Sentences with phrase «essays by poets»

It includes essays by poets, artists, philosophers and sociologists: from civil rights figures such as the scholar and African - American activist W.E.B. Du Bois and the Trinidadian - American Stokely Carmichael; to writers including Gertrude Stein and Joan Retallack; from artists of different generations such as sound poet Hugo Ball (who wrote one of the founding Dada manifestos), Ad Reinhardt, Joan Jonas, William Pope.L and Felix Gonzalez - Torres; to new essays by curators Adrienne Edwards, Laura Hoptman, Susan Thompson, Jenny Schlenzka and the critic Tom McDonough.
I've been reading a lot of essays by poets.
In conjunction with Robert Motherwell: Elegy to the Spanish Republic, Dominique Lévy has published a fully illustrated catalogue, featuring a text by David Anfam, noted scholar of Abstract Expressionism, and an essay by poet and art critic John Yau.
A fully illustrated catalogue will accompany Invocations of the Soul and will include a new essay by poet, critic, and scholar Jonathan Goodman.
This fully illustrated catalogue features a text by David Anfam, noted scholar of Abstract Expressionism, and an essay by poet and art critic John Yau.
This exhibition is accompanied by a fully - illustrated publication with an essay by poet and art critic Raphael Rubinstein.
It features an introductory essay by poet Kenneth Goldsmith and reuses Morris» paratext.
A catalog was published on the occasion of her exhibition at CSU Stanislaus entitled Multiplying the Variations, with an essay by poet and critic Raphael Rubinstein (ISBN: 0 -9773967-6-2).
The publication features an essay by the poet and writer John Yau, alongside color reproductions of each of the works included in the exhibition.
This catalogue is the first publication to survey Wachtel's career, and features 40 color plates of works from the 1980s through today, as well as an insightful overview by curator Reto Thuring, an essay by poet and critic Quinn Latimer, and a conversation between Wachtel and curator Johanna Burton.
Including full - color plates of over sixty works spanning York's career, a new essay by poet and art critic Bruce Hainley, plus earlier essays by Fairfield Porter and Calvin Tomkins, an extensive chronology, a complete bibliography, and a detailed catalogue of works, this publication is a testament to, as Hainley puts it, York's «pursuit of lyric intensity while negotiating a point - blank confrontation with history — all in stealth relation to the leopard - alive instant at the end of the brush.»
The Prince Street Gallery exhibition catalog has an essay by the poet Charles Simic who states:
The exhibition opens with a reception for the artist on Thursday, April 12 from 6 - 8 PM at Gray Warehouse, and is accompanied by an illustrated catalogue with an essay by poet and critic John Yau.
It includes an extensive illustrated chronology and an essay by the poet Andrei Codrescu, and is published on the occasion of a major Mel Chin exhibition at the New Orleans Museum of Art.

Not exact matches

Poets & Quants spoke with the author, who has since published 20 books and hundreds of magazine articles and essays, by telephone from his home in Ojai, California.
In the essay, Losana Boyd, the Director of Creative & Marketing Services at First Things, and a poet, favorably reviewed The Eternal City by Kathleen Graber, praising the poet's fluent syntax, arresting imagery, and elegant, well - crafted lines.
I also like a collection of essays by Thomas Lynch, a poet who is also a funeral director, called The Undertaking.
In a famous essay of his he distinguishes between the naïve poet, who is characterized by spontaneity, immediacy and absence of self - consciousness, and the sentimental poet, who subjects his feelings to the scrutiny of the intellect, tests their validity by reference to some external criterion.
The English poet and essayist Matthew Arnold speaks about such historic moments of creative arousal in literature in his 1865 essay «The Function of Criticism at the Pres - ent Time»: «The grand work of literary genius,» says Arnold, «is a work of synthesis and exposition,... its gift lies in the faculty of being happily inspired by a certain intellectual and spiritual atmosphere, by a certain order of ideas, when it finds itself in them; of dealing divinely with these ideas....
Extras: New audio commentary featuring critic Tony Rayns; new video essay on the film's symbols and references, featuring scholar James Steffen; new interview with Steffen detailing the production of the film; «Sergei Parajanov: The Rebel,» a 2003 documentary about the filmmaker, featuring him and actor Sofiko Chiaureli; «The Life of Sayat - Nova,» a 1977 documentary about the Armenian poet who inspired «The Color of Pomegranates»; an essay by film scholar Ian Christie.
But I soon began to realize, as I spread the essays out on the floor in my office, as I tended to do when selecting and choreographing an issue, that most of the best essays were not written by journalists, but by poets and novelists.
This collection of essays was edited by A.L. Rogers and features contributions from 19 published authors, poets and illustrators.
Combining all - new essays by Frances Mayes and a chapter by her husband, poet Edward Mayes, with more than 200 full - color photos by photographer Bob Krist, each of this book's five sections highlights a signature aspect of Tuscan life:
Split into three sections to reflect the different sides of London's nocturnal character, an accompanying book of the same name contains essays by Museum of London's Curator of Photographs, Anna Sparham, poetry by award - winning poet and playwright Inua Ellams, and over 100 images from the exhibition that span the genres of architectural, documentary and portrait photography.
Also in 2015, New York photographer Marcia Resnick released a book of her photographs and essays by Victor Bockris from the era, «Punks, Poets & Provocateurs: New York City Bad Boys, 1977 - 1982,» pointing out an interest in the unique period of art and music that unfolded in New York City.
His bestselling book Detroit Disassembled, which includes an essay by Pulitzer Prize winning poet Philip Levine, was published in the spring of 2010.
Essays by curator Lisa Baldissera and New York art critic, poet and editor Barry Schwabsky examine contemporary art and the unique history of modernity in Saskatchewan and internationally.
A forthcoming book, The Treatment, features Ojih Odutola in conversation with poet Claudia Rankine and an essay by art critic and historian William J. Simmons.
The opening will be held from 6 - 9 pm on Saturday, March 12th at 8920 Melrose Ave, located on the corner of North Almont Drive, one block south of Santa Monica Blvd.. A full - color catalog with essay entitled «New Models, Strange Tools» by New York - based poet and art critic Raphael Rubinstein will accompany the exhibition.
After Berriolo spoke, poet Mónica De La Torre read a witty essay about line, and by the end of the performance, a new book had been created.
Fine Art publisher Damiani and the Akron Art Museum have released Andrew Moore's monograph Detroit Disassembled, featuring an essay by Pulitzer Prize - winning poet and Detroit native, Philip Levine.
Essays by Christopher Bedford, poet Anne Carson and art historian Richard Meyer explicate the many facets of Hundley's sources and processes.
This exhibition is curated by P.S. 1 Associate Curator Larissa Harris and is accompanied by a publication containing information sections on the artists; an essay by Harris; an essay by independent curator and critic Bennett Simpson; puzzles by poet and translator Monica de la Torre; and interviews with the artists by Harris.
Painting is Not Doomed to Repeat Itself is accompanied by a fully illustrated catalogue with an essay by the internationally acclaimed poet and critic John Yau, curator of the exhibition.
The exhibition is accompanied by a comprehensive, bilingual (Arabic / English) catalogue published by Sharjah Art Foundation, including essays by the artist and by Hoor Al Qasimi, Emirati artist Mohammed Kazem, and Emirati poet Rashid al - Khalid.
It was originally a journal begun in 1977 by a poet, anarchist, and artist in Chicago who had the idea to create a publication related to conceptual artist books, so instead of articles and essays it would have text pieces by artists and publishing projects.
Taking its title from an essay written in 1966 by the Italian director, poet, and intellectual Pier Paolo Pasolini, The Written Language of Reality grapples with questions of realism and actuality.
The publication includes an exchange between the artist and curator Achim Borchardt - Hume; an essay on conceptions of truth by poet and writer Alan Gilbert; a text on Raad's use of photography and its ties to Beirut by Blake Stimson; and an essay by Hélène Chouteau - Matikian.
His retrospective at Tate Britain - curated by Nicholas Serota and Enrique Juncosa, director of the Irish Museum of Modern Art in Dublin - coincides with the publication of Writers on Howard Hodgkin, a collection of essays in which various novelists, essayists and poets (from Susan Sontag to Julian Barnes, Alan Hollinghurst to Bruce Chatwin) pay tribute to the painter.
The exhibition is accompanied by a fully illustrated catalogue, which includes essays by Miranda Lash; Eleanor Heartney, critic for Art in America; Patricia C. Phillips, Associate Provost at the Rhode Island School of Design; Patricia Covo Johnson, former critic for the Houston Chronicle; and Herb Tam, Curator and Director of Exhibitions at the Museum of Chinese in America; and poet Andrei Codrescu.
Two decades later, poet and critic Charles Baudelaire recognized flânerie as the powerful engine of a new art movement in Paris and, inspired by Poe's man of the crowd, promoted it in his landmark 1863 essay «The Painter of Modern Life,» which heralded the arrival of the quintessential artist - flâneurs — the French impressionists.
Dada & Surrealist Objects will be accompanied by a fully illustrated catalogue with an introductory essay by Timothy Baum: private art dealer, collector and expert on all aspects of Surrealism and Dadaism, as well as published poet and writer.
A full - color catalogue will accompany the exhibition with essays by O'Brien; John Yau, poet, curator and professor at Rutgers University; and Alison Ferris, curator at the John Michael Kohler Art Center, Sheboygan, Wisconsin.
The exhibition will be accompanied by a fully - illustrated exhibition catalogue with an essay by South African poet and novelist Marlene van Niekerk.
The houses and outbuildings she paints are characterized by the plainspoken vernacular of American architecture, which reinforces the poet John Yau's argument, in a catalogue essay, that she is an heir to Edward Hopper.
Curated by Elisa R. Linn and Lennart Wolff's km temporaer curatorial project, the exhibition takes it title from poet, art critic and poet Rene Ricard «s 1981 essay on the East Village gallery scene «The Pledge of Allegiance».
A fully - illustrated catalogue, published in association with Charta, Milan, accompanies the exhibition with an essay by Juan Manuel Bonet and an interview with the artist by Rachael Thomas, plus contributions from eminent poets selected by Vincent Katz.
The book also includes new texts by the poet Jasper Bernes and the writers Erica Levin and Daniel Marcus, an essay by Jacqueline Clay and Kristin Korolowicz, and interviews with each of the artists.
A fully illustrated color catalogue, with an introduction by Eliza Rathbone, curator of the Phillips Collection, Washington, D.C., and essays by Anne de Staël, the artist's daughter; André du Bouchet, well - known French poet; Dominique Levy and Simon Studer, co-organizers of the exhibition, is also available through the Gallery.
The catalogue includes essays and contributions by author and philosophy professor Kathleen Dean Moore; Pulitzer Prize - winning poet Charles Wright; artists Janine Antoni, Stephen Cartwright, and Stephen Vitiello; and both curators.
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