It includes
essays by poets, artists, philosophers and sociologists: from civil rights figures such as the scholar and African - American activist W.E.B. Du Bois and the Trinidadian - American Stokely Carmichael; to writers including Gertrude Stein and Joan Retallack; from artists of different generations such as sound poet Hugo Ball (who wrote one of the founding Dada manifestos), Ad Reinhardt, Joan Jonas, William Pope.L and Felix Gonzalez - Torres; to new essays by curators Adrienne Edwards, Laura Hoptman, Susan Thompson, Jenny Schlenzka and the critic Tom McDonough.
I've been reading a lot of
essays by poets.
In conjunction with Robert Motherwell: Elegy to the Spanish Republic, Dominique Lévy has published a fully illustrated catalogue, featuring a text by David Anfam, noted scholar of Abstract Expressionism, and
an essay by poet and art critic John Yau.
A fully illustrated catalogue will accompany Invocations of the Soul and will include a new
essay by poet, critic, and scholar Jonathan Goodman.
This fully illustrated catalogue features a text by David Anfam, noted scholar of Abstract Expressionism, and
an essay by poet and art critic John Yau.
This exhibition is accompanied by a fully - illustrated publication with
an essay by poet and art critic Raphael Rubinstein.
It features an introductory
essay by poet Kenneth Goldsmith and reuses Morris» paratext.
A catalog was published on the occasion of her exhibition at CSU Stanislaus entitled Multiplying the Variations, with
an essay by poet and critic Raphael Rubinstein (ISBN: 0 -9773967-6-2).
The publication features
an essay by the poet and writer John Yau, alongside color reproductions of each of the works included in the exhibition.
This catalogue is the first publication to survey Wachtel's career, and features 40 color plates of works from the 1980s through today, as well as an insightful overview by curator Reto Thuring,
an essay by poet and critic Quinn Latimer, and a conversation between Wachtel and curator Johanna Burton.
Including full - color plates of over sixty works spanning York's career, a new
essay by poet and art critic Bruce Hainley, plus earlier essays by Fairfield Porter and Calvin Tomkins, an extensive chronology, a complete bibliography, and a detailed catalogue of works, this publication is a testament to, as Hainley puts it, York's «pursuit of lyric intensity while negotiating a point - blank confrontation with history — all in stealth relation to the leopard - alive instant at the end of the brush.»
The Prince Street Gallery exhibition catalog has
an essay by the poet Charles Simic who states:
The exhibition opens with a reception for the artist on Thursday, April 12 from 6 - 8 PM at Gray Warehouse, and is accompanied by an illustrated catalogue with
an essay by poet and critic John Yau.
It includes an extensive illustrated chronology and
an essay by the poet Andrei Codrescu, and is published on the occasion of a major Mel Chin exhibition at the New Orleans Museum of Art.
Not exact matches
Poets & Quants spoke with the author, who has since published 20 books and hundreds of magazine articles and
essays,
by telephone from his home in Ojai, California.
In the
essay, Losana Boyd, the Director of Creative & Marketing Services at First Things, and a
poet, favorably reviewed The Eternal City
by Kathleen Graber, praising the
poet's fluent syntax, arresting imagery, and elegant, well - crafted lines.
I also like a collection of
essays by Thomas Lynch, a
poet who is also a funeral director, called The Undertaking.
In a famous
essay of his he distinguishes between the naïve
poet, who is characterized
by spontaneity, immediacy and absence of self - consciousness, and the sentimental
poet, who subjects his feelings to the scrutiny of the intellect, tests their validity
by reference to some external criterion.
The English
poet and essayist Matthew Arnold speaks about such historic moments of creative arousal in literature in his 1865
essay «The Function of Criticism at the Pres - ent Time»: «The grand work of literary genius,» says Arnold, «is a work of synthesis and exposition,... its gift lies in the faculty of being happily inspired
by a certain intellectual and spiritual atmosphere,
by a certain order of ideas, when it finds itself in them; of dealing divinely with these ideas....
Extras: New audio commentary featuring critic Tony Rayns; new video
essay on the film's symbols and references, featuring scholar James Steffen; new interview with Steffen detailing the production of the film; «Sergei Parajanov: The Rebel,» a 2003 documentary about the filmmaker, featuring him and actor Sofiko Chiaureli; «The Life of Sayat - Nova,» a 1977 documentary about the Armenian
poet who inspired «The Color of Pomegranates»; an
essay by film scholar Ian Christie.
But I soon began to realize, as I spread the
essays out on the floor in my office, as I tended to do when selecting and choreographing an issue, that most of the best
essays were not written
by journalists, but
by poets and novelists.
This collection of
essays was edited
by A.L. Rogers and features contributions from 19 published authors,
poets and illustrators.
Combining all - new
essays by Frances Mayes and a chapter
by her husband,
poet Edward Mayes, with more than 200 full - color photos
by photographer Bob Krist, each of this book's five sections highlights a signature aspect of Tuscan life:
Split into three sections to reflect the different sides of London's nocturnal character, an accompanying book of the same name contains
essays by Museum of London's Curator of Photographs, Anna Sparham, poetry
by award - winning
poet and playwright Inua Ellams, and over 100 images from the exhibition that span the genres of architectural, documentary and portrait photography.
Also in 2015, New York photographer Marcia Resnick released a book of her photographs and
essays by Victor Bockris from the era, «Punks,
Poets & Provocateurs: New York City Bad Boys, 1977 - 1982,» pointing out an interest in the unique period of art and music that unfolded in New York City.
His bestselling book Detroit Disassembled, which includes an
essay by Pulitzer Prize winning
poet Philip Levine, was published in the spring of 2010.
Essays by curator Lisa Baldissera and New York art critic,
poet and editor Barry Schwabsky examine contemporary art and the unique history of modernity in Saskatchewan and internationally.
A forthcoming book, The Treatment, features Ojih Odutola in conversation with
poet Claudia Rankine and an
essay by art critic and historian William J. Simmons.
The opening will be held from 6 - 9 pm on Saturday, March 12th at 8920 Melrose Ave, located on the corner of North Almont Drive, one block south of Santa Monica Blvd.. A full - color catalog with
essay entitled «New Models, Strange Tools»
by New York - based
poet and art critic Raphael Rubinstein will accompany the exhibition.
After Berriolo spoke,
poet Mónica De La Torre read a witty
essay about line, and
by the end of the performance, a new book had been created.
Fine Art publisher Damiani and the Akron Art Museum have released Andrew Moore's monograph Detroit Disassembled, featuring an
essay by Pulitzer Prize - winning
poet and Detroit native, Philip Levine.
Essays by Christopher Bedford,
poet Anne Carson and art historian Richard Meyer explicate the many facets of Hundley's sources and processes.
This exhibition is curated
by P.S. 1 Associate Curator Larissa Harris and is accompanied
by a publication containing information sections on the artists; an
essay by Harris; an
essay by independent curator and critic Bennett Simpson; puzzles
by poet and translator Monica de la Torre; and interviews with the artists
by Harris.
Painting is Not Doomed to Repeat Itself is accompanied
by a fully illustrated catalogue with an
essay by the internationally acclaimed
poet and critic John Yau, curator of the exhibition.
The exhibition is accompanied
by a comprehensive, bilingual (Arabic / English) catalogue published
by Sharjah Art Foundation, including
essays by the artist and
by Hoor Al Qasimi, Emirati artist Mohammed Kazem, and Emirati
poet Rashid al - Khalid.
It was originally a journal begun in 1977
by a
poet, anarchist, and artist in Chicago who had the idea to create a publication related to conceptual artist books, so instead of articles and
essays it would have text pieces
by artists and publishing projects.
Taking its title from an
essay written in 1966
by the Italian director,
poet, and intellectual Pier Paolo Pasolini, The Written Language of Reality grapples with questions of realism and actuality.
The publication includes an exchange between the artist and curator Achim Borchardt - Hume; an
essay on conceptions of truth
by poet and writer Alan Gilbert; a text on Raad's use of photography and its ties to Beirut
by Blake Stimson; and an
essay by Hélène Chouteau - Matikian.
His retrospective at Tate Britain - curated
by Nicholas Serota and Enrique Juncosa, director of the Irish Museum of Modern Art in Dublin - coincides with the publication of Writers on Howard Hodgkin, a collection of
essays in which various novelists, essayists and
poets (from Susan Sontag to Julian Barnes, Alan Hollinghurst to Bruce Chatwin) pay tribute to the painter.
The exhibition is accompanied
by a fully illustrated catalogue, which includes
essays by Miranda Lash; Eleanor Heartney, critic for Art in America; Patricia C. Phillips, Associate Provost at the Rhode Island School of Design; Patricia Covo Johnson, former critic for the Houston Chronicle; and Herb Tam, Curator and Director of Exhibitions at the Museum of Chinese in America; and
poet Andrei Codrescu.
Two decades later,
poet and critic Charles Baudelaire recognized flânerie as the powerful engine of a new art movement in Paris and, inspired
by Poe's man of the crowd, promoted it in his landmark 1863
essay «The Painter of Modern Life,» which heralded the arrival of the quintessential artist - flâneurs — the French impressionists.
Dada & Surrealist Objects will be accompanied
by a fully illustrated catalogue with an introductory
essay by Timothy Baum: private art dealer, collector and expert on all aspects of Surrealism and Dadaism, as well as published
poet and writer.
A full - color catalogue will accompany the exhibition with
essays by O'Brien; John Yau,
poet, curator and professor at Rutgers University; and Alison Ferris, curator at the John Michael Kohler Art Center, Sheboygan, Wisconsin.
The exhibition will be accompanied
by a fully - illustrated exhibition catalogue with an
essay by South African
poet and novelist Marlene van Niekerk.
The houses and outbuildings she paints are characterized
by the plainspoken vernacular of American architecture, which reinforces the
poet John Yau's argument, in a catalogue
essay, that she is an heir to Edward Hopper.
Curated
by Elisa R. Linn and Lennart Wolff's km temporaer curatorial project, the exhibition takes it title from
poet, art critic and
poet Rene Ricard «s 1981
essay on the East Village gallery scene «The Pledge of Allegiance».
A fully - illustrated catalogue, published in association with Charta, Milan, accompanies the exhibition with an
essay by Juan Manuel Bonet and an interview with the artist
by Rachael Thomas, plus contributions from eminent
poets selected
by Vincent Katz.
The book also includes new texts
by the
poet Jasper Bernes and the writers Erica Levin and Daniel Marcus, an
essay by Jacqueline Clay and Kristin Korolowicz, and interviews with each of the artists.
A fully illustrated color catalogue, with an introduction
by Eliza Rathbone, curator of the Phillips Collection, Washington, D.C., and
essays by Anne de Staël, the artist's daughter; André du Bouchet, well - known French
poet; Dominique Levy and Simon Studer, co-organizers of the exhibition, is also available through the Gallery.
The catalogue includes
essays and contributions
by author and philosophy professor Kathleen Dean Moore; Pulitzer Prize - winning
poet Charles Wright; artists Janine Antoni, Stephen Cartwright, and Stephen Vitiello; and both curators.