Sentences with phrase «essays by curators mark»

The exhibition is accompanied by an illuminating and unusual volume, in equal parts artist's book and exhibition catalogue, which includes a trio of essays by curators Mark Godfrey, Roxana Marcoci, and Matthew S. Witkovsky that reflect on Williams's engagement with his artistic peers and predecessors, with cinema (particularly the film - essay), and with modes of display and publicity in the art world.

Not exact matches

The exhibition will be accompanied by a fully illustrated publication with a scholarly essay by the curator, commissioned texts, and a biography of the artist, marking the first comprehensive catalogue on Ree Morton produced by a U.S. institution since her show at the New Museum in 1980.

The exhibition catalogue includes essays by James Rondeau; Douglas Druick; Mark Pascale, associate curator, prints and drawings, Art Institute of Chicago; Richard Shiff, Effie Marie Cain Regents Chair in Art, University of Texas - Austin; Barbara Rose, noted Johns scholar; and Kelly Keegan, assistant painting conservator, and Kristin Lister, conservator of paintings, Art Institute of Chicago; as well as an interview with the artist by Nan Rosenthal, senior consultant, Department of 19th - Century, Modern, and Contemporary Art, Metropolitan Museum of Art, New York.

Readers will delight in essays by filmmaker John Waters on Jeff Koons; music critic Greil Marcus on Christopher Wool; novelist Siri Husvedt on Anselm Kiefer; travel writer and essayist Pico Iyer on Takashi Murakami; Pulitzer Prize - winning biographer Mark Stevens on Cy Twombly; and former Chief Curator of Painting and Sculpture at the Museum of Modern Art, New York, John Elderfield on Jasper Johns, among many other pairings.

The exhibition is accompanied by a richly illustrated catalogue edited by Victoria and Albert Museum Theater and Performance curators Victoria Broackes and Geoffrey Marsh, with essays by Camille Paglia, Jon Savage, Howard Goodall, Christopher Breward, Oriole Cullen, Nicholas Coleridge, and a roundtable discussion with Sir Christopher Frayling, Philip Hoare, Mark Kermode, and Geoffrey Marsh.

The exhibition is accompanied by an illustrated catalogue edited by the exhibition curators — Leah Dickerman and Achim Borchardt - Hume — with essays by Yve - Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Krčma and others that focus on specific moments within Rauschenberg's career.

This fully illustrated publication includes essays by James Oles, Josh Kun, Rúben Gallo, Jamillah James, and Harriet Stratis; a discussion with artists Jim Nutt and Gladys Nilsson, with introduction by Mark Pascale; and a foreword by the exhibition's curator Elsa Longhauser, Executive Director, Institute of Contemporary Art, Los Angeles.

It includes an essay by Dr. Stephanie Hanor, Senior Curator, Museum of Contemporary Art San Diego and a personal narrative on the creation of one of Johns» light bulb sculptures by the artist and former Johns studio assistant Mark Lancaster.

The exhibition is accompanied by an in - depth catalogue featuring full - page color reproductions of all works in the exhibition as well as a detailed chronology, historical photos, reprints of key texts by Jean Dubuffet and Franz Schulze, and new essays by the exhibition curators and Dennis Adrian, Jon Bird, Thomas Dyja, Mark Pascale, and Arlene Shechet.

The publication contains three essays: «Untitled (Pierre Dorion)» by Mark Lanctôt, curator of the exhibition; «The Moving.

Shade is accompanied by a fully illustrated catalogue including an essay by Cathleen Chaffee, senior curator at the Albright - Knox Art Gallery, and a dialogue between Mark Bradford and Michael Auping, chief curator of the Modern Art Museum of Fort Worth.

He has written an essay on the art market and AIDS for the upcoming publication ArtAIDSAmerica being organized by the Tacoma Art Museum.Arning co-organzied with curator Elissa Auther and the Museum of Contemporary Art Denver a survey exhibition Marilyn Minter: Pretty / Dirty and also the first large scale museum exhibition of Mark Flood, entitled Gratest Hits in 2016.

The fully illustrated exhibition catalogue features an essay, entitled «The Music of Invisibility,» by renowned art historian, critic, and curator David Anfam, whose numerous publications include: Abstract Expressionism (1990), Franz Kline: Black & White: 1950 - 1961 (1994), Mark Rothko: The Works on Canvas — A Catalogue Raisonné (1998), and Abstract Expressionism: A World Elsewhere (2008).

Edited by Diana Tuite, who also acts as the Katz curator of the New England institution that is the Colby Museum of Art, the book brings together insightful essays by the likes of Guggenheim Fellow, Richard Shiff, Brand - New & Terrific Alex Katz in the 1950s «marks the first in - depth study of work finished by Katz in the 1950s, introducing us to a young artist who destroyed most of his works before finding his stride and style in subsequent years.

Copublished by the Museum of Contemporary Art Chicago and ARTBOOK D.A.P., it includes essays by Manilow Senior Curator Dieter Roelstraete on metamorphosis in Starling's work, and by Mark Godfrey, Curator of International Art at Tate Modern, on the artist's uses of photography.

Essays by Kathy Halbreich, Associate Director of The Museum of Modern Art; Mark Godfrey, Curator of International Art, Tate Modern; and a range of scholars and artists examine the full range of Polke's exceptionally inventive oeuvre and place his enormous skepticism of all social, political and artistic conventions against German history.

The exhibition is curated by Mark Godfrey, Senior Curator at Tate Modern, and Skarlet Smatana, Director of the GEC, and will be accompanied by a publication including a major new essay by Godfrey and a text by artist Jannis Kounellis, who worked alongside Hammons at the American Academy in Rome in 1993.

An essay by Paul Gravett, a writer and curator who has worked in comics publishing and promotion for over 20 years, illuminates the long - standing love affair between fine art and comics, emphasizing contemporary practitioners in Britain and the U.S., including Laylah Ali, Glen Baxter, Daniel Clowes, Liz Craft, R. Crumb, Adam Dant, Julie Doucet, Debbie Dreschler, Marcel Dzama, Mark Kalesniko, Kerstin Kartscher, Killoffer, Chad McCail, Paul McDevitt, Kerry James Marshall, Kim Pace, Raymond Pettibon, Olivia Plender, Jon Pylypchuk, James Pyman, Joe Sacco, David Shrigley, Posy Simmonds, Richard Slee, Carol Swain, Stéphane Blanquet, Melinda Gebbie, Alan Moore and Travis Millard.

This hardbound, full - color publication contains numerous illustrations and features the essay «Marking Time» by curator Brad Thomas as well as a conversation with Robert Lazzarini and Chuck Close.

Exhibitiontext and related events (PDF) An Interview with Mark Leckey by Dan Fox (PDF) The Artist as Curator — Issue # 8 including Elena Filipovic's essay on UniAddDumThs (PDF)

The exhibition is supported by a catalogue with essays by the Delaware Art Museum's Chief Curator and Curator of American Art Dr. Heather Campbell Coyle and painting conservator Mark Bockrath.

A new publication accompanies the exhibition, including an essay by Dutch curator and writer Mark Kremer.

The exhibition is accompanied by a catalog with an essay from the guest curator, Mark Rosenthal, and interviews with 13 artists featured in the show.

The 117 lavishly illustrated pages also include essays by Key West hand, Mark Hedden, a writer, photographer and ornithologist, and Bruce Helander, an artist, curator, and academic who writes about art.

Other contributions to the volume are a previously unpublished interview with Smithson by Moira Roth; a substantive historical and critical essay by Thomas Crow; an essay by MOCA curator Cornelia Butler discussing Smithson's lineage and his influence on contemporary artists; and a series of texts focusing on key works from Smithson's oeuvre, including Incidents of Mirror Travel in the Yucatan by Suzaan Boettger, Enantiomorphic Chambers by Ann Reynolds, Airport Terminal Project by Mark Linder, Spiral Jetty by Jennifer Roberts, Heap of Language by Richard Sieburth, Proposal for Monument at Antartica [sic] by Robert Sobieszek.

Designed by CalArts faculty member Lorraine Wild and Amy Fortunato and published by Aperture, the catalog includes essays by curators James Crump, Mark Godfrey and Thomas Seelig, as well as an interview with the artist by Eva Respini.