The score by composer Theodore Shapiro and the cinematography by DP Jim Denault never call attention to themselves, but they're
essential parts of the movie's success.
Not exact matches
This adaptation
of the much - loved Irvine Welsh novel is the only substance - abuse
movie worth sitting through the revolting
parts essential to its success.
The soundtrack
of the
movie is an
essential part of its brand, and RD: BD's developers clearly agreed: songs sound like the ones from the
movie — but aren't.
Instead
of giving him an ah - ha moment
of self - awareness, the
movie preserves this
essential part of his character, and then plays it against him, perhaps too subtly for most tastes.
Crafting a score for a
movie where music itself is an
essential part of the story can be as challenging as it is a wealth
of opportunity, no more so than when seeking to embody an Israeli composer haunted by her parents» Holocaust past.
Making its way around certain
parts of the internet — because today is Andrei Tarkovsky's birthday — is the 1988 documentary Directed By Andrei Tarkovsky (made by Michal Leszczylowski, the co-editor
of Tarkovsky's final film The Sacrifice), which is about as
essential for fans
of the legendary filmmaker (and interested persons alike) as the Russian master's
movies themselves.
On the same day, Back to School also surfaces alongside P.C.U. and Bio-Dome in a 3 -
movie Partying 101 Gift Set,
part of MGM's new, low - priced, 9 - volume College
Essentials DVD line
of loosely - related works.
From Here to Eternity Year: 1953 Directed by: Fred Zinnemann Starring: Burt Lancaster, Montgomery Clift, Deborah Kerr, Frank Sinatra, Donna Reed, Ernest Borgnine Why it's
essential: This
movie has nestled into the American imagination as one
of the great screen romances — that famous scene
of Lancaster and Kerr kissing in the sand and surf on a Hawaiian beach is
part of the great indelible Hollywood tableau — but most don't realize that this is a
movie about soldiers stationed in Hawaii in the months leading up to Pearl Harbor.
The
movie beats on, and in its rush to convey the extravagance
of the Roaring Twenties and — when that
part is complete — the melodramatic beats
of Fitzgerald's story (which, on the page, is not at all melodramatic), The Great Gatsby loses that final,
essential truth
of the novel — that, try as they might, these characters and this world are not making any progress against the current
of their memories.