Sentences with phrase «essays by art»
A fully illustrated publication is forthcoming by David Zwirner Books featuring essays by art critic Robert Storr and curator Hamza Walker.
https://www.davidzwirner.com/
The James Cohan Gallery is publishing a full - color catalogue «Constellations» to accompany the exhibition, with essays by art historians Karen Lang and Pepe Karmel.
The catalogue to the exhibition, which includes work made since the mid -»80s, includes essays by Art Institute curator Neal Benezra, Hirshhorn curator Olga Viso, and critic Michael Brenson.
Featuring reproductions of early, less familiar paintings, as well as of Rothko's signature abstract canvases, and including essays by art historians, a chronology, and selected interviews.
Clifford Owens: Anthology brings together the final artworks that resulted from the performances, and features essays by art historians Huey Copeland and John Bowles, as well as MoMA PS1 assistant curator Christopher Y. Lew.
This volume of the Living Collections Catalogue includes newly commissioned essays by art historians Philip Auslander, Dorothea von Hantelmann, and Shannon Jackson as well as in - depth scholarship on works by Trisha Brown, Eiko & Koma, Yves Klein, Hélio Oiticica, and Tino Sehgal from the Walker Art Center's collections.
Each catalog included biographies of participating artists, artists» statements, photographic documentation and essays by art historians, scholars, and critics.
Previous titles include: On Ron Gorchov, (2008) edited by Phong Bui; Pieces of a Decade: Brooklyn Rail Nonfiction 2000 - 2010, (2010) edited by Theodore Hamm and Williams Cole; Texts on (Texts on) Art, (2012) a collection of essays by the art historian Joseph Masheck; The Brooklyn Rail Fiction Anthology 2, (2013) edited by Donald Breckenridge; Oh Sandy!
A comprehensive catalogue accompanies the exhibition, featuring essays by the Art Institute's Judith Barter, Field - McCormick Chair of American Art; Ellen Roberts, assistant curator of American art; and other scholars, the volume is available for purchase in the Museum Shop.
Essays by art historian Gerald Schröder and writer - curator Brian Sholis provide new insight into key pictures, and artist Katharina Fritsch offers personal snapshots of her Düsseldorf colleague, creating a portrait of the artist in the round.
Valiz recently published a study on Rozendaal, with reproductions, prints, as well as essays by art historian Margriet Schavemaker, curator Kodama Kanazawa and others.
Works 1969 — 2016, published by Edition Patrick Frey, includes 270 pages of color plates spanning the full breadth of Sullivan's career, along with essays by art historian William J. Simmons and critic Linda Yablonsky.
The exhibition will be accompanied by an illustrated catalogue featuring essays by art historian Alex Bacon and Josephine Graf.
A richly illustrated exhibition catalog featuring essays by art historians and dance specialists is available in The Shop and online.
An illustrated catalogue featuring essays by art historians Raffaele Bedarida and Davide Colombo will accompany the exhibition.
The films included, which date from the 1990s to the present, are accompanied by essays by art historian and theorist Briony Fer, and Miami Art Central Chief Curator Rina Carvajal.
This fully illustrated catalogue constitutes the first survey of his work from the late 1990s to the present and features essays by the art critic Barry Schwabsky and Aspen Art Museum Director Heidi Zuckerman Jacobson.
Published by the California State University, Fullerton, Grand Central Press, the publication includes a foreword and essay by Mike McGee, and essays by art critic Gregory Volk and Bill Arning, director of the Contemporary Arts Museum in Houston.
Also included are essays by art historians Gavin Delahunty and Valérie Mavridorakis, and curator Lynn Kost.
Arranged chronologically, the masterpieces are accompanied by seven comprehensive essays by art historian Ross King, as well as shorter discussions by art history professor Anja Grebe of the University of Freiburg in Germany.
In addition, it features an illuminating and lively essay by art writer David Cohen, which strives to explain the complexity of viewing and experiencing Frecon's work.
Following the exhibition, Pace will publish a catalogue featuring installation views and a new essay by art critic John Yau.
A forthcoming book, The Treatment, features Ojih Odutola in conversation with poet Claudia Rankine and an essay by art critic and historian William J. Simmons.
A fully illustrated catalogue, published later in 2015, will include essays by the curators, a reprint of an autobiographical text by Knowles, and a new essay by art historian Lauren DiGiulio.
An accompanying, fully illustrated publication will include an essay by art historian and curator Camille Morineau; rarely seen photography by Bob Adelman that captured the creation of the original Greene Street Mural; and extensive documentation relating to Lichtenstein's twelve realised and four unrealised murals.
The show features paintings and works on paper by the artist from 1981 to present; the fully illustrated catalogue features an essay by the art historian Richard Shiff and biographical notes compiled by Robert Kudielka.
It also includes an interview between Achim Borchardt - Hume and the artist and an essay by art critic and scholar Douglas Fogle focusing on Penone's work with trees, alongside color documentation of the exhibition at the Whitechapel Gallery.
All of these series are illustrated in Laing's new monograph, published by Prestel this spring, which also features an essay by art historian Abigail Solomon - Godeau.
The catalogue accompanying the exhibition included an essay by art critic Richard Shone (Serpentine Gallery, 1994).
Pace will publish a catalogue to accompany the exhibition that includes an essay by art historian and Hockney scholar Lawrence Weschler.
A fully illustrated catalogue, including an essay by the art historian Richard Shiff, will be available.
This publication, which includes a DVD and essay by art historian Hubertus Butin, is the first to present this film, analyzing it in its original cultural context, and situating it within the artist's oeuvre.
Mitchell - Innes & Nash will publish an illustrated catalogue in conjunction with the exhibition, which will feature an essay by art historian and writer Michael Lobel.
Pace will publish a catalogue to accompany the exhibition that will include an essay by art historian and curator Dr. Kellie Jones, Associate Professor in Art History and Archaeology at the Institute for Research in African American Studies at Columbia University.
A new catalogue with an essay by art historian and critic Martica Sawin will accompany the exhibition.
The exhibition will be complemented by a fully illustrated catalogue with a new essay by art historians Lewis Kachur and Marco Livingstone.
A hard cover catalogue will be published to accompany the exhibition, with a newly commissioned essay by art historian Michael Lobel.
The book includes 22 full - page color plates, with an introduction by Mieke Bal, an essay by art historian Gannit Ankori and architect / artist Samir Srouji, and a poem by Maureen N. McLane.
A fully illustrated catalog features an essay by art historian Julius Bryant who organized Caro's exhibition at Tate Britain in 2014.
A fully illustrated catalogue, with an essay by art critic and professor Dave Hickey will accompany the exhibition.
Pace has published a catalogue to accompany the exhibition that includes an essay by art historian and Hockney scholar Lawrence Weschler.
The exhibition catalogue features an essay by art writer Lizzie Lloyd.
Life On Mars Gallery has also created a 19 - plate color catalogue of his works, including an essay by art historian Robert C. Morgan to accompany the exhibition.
It includes an additional essay by art historian Colin Richard, an appendix on recent exhibitions of African photography, artist bios, and a general bibliography.
The Report of My Death Is an Exaggeration, which documents Martinez's installation of these works at Roberts & Tilton in Culver City, California, also features an essay by art historian, critic and curator Juli Carson.
A fully illustrated scholarly catalogue, with an essay by the art historian, curator and leading Hockney specialist Marco Livingstone, accompanies the exhibition.
The exhibition is accompanied by a full - color catalogue with an essay by art critic and poet Raphael Rubinstein.
Gagosian's Chelsea space, on the other hand, overwhelms and overflows with 94 drawings and works on paper along with several drawing books and a catalogue with an essay by art historian David Anfam.
In addition to an essay by art historian Laura Mattioli, founder of the Center for Italian Modern Art (CIMA), the book includes a fantastic array of contributions by contemporary artists, including John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Alexi Worth and Zeng Fanzhi.
The book offers an intimate introduction to Steir's most recent paintings and includes a conversation between Steir and Sylvère Lotringer, the founder ofSemiotext (e), as well as three poems that Steir published in the «Schizo - Culture» issue of the magazine; «Trance Abyss,» a poem by Anne Waldman; an essay by art historian and curator Courtney J. Martin; a detailed chronology illustrated by archival images; and high - quality photographs of Lévy Gorvy's installations in both New York (currently on view), and London (2016).