The artistic practice of Kasper Bosmans knows many forms, but is essentially based on the creation of
esthetic objects without matter.
Still, they do have a special and distinctive importance, which to some extent justifies the custom of setting them apart as
esthetic objects par excellence.
An esthetic object is a complex, a unity of contrasting elements.
These purposes define the idea or form of
the esthetic object or act in a somewhat more restricted fashion than is the case where the artist is free to follow his own imagination without limit.
The realization of measured intensity of feeling depends not only upon the sensitivity and emotional discipline of the percipient, but also upon the expressiveness of
the esthetic object.
By the purity of
an esthetic object one could mean its ideality, in the sense that no alien elements intrude into it, or one could mean its sincerity, in the sense that it reveals but one purpose.
Not exact matches
Thus, the principles of
esthetic value here discussed may serve not only as guides in creating and appreciating what are called «art
objects» and as criteria of qualitative excellence in curricular matters outside of the arts, but as attributes of the good life and as a source of general educational aims.
Esthetic quality is said to have depth when the meaning of the perceived
object is not immediately apparent to the unpracticed observer, and when the
object is capable of yielding a succession of mutually enriching meanings.
The products of the so - called «fine arts» are exclusively devoted to
esthetic purposes, but they are not the sole
objects of
esthetic concern.
«e Henry Moore's
esthetic and Asian Scholar Stones, others are just found
objects as those utilized by Land Artists, such as Richard Long.