Sentences with phrase «esteemed new curator»

Not exact matches

The department's alumni include the director of New York's Leslie - Lohman Museum of Gay and Lesbian Art and the esteemed scholar Deborah Willis, among other curators, professors, and art - world professionals.

The Fair is a place to encounter the most innovative emerging artists, new work by established masters and rare vintage pieces, and as such is guided by a Curatorial Committee comprised of some the field's most esteemed curators, critics and museum directors.

Photo London is a place to encounter the most innovative emerging artists, new work by established masters and rare vintage pieces, and as such is guided by a Curatorial Committee comprised of some the field's most esteemed curators, critics and museum directors.

Haynes will be a mentor in the fifth cycle of BURNAWAY's Art Writers Mentorship Program, as well as the first guest in Flux Projects's new Visiting Curator series that will invite esteemed national and international curators to conduct studio visits with Atlanta - based artists throughout the year.

The California African American Museum (CAAM) and Art + Practice (A+P) are pleased to host esteemed author, curator, and Associate Professor in Art History and Archaeology and African American Studies at Columbia University Kellie Jones, who will discuss and sign her new book South of Pico.

As always, the exhibition is accompanied by a catalogue discussing each artist's project in detail — this time written by the esteemed curator emerita of the New York Public Library's print collection, Roberta Waddell.

In addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issues.

Photographs were selected from the #EmergeSantaFe hashtag stream and judged by an esteemed panel that included Mary Dinaburg (curator, New York), Howard Rutkowski (curator, New York), Peter Frank (critic and historian, Los Angeles), and Cody Hartley (Director of Curatorial Affairs, Georgia O'Keeffe Museum, Santa Fe).