing is probably one most people are familiar with if you read essays, magazine features, and extended exhibition reviews about contemporary art.

Artist and author Douglas Coupland has written a personal response to Hanson's work that is a testament to its enduring legacy and Ruba Katrib's essay Surface Identity provides insightful links between Hanson's practice and its relationship to ongoing concerns about the presence of the body in contemporary art.

One of the most interesting things about the book are essays and notes from contemporary women painters themselves on Frankenthaler and her work.

Edith Devaney, Contemporary Curator at the Royal Academy of Arts, London, and author of the catalogue essay for Milton Avery at Victoria Miro Mayfair (7 June - 29 July 2017) introduces Avery's work and talks about the exhibition.

Compiled in close collaboration with Emin, the book will include an essay by Clearwater about Emin's development, work, artistic influences, and spiritual and poetic inspirations, especially the thirteenth - century Persian mystic poet Rumi; as well as an essay by the contemporary artist and writer Gary Indiana.

Norman, Oklahoma About Blog World Literature Today is an international literary magazine that publishes the best contemporary interviews, essays, poetry, fiction, and book reviews from around the world.

Chicago About Blog Unsurpassed in coverage of contemporary art in Chicago, including profiles of artists and gallerists, features, essays and more reviews of Chicago art shows.