While the Saturn's launch made the error of shifting the spotlight away from Sonic the Hedgehog, the Dreamcast launch proved that there was more than enough room for
established characters as well as new faces.
Not exact matches
Disney and Marvel obviously know what they're doing with superhero movies — they've brought some of the biggest franchises to screen — however, at the same time, making every single film need to fit inside the already
established franchise starts to limit the amount of creative license any one director can have on future
characters as Marvel's Cinematic Universe only grows larger.
It feels
as though the person wearing your pants is performing actions consistent with your
established character, yet there is plenty of research suggesting otherwise.
Insofar
as such structures and institutions are of legal
character they may, of course) be regarded
as merely human and thus mutable, not necessary laws, because they did not always exist but have been — or have still to be —
established.
Clearly, then, the ontological principle is meant to
establish the kinds of particular causes — or, equivalently, of particular reasons or conditions — that can be given
as explanatory of how and why a particular actual entity came to have the determinate
characters it has.
Finally, the ontological principle
establishes the sorts of particular reasons, or of particular causes, that can be given
as explanatory of how and why a particular unit - product of the creative advance came to have the determinate
characters that it has.
The
character of the actual entity
as an objective datum available for other actual entities
establishes it
as a distinct member of a plurality.
But there is nothing in the scientific picture of the cosmos that forbids our envisaging the story of the universe, in its modern scientifically
established character,
as simultaneously a story shaped by the same promise that becomes explicit in historical revelation.
For
as soon
as something passes into someone else's hands, it is marked by their
character, by their usage; it has become something different in a sense, insofar
as the gift - giving succeeds in
establishing understanding between giver and recipient.
But he is not made known
as Son of God in reality until he is
established in power, until it becomes clear that such a
character of trust and loyalty is indeed in complete harmony with the nature of things.
He refers to its apocalyptic
character, which means that it is a cosmic statement — it speaks of the beginning of the end of the world, it validates Jesus» life and preaching, and it
establishes Jesus
as a reliable revelation of God.
To
establish a metaphysics which will allow him to do this, Leclerc first seeks to demolish the Neoplatonic notion that all relations are set up by the mind, with its unfortunate consequence that the minima or monads are not related to each other in a way that would allow for the formation of organic wholes which are not mere heaps, but have some
character as wholes (PN 146 - 47).
It is revealing to recall that Israel's spring festival,
as it came to
established form, was of a dual
character.
Amos was preeminently the prophet of justice, the moral quality upon which Judaism at its moral best has placed its chief emphasis, and he
established this
as the major
character of Yahweh in his dealings with men.
«114 James emphasized that from the earnest minister, people «do not look for the flowers of rhetoric, but for the fruit of the tree of life» which
establishes «his
character as a useful preacher.
As Banrock Station's Chief Winemaker for more than 10 years, Paul has harnessed the knowledge and skills he developed during stints in California and Tuscany to
establish our unique signature style of easy drinking wines that retain true fruit
character on the palate.
The Jason J. Litton Award was
established in 2009 and was created to honor great wine individuals with unique
character — individuals
as outstanding in their own way
as the man for whom the award is named.
Just so we're straight on this, though... If you routinely drink yourself into a stupor and show up for work half - drunk, you've got more integrity and
character than if you do whatever you can to play
as well
as you can, within the
established norms of your contemporary colleagues?
As kids growing up in the 90's we wrote our own stories, created
characters, and drew our own comics, so
establishing Black -LSB-...]
In the next place,
as each representative will be chosen by a greater number of citizens in the large than in the small republic, it will be more difficult for unworthy candidates to practice with success the vicious arts by which elections are too often carried; and the suffrages of the people being more free, will be more likely to centre in men who possess the most attractive merit and the most diffusive and
established characters.
The Department for Education (DfE) has appealed a ruling by the Information Commissioner's Office (ICO) which said that it must publish a list of all proposals to
establish Free Schools
as part of the first two «waves» (i.e. to open in 2011 or 2012), giving their religious
character.
The cast of
characters in his book includes William Jackson, who first
established — by analyzing alley - cat feces for traces of rat — that cats are near useless
as rat controllers.
Indeed, within the solar system, the IAU has
established many outside - the - mythology - box naming conventions, such
as craters on Mercury after deceased artists, and Shakespearean
characters for Uranus's moons.
Showcasing the many ways in which specialty finishes impart warmth,
character and depth, Segreto: Secrets to Finishing Beautiful Interiors reveals how these techniques can give new construction an
established feel, update an existing home, or serve
as the perfect backdrop for contemporary or traditional furnishings and art.
Though there are several references to previously
established characters and Eugene Levy reprises his role
as Jim's dad, Band Camp has virtually nothing to do with any of its three predecessors and instead comes off
as a typically bawdy sex comedy geared solely towards teens.
By the time Stiller's
character engages in a slapping fight with a pair of monkeys, Night at the Museum: Battle of the Smithsonian has incontrovertibly
established itself
as an endeavor designed to appeal solely to small children - which is undoubtedly a shame, given the strength of the cast and the promise of the movie's early scenes.
Director Ron Howard delivers an admittedly appealing opening stretch that effectively
establishes Willow's fantastical world and raft of quirky
characters, with, in terms of the latter, the movie certainly benefiting from Davis and Kilmer's thoroughly charming and affable work
as the disparate protagonists (and it doesn't hurt, either, that the chemistry between the two couldn't be more solid).
It's a unique premise that's employed to affable (if entirely forgettable) effect by director Howard,
as the filmmaker, working from a script by Lowell Ganz and Babaloo Mandel, does an effective job of initially
establishing the movie's seedy, New York City - landscape and assortment of oddball
characters.
As always action is gory and satisfying, and the new
characters introduced this season fit in perfectly with the already
established cast.
By the time the shocking (yet not entirely unexpected) conclusion rolls around, Breathe has
established itself
as a promising effort from an exciting new filmmaker - with Laurent's stylish sensibilities setting her apart from many of her contemporaries (ie it's impossible not to be captivated by an outdoor tracking shot that follows a
character through the rooms of her small apartment).
The film is a deep
character study of Riggan Thomson played by a moving and stellar Michael Keaton a once - time big movie star struggling to regain importance in his contemporary setting while trying to
establish himself
as an artist worthy of praise and to get rid of his «Birdman» image.
As the lead characters tried to decide if they loved or hated each other, the series established itself as a prime example of the «will they or won't they» subgenre so popular in 1980s T
As the lead
characters tried to decide if they loved or hated each other, the series
established itself
as a prime example of the «will they or won't they» subgenre so popular in 1980s T
as a prime example of the «will they or won't they» subgenre so popular in 1980s TV.
The film opens with the obligatory but mercifully brief happy family scenes where Pitt's
character, Gerry Lane, is
established as a stay - at - home Philadelphia dad who doesn't seem to do anything more strenuous than make pancakes for breakfast.
Established first
as an object of scorn, the humorless Gary comes to be a sympathetic
character whose amusing idiosyncrasies endear him to us and his neighbors.
For over a decade, sold out audiences have enjoyed Rocky Horror - like participation consisting of hilarious traditions such
as screen - shouting, football playing, throwing spoons at the screen, rooting on the shockingly long
establishing pans of San Francisco, and generally laughing hysterically at the film's clunky pseudo-Tennessee Williams dialogue, confused performances, and bizarre plot twists, like the mother - in - law
character whose breast cancer ought to play like it matters a great deal, but really comes off
as a non-sequitur.
In some ways it reminds me of Mad Max: Fury Road, an expert chase film that
establishes its
characters naturally
as it barrels onward.
It's ultimately clear that The Finest Hours is at its best in its relatively propulsive first half,
as director Craig Gillespie, working from a script by Scott Silver, Paul Tamasy, and Eric Johnson, does a nice job of
establishing the the central
characters and the dangerous circumstances in which they find themselves - with the screenplay, which also emphasizes the ongoing exploits of Bernie's girlfriend (Holliday Grainger's Miriam), generally juggling the various narrative threads to seamless effect.
Kubrick and Clarke quickly
establish the setting and
characters, doing so
as part of a lengthy summary montage.
As for that key moment that sets up the final act, I thought the film
established the
character motivation adequately with the earlier scenes showing us Schultz's reaction to some of the violence against slaves.
Born in Fayetteville, GA (a suburb of Atlanta), actor Gary Anthony Williams attended Clayton State College and went on to
establish himself
as one of the most - sought after
character players of the 2000s, maintaining his most frequent presence on television.
Establishing a new film identity
as a
character comedienne, Midler sparkled in Down and Out in Beverly Hills (1986), and was even better
as a loudmouthed kidnap victim in Ruthless People (1987).
In
establishing McCandless
as a
character, the film describes his industriousness and good nature; later, his desperation becomes unveiled, and it is this desperation that determines his final actions.
Amour suffers from some pacing issues, although these are largely the result of Haneke using «dead space» (such
as a sequence in which his camera spends an inordinate amount of time focused on paintings or an interminable scene in which Georges attempts to capture a pigeon that has entered his home) to
establish a tone or develop a
character.
Such speeches function in Tarantino not
as long - winded detours, but
as a way of setting up
characters and situations with dimensions it would be difficult to
establish dramatically.
There's little doubt that Stone does an impressive job of authentically
establishing the movie's cut - throat world of high finance right from the outset,
as the filmmaker, along with coscreenwriter Stanley Weiser, offers up a blisteringly - paced narrative that rarely pauses to explain exactly what the central
character does or how all of this works.
It seems
as characters were introduced and
established, it would be off to the next scene.
Clint Eastwood wisely chose a strong, simple thriller for his first film
as a director (1971), and the project is remarkable in its self - effacing dedication to getting the craft right — to laying out the story, building the rhythm, putting the camera in the right place, and
establishing small
characters with a degree of conviction.
The director's verbal digressions (he's
as much a motormouth
as his
characters are) usually serve purely to
establish character depth, most notably in the gratuity debate in Reservoir Dogs (in his next life, Mr. Pink was reincarnated
as a mediocre waiter) and the foot massage debate in Pulp Fiction which concludes with the meta - aside, «C'm on, let's get into
character.»
That said, when a number of major emotional moments in Infinity War are based entirely on
character development
established in previous movies, it sometimes comes off
as cheap and unearned.
Thor does set up the
character well for his future appearances in the MCU though,
as well
as establishing his family relationships, which become important later on.