«That's what's so great about this place: They manage to mix artists who are still in the academy with
established painters like Sirbiladze.»
Not exact matches
Already
established as a
painter, over the course of the 1990s Marrinon began to make diminutive terracotta sculptures of landmark buildings, figures and squat busts incised with cartoon -
like simplifications.
The 1977 show also included female Old Masters of
established reputation: Renaissance
painters like the Cremonese aristocrat Sophonisba Anguissola and the Bolognese Lavinia Fontana; eighteenth - century professionals
like the pastel portraitist Rosalba Carriera, whose Venetian studio was once as essential a stop on the Grand Tour as that of her male colleague Pompeo Batoni in Rome, and the Swiss - born Angelika Kauffmann, represented by a self - portrait that showed the dark - haired, porcelain - skinned beauty making a definitive choice between painting and music.
The fair has become more up - to - date than it used to be, with solo shows by
established contemporaries
like the photorealist
painter of suburban ennui Robert Bechtle, at Gladstone, whose booth happily turns out to be opposite Fraenkel's, where there is a similarly moody selection of photographs of residential development in the American West by Robert Adams.
While New York and the world were yet unfamiliar with the New York avant - garde by the late 1940s, most of the artists who have become household names today had their well -
established patron critics: Clement Greenberg advocated Jackson Pollock and the color field
painters like Clyfford Still, Mark Rothko, Barnett Newman, Adolph Gottlieb and Hans Hofmann; Harold Rosenberg seemed to prefer the action
painters such as Willem de Kooning and Franz Kline, as well as the seminal paintings of Arshile Gorky; Thomas B. Hess, the managing editor of ARTnews, championed Willem de Kooning.
The Tate show was very influential for students
like me, as well as more
established professional artists, notably the great abstract
painters from St Ives.
Edward Clark's abstract expressionist tondo The Big Egg (1968)
establishes the artist among the earliest American
painters to experiment with oval forms (later explored by artists
like Jasper Johns), while works by the 1970s black artist collective AfriCOBRA — who operated loosely as the visual arts arm of the Black Arts Movement, and whose influence can be found in the work of Kerry James Marshall and David Hammons — are given prominence.
«Unlike New York, Los Angeles never had an
established reputation as a... read more... «LA
painters work
like there's no tomorrow, er, I mean yesterday»
Thomasos's training as a classical abstract
painter, as an MFA student at Yale and then in her apprentice years in Philadelphia, where she taught at Tyler alongside the
established abstractionists Dona Nelson and Stanley Whitney, gave her a fluid confidence with paint, an ability to make a convincing mark, generally a straight, fast line, that could convey decisiveness and sensuality all at once,
like the handwriting on a novelist's love - letter.
Jacquette is a journeyman
painter who, along with a dedicated cadre of artists
like Philip Pearlstein, Alex Katz and Chuck Close, has
established a type of realist rebuttal to the trends of abstraction that have dominated the cutting edge of discourse in New York painting since the early «40s.