Featuring work by eighteen
established and emerging artists using sculpture or installation as their mediums of choice, the display at 176 illustrates the project's stated intention to showcase new and innovative works produced in both fields.
Not exact matches
To that end, Brischler has organized an idiosyncratic, densely hung salon wall of work from
artists — both
emerging and established — who
use their studios as labs of transgression during times of personal or political upheaval.
Using its own extensive history as a resource, the organization identifies, supports,
and presents
emerging and under - recognized
artists who are making significant contributions to their respective fields,
and it serves as a safe space for more
established artists to take unusual creative risks.
Among all this novelty there lies a clear agenda: to position the new collective galleries as a site for the promotion of
established as well as
emerging contemporary
artists,
and to
use these spaces as a means of linking the two.
Using its own extensive history as a resource, the organization identifies, supports,
and presents
emerging and under - recognized
artists who are making significant contributions to their respective fields as well as serves as a safe space for more
established artists to take unusual creative risks.
HOME — the exhibition — brings together a diverse group of
emerging and established visual
artists, each
using their respective media to explore notions of re-location, rebuilding, reinvention, perception, inspiration
and memory.
LAND supports dynamic
and unconventional artistic practices
using a tripartite approach: Commissioning public projects of site -
and situation - specific works with national
and international contemporary
artists Collaborating with a variety of institutions
and organizations, such as universities, museums,
and theaters as well as other types of spaces, industries,
and entities Offering additional programs such as performances, workshops, residencies, discussions,
and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-
artist, multi-site exhibitions
and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or
established artist,
and LAND 3.0 projects feature new work by lesser known or
emerging artists
This exhibition will showcase work by
emerging and established artists who deal with semiotics
and whose
use of type
and language is a reoccurring part of their artistic vernacular.
Knew Normal presents a selection of recent works from
established and emerging contemporary
artists who
use paintings, drawings, photography, sculpture
and wearable art to bear witness to the moments when environments, including the body, become more difficult or awkward to inhabit for reasons generally attributed to climate change.
Carroll / Fletcher supports
established and emerging artists whose work transcends traditional categorisation,
using diverse media in order to explore socio - political or technological themes.
At Bauernmarkt, in the city center, for instance, the freelance curator Elsy Lahner, the philosopher Michael God,
and gallery owner Emanuel Layr (of Galerie Layr & Wüstenhagen) made interim
use of empty office spaces
and apartments as well as
artists» studios for their curatorial venture «Into Position,» which encompassed discussion groups, a «Mittwochsbar» (Wednesday Bar), an archive in suitcases,
and exhibitions of both
emerging and established artists organized by a number of invited guests, including the editors of the Austrian art magazine Spike
and the curators from the project space Temporary Contemporary in London.