Sentences with phrase «essential figure in the painting»

Belgian - born Luc Tuymans was an essential figure in the painting revival of the 1990s.

Not exact matches

Co-curated by Sylvie Patry, Consulting Curator at the Barnes Foundation and Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, Paris, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture at the Dallas Museum of Art, Berthe Morisot: Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the impressionist movement and the development of modern art in Paris in the second half of the 19th century.

Co-curated by Sylvie Patry, Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, Paris and Consulting Curator at the Barnes Foundation, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture at the Dallas Museum of Art, Berthe Morisot, Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the Impressionist movement and the development of modern art in Paris in the second half of the 19th century.

Among the artist's current and upcoming exhibitions are Essential Painting at the National Museum of Art in Osaka, Japan; Back to the Figure — Contemporary Painting at Die Kunsthalle der Hypo - Kulturstiftung in Munich, Germany; Zones of Contact: 15th Biennale of Sydney in Sydney, Australia; and The Moderna Exhibition 2006 at the Moderna Museet in Stockholm, Sweden (all 2006).

These major works remain an essential part of the New Image movement of the 1980s that heralded a return to subject and imagery in contemporary painting - a movement in which Jennifer Bartlett was a central figure.

Having had the opportunity in recent years to study a number of excellent exhibitions in which Cubist paintings have figured prominently — including the 1980 Picasso exhibition at the Museum of Modern Art and the Essential Cubism exhibition recently mounted at the Tate Gallery — may we endorse John Richardson's recent petition in your columns that any Cubist paintings that are still unvarnished should be left in the state in which their authors intended them to be seen?