The exhibition catalog, with 14
essays by French and American scholars, gives a much more nuanced picture of the artist than can be obtained from the exhibition itself.
If you're interested in going deeper on the issue of Facebook abandoning the news industry, I highly recommend
this essay by the French media observer Frederic Filloux.
The painting's title, borrowed from a 1751
essay by the French thinker, translates to «Letter on the Deaf and Dumb».
By silk - screening fragments of text from
an essay by the French thinker Maurice Blanchot directly onto the surface of the paintings, he integrates language with his iconic images.
Taking inspiration from a seminal
essay by French philosopher Gilles Deleuze, Francis Bacon: The Logic of Sensation 1981, the exhibition highlights the role of Bacon's approach to space, which Deleuze interpreted as one of the defining forces of his work.
Not exact matches
A better way into Ralph's thought on this is to note that he was the translator of a neglected classic of contemporary
French political philosophy, Philippe Bénéton's Equality
by Default: An
Essay on Modernity as Confinement (2004, ISI; 1997 publication in France).
Loosely defined
by author Pamela Druckerman in her book Bringing Up Bebe, and summed up in «The Wall Street Journal»
essay, Why
French Parents Are Superior, the Cadre Parent is one who compartmentalizes parenting into routines and rhythms.
Special Features New 2K digital restoration, with uncompressed monaural soundtrack New interview with Richard Neupert, author of A History of the
French New Wave Cinema Jacques Rivette's 1956 short film Le coup du berger, featuring cameos
by fellow
French New Wave directors Claude Chabrol, Jean - Luc Godard, and Francois Truffaut New English subtitle translation Plus: An
essay by critic Luc Sante
PLUS: A booklet featuring a new
essay by film scholar Peter Matthews, excerpts from Algeria's National Liberation Front leader Saadi Yacef's original account of his arrest, excerpts from the film's screenplay, a reprinted interview with cowriter Franco Solinas, and biographical sketches of key figures in the
French - Algerian War
Plus: a 16 - page booklet featuring a new
essay by film critic Adrian Martin and a reprint of a report from the set
by French journalist Phillippe Labro
Extras: Hour - long
French television broadcast of World War I veterans reacting to the film in 1969; 2016 interview with film scholar Jan - Christopher Horak; new restoration demonstration featuring Martin Koerber and Julia Wallmüller of the Deutsche Kinemathek; an
essay by author and critic Luc Sante.
Special Features New 4K digital restoration New interview with cinematographer John Bailey about director of photography Conrad Hall's work in the film New interview with film historian Bobbi O'Steen on the film's editing New interview with film critic and jazz historian Gary Giddins about Quincy Jones's music for the film New interview with writer Douglass K. Daniel on director Richard Brooks Interview with Brooks from a 1998 episode of the
French television series «Cinema Cinemas» «With Love From Truman,» a short 1966 documentary featuring novelist Truman Capote, directed
by Albert and David Maysles Two archival NBC interviews with Capote: one following the author on a 1966 visit to Holcomb, Kansas, and the other conducted
by Barbara Walters in 1967 Trailer Plus: An
essay by critic Chris Fujiwara
1977 • 127 minutes • Color • 5.1 surround • In English,
French, and German with English subtitles • 1.66:1 aspect ratio DIRECTOR - APPROVED SPECIAL EDITION FEATURES • New, restored 4K digital transfer, supervised
by director Wim Wenders, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray • Audio commentary from 2002 featuring Wenders and actor Dennis Hopper • New interview with Wenders • New interview with actor Bruno Ganz • Deleted scenes with audio commentary
by Wenders • Trailer • New English subtitle translation • PLUS: An
essay by author Francine Prose TITLE: THE AMERICAN FRIEND (BLU - RAY EDITION) SRP $ 39.95 PREBOOK 12/15/15 STREET 1/12/16 CAT.
- New, restored 4K digital transfer of the English - language version of the film, with uncompressed monaural soundtrack on the Blu - ray - Alternate
French - language version of the film - Audio commentary from 2005 featuring film scholar Adrian Martin - Portrait: Orson Welles, a 1968 documentary directed
by François Reichenbach and Frédéric Rossif - New interview with actor Norman Eshley - Interview from 2004 with cinematographer Willy Kurant - New interview with Welles scholar François Thomas - An
essay by film critic Jonathan Rosenbaum
It features commentary (in
French, with English subtitled)
by Truffaut's co-screenwriter Jean - Louis Richard and Truffaut scholar Serge Toubiana (originally recorded in 2000), the half - hour 1999 documentary Monsieur Truffaut Meets Mr. Hitchcock (about the famous interview book), a new video
essay by film critic Kent Jones, and an archival interview with Truffaut from 1965 about the film, plus a leaflet with an
essay by Molly Haskell.
Jean - Baptiste Bernadet: Between Spectacle and Subversion
Essay by Alex Bacon, 2016 English and
French PDF
The question of how art explores the possibility of empathy is also addressed
by Laura McLean - Ferris in her
essay on
French artist Jean - Luc Moulène, the subject of a forthcoming retrospective this October at the Centre Pompidou in Paris.
It will include an illustrated chronology with commentary as well as
essays by Michel Martin, exhibition curator at the Musée national des beaux - arts du Québec, Kenneth Brummel and Yves Michaud, renowned
French philosopher and author of many
essays on Mitchell and Riopelle.
Cézanne Portraits is accompanied
by a fully illustrated catalog with
essays by John Elderfield, chief curator emeritus of painting and sculpture at the Museum of Modern Art, New York; Mary Morton, curator and head of the department of
French paintings at the National Gallery of Art; and Xavier Rey, director of the Musées de Marseille.
Two decades later, poet and critic Charles Baudelaire recognized flânerie as the powerful engine of a new art movement in Paris and, inspired
by Poe's man of the crowd, promoted it in his landmark 1863
essay «The Painter of Modern Life,» which heralded the arrival of the quintessential artist - flâneurs — the
French impressionists.
First, film artist Duncan Campbell (born 1972) has been selected for his piece It for Others in Scotland + Venice which was presented at the 55th Venice Biennale, and is a response to 1953
French essay film Statues Also Die which includes archival footage and new material, such as a new dance piece
by choreographer Michael Clark.
The show ends with the 54 minutes of Campbell's It for Others, which includes chunks of a 1953
French film
essay by Chris Marker and Alain Resnais on colonialism and African art, and a dance routine choreographed
by Michael Clark expressing economic equations from Karl Marx's Das Kapital.
Since 2012, translations of the
essay have been prepared in Spanish, German,
French and Italian
by researchers in Santiago, Berlin, Paris and Montevideo.
cat., in
French and English, with introduction
by Brydon Smith, statement
by Rosenquist, and excerpt of previously published
essay by Ivan Karp.
Texts
by exhibition curators Janet Bishop and Katherine Rothkopf are rounded out
by an introduction
by John Elderfield, an
essay on Diebenkorn's drawings
by Jodi Roberts, and a bibliography documenting Diebenkorn's collection of books about the
French artist.
Among the delights in his portfolio are books, catalogues, magazines, brochures, newspapers, visual identities, posters and album covers; but the recent work that caught our eye was his publication and poster designs for Notions of the Future, an
essay publication
by Gauthier Roussilhe of
French design agency Flair.
The exhibition includes the fully illustrated, 152 - page catalogue, Radical Seafaring,
by Andrea Grover, with a preface and acknowledgments
by Parrish Art Museum Director Terrie Sultan;
essays by Sasha Archibald, Alexander Dumbadze, Dylan Gauthier, and Andrea Grover; and artist project pages
by Christopher
French.
(in
French and Slovenian) with
essay by Brian O'Doherty (in English and Slovenian).
A fully illustrated color catalogue, with an introduction
by Eliza Rathbone, curator of the Phillips Collection, Washington, D.C., and
essays by Anne de Staël, the artist's daughter; André du Bouchet, well - known
French poet; Dominique Levy and Simon Studer, co-organizers of the exhibition, is also available through the Gallery.
Essay by Lilly Wei (text in
French).
De Buck Gallery is pleased to announce Traffics in Icons, an upcoming solo exhibition
by French street artist Zevs, on view from September 12 — October 26, 2013 and accompanied
by a fully illustrated catalogue with an
essay by curator Stamatina Gregory.
The two - part artist book includes views of the installation, the fifteen lyrics
by different poets, and
essays by Diedrich Diedrichsen, Juan A. Gaitán, and Rein Wolfs on the
French conceptual artist's way of working.
Her
essay had been written for a special session at the College Art Association in 1986, organized
by Rosalind Krauss to confront a «soft revolution» or shift in the theoretical frameworks for understanding art history in American universities, from German formalism to
French structuralism and psychoanalysis.
The book brings together new
essays by writer and curator Trinie Dalton,
French critic Donatien Grau, and Los Angeles Hammer Museum Curator Aram Moshayedi, as well as a special portfolio conceived
by the artist.
Titled after a photographic
essay published
by Irving Penn in 1960, in which he celebrates what André Gide called the «horror of the approximate» that characterises
French charm, the exhibition focuses on three different bodies of work: Nudes, Small Trades and artist portraits.
The exhibition is accompanied
by a catalogue in Italian and
French with a complete photographic documentation,
essays by Grzegorz Musial, Arnauld Pierre'a, Denise René, Andrzej Turowski, and biographical notes of the participating artists.
Her illustrated papers in this series have included an
essay on astronomical themes in Marcel Proust's novel In Search of Lost Time (published
by an Italian scientific journal); an
essay on astronomy and existentialism in the fiction of Albert Camus (publication pending); and a photographic
essay titled «Paris Solstice» inspired
by Proust's novel and
French astronomical history (Canopus Press, 2004).
I'm looking forward to reading a forthcoming anthology, edited
by Rubinstein, of S / S
essays originally written in
French.
The volume includes an introduction
by John Elderfield, who knew Diebenkorn personally and has curated exhibitions of both artists» work; an
essay by Jodi Roberts on parallels between the artists» drawings; and a bibliography documenting Diebenkorn's collection of books about the
French artist.
- Réunit: «Wolfgang Tillmans» / edited
by Burkhard Riemschneider; [German translation
by U. Wasel and K. Timmermann,
French translation
by Jacqueline Gheerbrant]; «Burg» / Wolfgang Tillmans; edited and designed
by Wolfgang Tillmans; with an
essay by David Deitcher; [German translation
by Christoph Hollander,
French translation
by Séverine Vitali]; «Wolfgang Tillmans truth study center» / edited and designed
by Wolfgang Tillmans; with an
essay by Minoru Shimizu; [German translation
by Clara Drechsler,
French translation
by Jacques Bosser].
This fully illustrated catalogue features a text
by curator and art historian Lorand Hegyi, a close friend of the artist; an
essay by independent curator and historian Charles Wylie; an original text
by French poet Jacques Roubaud; and a conversation between Marie - Madeleine Opalka, the artist's widow, and François Barré, a close friend, that serves as a narrative chronology.
Anchored
by a comprehensive introduction exploring the main themes of the legal history of the region, a group of distinguished historians from have contributed 11 substantive
essays (three in
French), on subjects as varied as women in court, grand juries, western law and aboriginal peoples, gun use and control, Quebec legal literature, married women's property, and imprisonment for debt — The Osgoode Society and the University of Toronto Press