Q: As we kind of touched upon in the interview prior to becoming a director you worked with a lot of well -
established filmmakers like Siegal and Leone.
Not exact matches
The emergence of the campus underground, coupled with the establishment of film co-operatives
like Canadian
Filmmakers Distribution Centre, London Film Co-op, the Intermedia Film Co-op (Vancouver), and the Independent Film Makers Co-op (Montreal), allowed an effective system of distribution to develop; this network of parallel co-ops also helped to establish lines of communication between filmmakers in different parts of the country who would otherwise not have had means o
Filmmakers Distribution Centre, London Film Co-op, the Intermedia Film Co-op (Vancouver), and the Independent Film Makers Co-op (Montreal), allowed an effective system of distribution to develop; this network of parallel co-ops also helped to
establish lines of communication between
filmmakers in different parts of the country who would otherwise not have had means o
filmmakers in different parts of the country who would otherwise not have had means of contact.
Not only was the section quick to identify the merits of work by Andrew Bujalski, Matt Porterfield, Joe Swanberg, Josephine Decker, Alex Ross Perry and J.P. Sniadecki, among others; it has also placed their work in the historical company of more
established U.S.
filmmakers and artists
like Jem Cohen, James Benning, Frederick Wiseman and Amie Siegel or the Canadian Forum alum Guy Maddin.
Another major corollary is that directors whose films get nominated tend to be at either end of an extreme spectrum: They've been either well -
established, critically respected
filmmakers at the time they were nominated for Best Picture, or else incendiary newcomers with buzz and a box office take too big to ignore —
like The Sixth Sense's M. Night Shyamalan, and now, Jordan Peele.
Writer and director Jeremy Saulnier has quickly been
establishing himself as a master of physical and existential terror with films
like 2013's Blue Ruin and 2007's Murder Party and his latest offering Green Room should even further solidify his status as a genre
filmmaker to watch.
Authors need to make sure they do the same work in
establishing location and setting, just
like filmmakers do.
Born on October 16, 1890, in New York City, Paul Strand was an American photographer and
filmmaker who, along with photographers
like Alfred Stieglitz and Edward Weston, helped
establish photography as an art form in the 20th century.
It might seem weird to think that a
filmmaker would choose a mobile for their movie, particularly someone
established like Park Chan - wook, who's better known for his award winning revenge thriller Oldboy, but with the powerful phones we have today it's not that much of a surprise.