Sentences with phrase «essential quality of art»

«Not that novelty is an essential quality of art, but nothing else looks like this,» Byers told A.i.A. «The experimentation feels new, and her focus on process is conceptually integral to the work.»

Not exact matches

What Professor Leithart attempts in the first half of his article — to demonstrate that the liberal arts are, in essence, useless and that this essential uselessness is the very quality that makes their study and practice worthy — he undermines in the second.

It's a tremendous leap in quality from the previous DVD release a decade ago, with strong color (essential to appreciate the art direction and lighting) and a great level of detail and crispness.

«This Administration recognizes that the arts are essential to the vibrancy of our communities and the quality of the education we provide our students.»

As the state of Illinois, Chicago, and CPS face complex challenges, continued investment, attention, and arts education advocacy will remain essential to equitably providing high - quality arts education to Chicago's students.

While the quality of the art alone is enough to warrant the purchase of this book, the in - depth commentary and chance to glimpse behind the creative curtain of this modern survival horror classic make this title an essential read.

The gallery presents museum - quality exhibitions, workshops and visiting artist lectures all of which help to create a dialogue essential to the development and growth of students within the arts.

He describes how artists, artist groups, printers, and publishers - working within roughly the last 20 years - have employed digital technology and exploited essential qualities of printmaking (such as multiplicity and collaboration) in a myriad of ways to produce conceptually rich and technically complex works of art.

The immersive exhibition Carved, Cast, Crumpled investigates the essential qualities of three - dimensional art across historical and cultural contexts, questioning what it means to be in the presence of an object.

This immersive exhibition investigates the essential qualities of three - dimensional art across historical and cultural contexts, questioning what it means to be in the presence of an object.

The Clark's mission and its geographical location define three essential, interrelated aspects of its character and identity: the quality of its art, the beauty of its pastoral setting, and the depth of its commitment to the generation of ideas.»

That was the original identity of Frieze, and the London - based art organization has somehow maintained that essential quality even as it has expanded to include the Frieze Masters fair in London (devoted to everything else, from ancient works to 20th - century art) and Frieze New York, another yearly showcase.

For the opening, The Pulitzer Arts Foundation has put on view three concurrent exhibitions of works by Alexander Calder, Richard Tuttle and Fred Sandback that operate at the intersection of art and architecture and speak also to the essential qualities of Ando's building; space, form and light.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arOf these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof light and sound as well as the interactive qualities of kinetic arof kinetic art.

In Time Signature, the elements repel and attract, creating an interactive field of energy and matter that unites the physical world with the qualities of light and form that are the essential language of art.

With artworks of the highest quality exhibited in the main exhibition hall, and ambitious installations and performances which become part of Miami's landscape and its beaches and parks, Art Basel is strongly rooted in the principle that galleries play an essential role in the development and promotion of visual arts.

She believed that «the medium of mosaic is not painting with stones and not sculpture, but an art the essential quality of which is luminosity.»

Unlike, let's say, the wider historical account, which includes the whole bohemian world that is inseparable from its political and social surroundings in Dore Ashton's essential volume New York School: A Cultural Reckoning, or Irving Sandler's landmark Triumph of American Painting: A History of Abstract Expressionism, your observation that the beginning of pluralist taste in art begins with Cahill and continues onward to the works of Allen Ruppersberg and more recently, deliberately formed art collectives like Bernadette Corporation and the Bruce High Quality Foundation.

With paintings by Dan Christensen, Gene Davis, Richard Diebenkorn, Lorser Feitelson, Amy Feldman, Peter Halley, Willy Heeks, Carmen Herrera, Odili Donald Odita, Sean Scully, David Simpson, Cary Smith, Leon Polk Smith, and Frank Stella, nonObjectives is a vibrant chronicle of the evolution of reducing art to its essential qualities.

Faith was her essential quality, faith in herself, in what she was doing and in the importance of art.»

The artist came to believe that what was essential in art — given the diversity of themes or motifs — were two universal requirements: that every work of art has an individual order or coherence, a quality of unity and necessity in its structure regardless of the kind of forms used; and, second, that the forms and colors chosen have a decided expressive physiognomy, that they speak to us as a feeling - charged whole, through the intrinsic power of colors and lines, rather than through the imaging of facial expressions, gestures and bodily movements, although these are not necessarily excluded — for they are also forms.

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