Sentences with phrase «essays by art historians»
The James Cohan Gallery is publishing a full - color catalogue «Constellations» to accompany the exhibition, with essays by art historians Karen Lang and Pepe Karmel.
http://www.jamescohan.com/
Featuring reproductions of early, less familiar paintings, as well as of Rothko's signature abstract canvases, and including essays by art historians, a chronology, and selected interviews.
Clifford Owens: Anthology brings together the final artworks that resulted from the performances, and features essays by art historians Huey Copeland and John Bowles, as well as MoMA PS1 assistant curator Christopher Y. Lew.
This volume of the Living Collections Catalogue includes newly commissioned essays by art historians Philip Auslander, Dorothea von Hantelmann, and Shannon Jackson as well as in - depth scholarship on works by Trisha Brown, Eiko & Koma, Yves Klein, Hélio Oiticica, and Tino Sehgal from the Walker Art Center's collections.
Each catalog included biographies of participating artists, artists» statements, photographic documentation and essays by art historians, scholars, and critics.
A richly illustrated exhibition catalog featuring essays by art historians and dance specialists is available in The Shop and online.
An illustrated catalogue featuring essays by art historians Raffaele Bedarida and Davide Colombo will accompany the exhibition.
Also included are essays by art historians Gavin Delahunty and Valérie Mavridorakis, and curator Lynn Kost.
Arranged chronologically, the masterpieces are accompanied by seven comprehensive essays by art historian Ross King, as well as shorter discussions by art history professor Anja Grebe of the University of Freiburg in Germany.
A fully illustrated catalogue, published later in 2015, will include essays by the curators, a reprint of an autobiographical text by Knowles, and a new essay by art historian Lauren DiGiulio.
An accompanying, fully illustrated publication will include an essay by art historian and curator Camille Morineau; rarely seen photography by Bob Adelman that captured the creation of the original Greene Street Mural; and extensive documentation relating to Lichtenstein's twelve realised and four unrealised murals.
The show features paintings and works on paper by the artist from 1981 to present; the fully illustrated catalogue features an essay by the art historian Richard Shiff and biographical notes compiled by Robert Kudielka.
All of these series are illustrated in Laing's new monograph, published by Prestel this spring, which also features an essay by art historian Abigail Solomon - Godeau.
Pace will publish a catalogue to accompany the exhibition that includes an essay by art historian and Hockney scholar Lawrence Weschler.
The films included, which date from the 1990s to the present, are accompanied by essays by art historian and theorist Briony Fer, and Miami Art Central Chief Curator Rina Carvajal.
A fully illustrated catalogue, including an essay by the art historian Richard Shiff, will be available.
This publication, which includes a DVD and essay by art historian Hubertus Butin, is the first to present this film, analyzing it in its original cultural context, and situating it within the artist's oeuvre.
The exhibition will be accompanied by an illustrated catalogue featuring essays by art historian Alex Bacon and Josephine Graf.
Mitchell - Innes & Nash will publish an illustrated catalogue in conjunction with the exhibition, which will feature an essay by art historian and writer Michael Lobel.
Works 1969 — 2016, published by Edition Patrick Frey, includes 270 pages of color plates spanning the full breadth of Sullivan's career, along with essays by art historian William J. Simmons and critic Linda Yablonsky.
Pace will publish a catalogue to accompany the exhibition that will include an essay by art historian and curator Dr. Kellie Jones, Associate Professor in Art History and Archaeology at the Institute for Research in African American Studies at Columbia University.
A new catalogue with an essay by art historian and critic Martica Sawin will accompany the exhibition.
The exhibition will be complemented by a fully illustrated catalogue with a new essay by art historians Lewis Kachur and Marco Livingstone.
A hard cover catalogue will be published to accompany the exhibition, with a newly commissioned essay by art historian Michael Lobel.
Valiz recently published a study on Rozendaal, with reproductions, prints, as well as essays by art historian Margriet Schavemaker, curator Kodama Kanazawa and others.
The book includes 22 full - page color plates, with an introduction by Mieke Bal, an essay by art historian Gannit Ankori and architect / artist Samir Srouji, and a poem by Maureen N. McLane.
A fully illustrated catalog features an essay by art historian Julius Bryant who organized Caro's exhibition at Tate Britain in 2014.
Essays by art historian Gerald Schröder and writer - curator Brian Sholis provide new insight into key pictures, and artist Katharina Fritsch offers personal snapshots of her Düsseldorf colleague, creating a portrait of the artist in the round.
Pace has published a catalogue to accompany the exhibition that includes an essay by art historian and Hockney scholar Lawrence Weschler.
Previous titles include: On Ron Gorchov, (2008) edited by Phong Bui; Pieces of a Decade: Brooklyn Rail Nonfiction 2000 - 2010, (2010) edited by Theodore Hamm and Williams Cole; Texts on (Texts on) Art, (2012) a collection of essays by the art historian Joseph Masheck; The Brooklyn Rail Fiction Anthology 2, (2013) edited by Donald Breckenridge; Oh Sandy!
Life On Mars Gallery has also created a 19 - plate color catalogue of his works, including an essay by art historian Robert C. Morgan to accompany the exhibition.
It includes an additional essay by art historian Colin Richard, an appendix on recent exhibitions of African photography, artist bios, and a general bibliography.
The Report of My Death Is an Exaggeration, which documents Martinez's installation of these works at Roberts & Tilton in Culver City, California, also features an essay by art historian, critic and curator Juli Carson.
A fully illustrated scholarly catalogue, with an essay by the art historian, curator and leading Hockney specialist Marco Livingstone, accompanies the exhibition.
Gagosian's Chelsea space, on the other hand, overwhelms and overflows with 94 drawings and works on paper along with several drawing books and a catalogue with an essay by art historian David Anfam.
In addition to an essay by art historian Laura Mattioli, founder of the Center for Italian Modern Art (CIMA), the book includes a fantastic array of contributions by contemporary artists, including John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Alexi Worth and Zeng Fanzhi.
The book offers an intimate introduction to Steir's most recent paintings and includes a conversation between Steir and Sylvère Lotringer, the founder ofSemiotext (e), as well as three poems that Steir published in the «Schizo - Culture» issue of the magazine; «Trance Abyss,» a poem by Anne Waldman; an essay by art historian and curator Courtney J. Martin; a detailed chronology illustrated by archival images; and high - quality photographs of Lévy Gorvy's installations in both New York (currently on view), and London (2016).
Focusing on his recent portraiture, this volume includes an essay by art historian and curator Jane Livingston that provides an overview of Raysse's practice, as well as three texts by the artist.
, as well as three poems that Steir published in the «Schizo - Culture» issue of the magazine; «Trance Abyss,» a poem by Anne Waldman; an essay by art historian and curator Courtney J. Martin; a detailed chronology illustrated by archival images; and high - quality photographs of Lévy Gorvy's installations in both New York (currently on view), and London (2016).
Inspired by midcentury photobooks and magazines, as well as the materials in the artist's own archive, 50 Photographs features a tipped - in sleeve with fictitious contact sheets, a checklist and an essay by art historian and curator James Oles on photographic prints and archives, in which he recounts the story behind this publication.
The exhibition is accompanied by a fully illustrated catalogue with an essay by art historian, critic and broadcaster Andrew Graham - Dixon.
At the Well features an illuminating essay by art historian and curator Sir Norman Rosenthal, who presents a careful reading of Rauch's new work, including its relationship to fairy tales; the influence of the German Democratic Republic on his development as an artist in the 1980s; and the overarching sense of alienation that is present within his narratives.
In conjunction with the New York exhibition, Mitchell - Innes & Nash will produce a fully illustrated catalogue featuring an essay by art historian Mark Gisbourne, author of the 2007 book Berlin Art Now (Abrams).
Accompanying Self's insightful and engaging text is an in - depth interview between Hirst and Hans Ulrich Obrist, Co-Director of London's Serpentine Gallery, and also an essay by art historian andcurator Rudi Fuchs that considers and explores the significance of «For the Love of God» in relation to Hirst's oeuvre: «After all, Damien Hirst's art is concerned with love and fear, with death, malady, physical decay, medical practice and pharmaceutical illusion... The inevitable proximity of death is the most real thing in human life.
In addition to almost 200 color reproductions, it includes a comprehensive exhibition history, bibliography and biographical chronology, as well as a text by artist Mel Bochner and an essay by art historian Briony Fer.
Anne Truitt: Works from the Estate is accompanied by a fully illustrated catalogue, which includes an in - depth essay by Art Historian Dr. Anna Lovatt.
An exhibition catalog to commemorate this special exhibition will be published by the TMA and will include an essay by art historian Dr. Henry Adams.
This exhibition will be accompanied by a full - color catalogue with an essay by Art Historian Jennifer Samet.
Dreaming Red includes illustrations of all the works created at ArtPace since its inception, an essay by art historian Eleanor Heartney, short essays on selected artists by the guest curators, including Cuauhtémoc Medina, Lynne Cooke, Chrissie Iles and Judith Russi Kirshner, and a lengthy essay on the personal history of the foundation and its founder.
A catalogue of the show, which includes an essay by art historian and curator, Constance Lewallen, will be available.